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Directed by | |||
| Benjamin Ross | |||
Writing credits(WGA) | ||
| John Logan | (written by) | |
| Richard Ben Cramer | (documentary "The Battle Over Citizen Kane") (in part) and | |
| Thomas Lennon | (documentary "The Battle Over Citizen Kane") (in part) | |
Produced by | |||
| Su Armstrong | .... | producer | |
| Diane Minter Lewis | .... | co-executive producer | |
| Ridley Scott | .... | executive producer | |
| Tony Scott | .... | executive producer | |
| Chris Zarpas | .... | co-executive producer | |
Original Music by | |||
| John Altman | |||
Cinematography by | |||
| Mike Southon | (director of photography) | ||
Film Editing by | |||
| Alex Mackie | |||
Casting by | |||
| Lora Kennedy | |||
| Joyce Nettles | |||
Production Design by | |||
| Maria Djurkovic | |||
Art Direction by | |||
| Lucinda Thomson | |||
Set Decoration by | |||
| Tatiana Macdonald | (as Tatiana Lund) | ||
Costume Design by | |||
| Stewart Meachem | |||
Makeup Department | |||
| Elaine Browne | .... | senior hair artist | |
| Elaine Browne | .... | senior makeup artist | |
| Lesley Noble | .... | makeup artist/hair stylist | |
| Demelza Rogers | .... | hair stylist: dailies | |
| Demelza Rogers | .... | makeup artist: dailies | |
| Roseann Samuel | .... | chief hair designer | |
| Roseann Samuel | .... | chief makeup designer | |
| Aileen Seaton | .... | hair artist: Ms. Griffith | |
| Aileen Seaton | .... | makeup artist: Ms. Griffith | |
| Karen Turner | .... | hair artist (as Karen Z.M. Turner) | |
| Karen Turner | .... | makeup artist (as Karen Z.M. Turner) | |
| Christina Webster | .... | makeup artist: dailies | |
Production Management | |||
| Stephen Barker | .... | post-production supervisor | |
| Tracey Gibbons | .... | post-production supervisor | |
| Nigel Gostelow | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| David Daniels | .... | first assistant director | |
| Toby Ford | .... | second assistant director | |
| Barney Hughes | .... | co-third assistant director | |
| Jo Schotting | .... | third assistant director | |
Art Department | |||
| Mark Adams | .... | chargehand painter | |
| Brian Aldridge | .... | dressing props | |
| Matt Amos | .... | painter | |
| Alan Bailey | .... | prop master | |
| Alan Briant | .... | dressing props | |
| Anthony Caron-Delion | .... | draughtsman | |
| David Chappell | .... | carpenter | |
| Liliana Cifonelli | .... | art department runner | |
| Nick Connor | .... | art department runner | |
| John Davies | .... | stand-by painter | |
| Neil Dickson | .... | stagehand | |
| Judy Ducker | .... | production buyer | |
| Billy Edwards | .... | stand-by propman | |
| Dave Fisher | .... | stand-by chargehand | |
| Martin Foley | .... | art department assistant | |
| Anthony Hill | .... | painter | |
| Peter Hodge | .... | stand-by stagehand | |
| Clare Holland | .... | scenic painter | |
| Tony Hoskins | .... | carpenter | |
| Paul Inglis | .... | stand-by art director | |
| Graham Jones | .... | carpenter | |
| Josh Jones | .... | stand-by carpenter (as Joshua Jones) | |
| Mark Keene | .... | carpenter | |
| Tony Knight | .... | props runaround | |
| Clifford Lay | .... | stagehand | |
| Nicholas Lloyd | .... | carpenter | |
| Karen Long | .... | storyboard artist | |
| Goggi Lund | .... | signwriter | |
| David Martin | .... | stagehand | |
| Sarah Millar | .... | construction accountant | |
| Clive Mitchell | .... | carpenter | |
| Nick Mollo | .... | dresser (as Nicholas Mollo) | |
| Nick Mollo | .... | storeman (as Nicholas Mollo) | |
| Eddie Murphy | .... | carpenter | |
| Matthew Parsons | .... | painter (as Matt Parsons) | |
| Brian Pickett | .... | stand-by rigger | |
| Stelios Polychronakis | .... | graphic artist | |
| Ian Ritchie | .... | carpenter | |
| Stuart Rushbrook | .... | carpenter (as Stewart Rushbrook) | |
| Russell Sargent | .... | carpenter | |
| Geoff Stainthorp | .... | chargehand carpenter | |
| Robin Thistlewaite | .... | construction manager (as Robin Thistlethwaite) | |
| Keith West | .... | props runaround | |
| Chris White | .... | carpenter | |
| David Williams | .... | carpenter | |
Sound Department | |||
| Nick Adams | .... | supervising sound editor | |
| Gordon Brown | .... | dialogue editor | |
| Sophie Cornet | .... | assistant sound editor | |
| Jonathan Cronin | .... | adr editor | |
| Clive Derbyshire | .... | sound recordist | |
| Mike Dowson | .... | sound re-recording mixer | |
| Diane Greaves | .... | foley artist (as Dianne Greaves) | |
| Michelle Greaves | .... | foley artist | |
| John Griffith | .... | foley editor | |
| Eddy Joseph | .... | additional supervising sound editor | |
| Peter Margrave | .... | sound maintenance engineer | |
| Ted Swanscott | .... | foley mixer | |
| Mark Taylor | .... | sound re-recording mixer | |
| Paul Wrightson | .... | sound effects editor | |
| Roberto Cappannelli | .... | sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Stuart Murdoch | .... | special effects | |
Visual Effects by | |||
| Steven Begg | .... | visual effects supervisor (as Steve Begg) | |
| Steve Boag | .... | optical crew: Cine Image | |
| Martin Bullard | .... | optical crew: Cine Image | |
| Angus Cameron | .... | digital effects supervisor: The Magic Camera Company | |
| Rob Dunbar | .... | visual effects | |
| John Goodinson | .... | designer: Cine Image | |
| Charles Green | .... | optical crew: Cine Image | |
| Robin Huffer | .... | 3D animator: The Magic Camera Company | |
| Antony Hunt | .... | executive producer: The Magic Camera Company (as Anthony Hunt) | |
| Rick Mietkowski | .... | effects cameraman: The Magic Camera Company | |
| Rick Mietkowski | .... | rostrum cameraman: The Magic Camera Company | |
| Lynn Perez | .... | Domino operator: The Magic Camera Company | |
| Daniel Pettipher | .... | 2D digital supervisor: The Magic Camera Company | |
| Ed Plant | .... | 2D digital artist: The Magic Camera Company | |
| Matthew Symonds | .... | designer: Cine Image (as Matt Symonds) | |
| Angie Wills | .... | digital effects producer: The Magic Camera Company | |
Stunts | |||
| Gabe Cronnelly | .... | stunt performer | |
| Sarah Franzl | .... | stunt performer | |
| Steve Griffin | .... | stunt performer (as Steve 'Street' Griffin) | |
| Richard Hammatt | .... | stunt coordinator | |
| Paul Herbert | .... | stunt performer | |
| Lee Sheward | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Kaiser Azim | .... | camera trainee (as Qaiser Azim) | |
| Stuart Barell | .... | clapper loader: "a/b" camera (as Stuart Barrell) | |
| Geoff Brown | .... | electrician | |
| Micky Brown | .... | gaffer | |
| Peter Casey | .... | generator operator | |
| Giles Christopher | .... | focus puller: "a" camera | |
| Alfie Emmins | .... | electrician | |
| Danny Espey | .... | electrician | |
| Jon Euesden | .... | electrician | |
| Ian Jackson | .... | camera operator | |
| Andy Kendall | .... | crane grip | |
| Dean Kennedy | .... | electrician | |
| Sam McCourt | .... | video assistant | |
| Steve Mcleod | .... | best boy (as Steve McLeod) | |
| Stephen Morley | .... | stills photographer | |
| Michael O'Donoghue | .... | focus puller: "b" camera | |
| Malcolm Sheehan | .... | key grip (as Malcolm J. Sheehan) | |
Casting Department | |||
| Louise Cross | .... | casting associate: UK | |
| Brendan Donnison | .... | adr voice casting: Lyps Inc. | |
| Kristy Sager | .... | casting associate: US | |
Costume and Wardrobe Department | |||
| Amanda Derby | .... | costume assistant | |
| Ali Goss | .... | costume supervisor | |
| Tim Guthrie | .... | wardrobe master | |
Editorial Department | |||
| Iain Erskine | .... | first assistant editor | |
| Bruce Everett | .... | post-production consultant | |
| Allan John | .... | laboratory liaison | |
| Helen Paszyn | .... | cutting room trainee | |
| Mike Stainer | .... | color timer (as Michael Stainer) | |
Music Department | |||
| John Altman | .... | conductor | |
| John Altman | .... | orchestration | |
| Matt Barr | .... | music assistant | |
| P.J. Bloom | .... | music coordinator | |
| Chris Dibble | .... | recording engineer | |
| Andrew Glen | .... | music editor (as Andy Glen) | |
| Isobel Griffiths | .... | music contractor | |
| The John Altman Big Band | .... | music performer: big band music | |
| Evyen Klean | .... | music consultant | |
| Tony Lewis | .... | music assistant | |
| Richard Mather | .... | assistant engineer | |
| Graham Read | .... | music preparation | |
| Toby Wood | .... | score recording engineer | |
Transportation Department | |||
| Gary Birmingham | .... | transportation captain | |
| Lia Bourne | .... | driver: artiste's trailers | |
| Colin Bressington | .... | driver: standby props | |
| Ravi Dube | .... | transportation coordinator (as Ravi Dubé) | |
| Denis Greening | .... | unit driver | |
| David Gwyther | .... | unit driver | |
| Colin Jeffrey | .... | driver: camera truck | |
| Townsley Knott | .... | driver: wardrobe truck (as Townley Knott) | |
| John Morris | .... | driver: make-up bus | |
| Enyo Mortty | .... | unit driver | |
| Sean O'Connor | .... | unit driver | |
| Simon Saunders | .... | unit driver | |
| James Shawyer | .... | driver: construction | |
| John Smith | .... | unit driver | |
| Fred Taylor | .... | unit driver | |
| John Tiny Topping | .... | driver: dining bus (as Tiny Topping) | |
| Tony Wadsworth | .... | stand-by driver: construction | |
Other crew | |||
| Betty Ainslie | .... | assistant accountant | |
| Colette Appleby | .... | stand-in | |
| Tex Avery | .... | security personnel | |
| Richard Ben Cramer | .... | consultant | |
| Sam Breckman | .... | location manager | |
| Roger Charles | .... | assistant accountant | |
| David Church | .... | stand-in | |
| Ginger Corbett | .... | unit publicist | |
| Bob Corff | .... | voice teacher | |
| Piers Dunn | .... | unit location manager | |
| Penny Dyer | .... | dialogue coach | |
| Michael Epstein | .... | consultant | |
| Tracey Gibbons | .... | assistant to producers | |
| Julia Hallawell | .... | unit publicist | |
| Ruth Halliday | .... | stock footage researcher | |
| Ann Hummel | .... | archive consultant | |
| Paul Jackson | .... | health and safety advisor | |
| Bryan Jacobs | .... | stand-in | |
| Carrie Johnson | .... | unit nurse | |
| Ed Kashiba | .... | production associate (as Edwin Kashiba) | |
| Debbie Kaye | .... | animal supplier | |
| Thomas Lennon | .... | consultant (as Tom Lennon) | |
| James Linton | .... | stand-in | |
| Sharon Moran | .... | assistant production coordinator | |
| Tom Moran | .... | assistant: Mr. Scott | |
| Duncan Muggoch | .... | location manager | |
| Hugh O'Conor | .... | assistant: Mr. Ross | |
| Debbie Pelham | .... | catering assistant | |
| Stefano Priori | .... | production accountant | |
| Deborah Ricketts | .... | stock footage researcher | |
| Megan Roberts | .... | floor runner | |
| Quinny Sacks | .... | choreographer | |
| Dominic Sakakini | .... | catering manager | |
| John Sargent | .... | post-production accountant | |
| Rob Seager | .... | assistant accountant | |
| Paul Smith | .... | production assistant | |
| Emily Stewart | .... | production assistant | |
| Heather Storr | .... | script supervisor | |
| Duncan Trillo | .... | magic consultant | |
| Thomas A. White | .... | representative: The Estate of Orson Welles, Beverly Hills, California | |
| Rob Wicks | .... | security personnel | |
| Suzie F. Wiesmann | .... | production coordinator (as Suzie [Ford] Wiesmann) | |
| Danny Wilde | .... | chef | |
| Catherine Charlton | .... | dialect coach: adr (uncredited) | |
Thanks | |||
| Anne Koch | .... | acknowledgment: excerpts from the radio play 'War Of The Worlds' by Howard Koch, copyright 1940, copyright renewed, courtesy of | |
| Shelgren Kyra | .... | the producers wish to thank for their assistance (as Kyra Shelgren) | |
| Don Ray | .... | special thanks | |
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| Malice in Wonderland | The Bad and the Beautiful | The Aviator | The Scarlett O'Hara War | Bugsy |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
I didn't know the history of the making of Citizen Kane, and while I enjoyed this movie quite a bit, I still doubt that I know much about it. The movie is attractive, I imagine that it's more or less factually correct, and the cast is generally good, but it doesn't feel "real". Hardly anything is ever as black and white as most of the movie, and even more to the point, the character doesn't manage to capture any of the "zing" that Wells had even as an old man. It's fun, but don't expect too much...