A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.
The Disciples of James Dean meet up on the anniversary of his death and mull over their lives in the present and in flashback, revealing the truth behind their complicated lives. Who is the... See full summary »
Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his radio hoax War of the Worlds, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with William Randolph Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman J. Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. The movie is about an aging newspaper publisher who controlled his enemies as ruthlessly as he controlled his friends; and whose mistress was destined for fame. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed. Written by
Greg Bulmash <firstname.lastname@example.org>
The film depicts Orson Welles meeting William Randolph Hearst whilst a guest at the latter's home, San Simeon. In reality, Welles never went there, and never met Hearst until after Citizen Kane (1941) had opened. (Their one, brief meeting was in a San Francisco elevator, according to Welles; there were no others present, and it may be that Welles made up the story and never actually met Hearst). See more »
When Welles and Mankiewicz are discussing the origin of the word "Rosebud", it is clear that both actors are mouthing the word "vagina", but in the audio, they both say "pussy". See more »
Near perfect movie about the making of CITIZEN KANE does not succeed 100% on document accuracy but for a movie, this is really good! Liev Shreiber plays surprisingly good for Orson although it is hard to detach him from the SCREAM trilogy. If you loved the masterpiece of CITIZEN KANE than maybe the movie is not meant for you. A surprise that this movie would not make it to the larger screen, probably because the target audience is too narrow. Anyone under 18 and/or has not watched the classic may need some guidance as to what the characters are actually saying. If you want a further look into CITIZEN KANE, this is your best bet unless you like the library!
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