Four members of the media are chosen as moderator and panel for the single televised debate of presidential candidates one week before the election. These four use the debate forum as never... See full summary »
Wild. Untamed. Legendary. Buffalo Girls celebrates the bold escapades of tough-talking Calamity Jane Canary and her illustrious cohorts. It's the waning days of the Wild West and Jane, the ... See full summary »
In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last... See full summary »
This film is based on a true story about a British teenager who allegedly poisoned family, friends, and co-workers. Graham is highly intelligent, but completely amoral. He becomes ... See full summary »
Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his "War of the Worlds" radio hoax, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed. Written by
Greg Bulmash <email@example.com>
The film depicts Orson Welles meeting William Randolph Hearst whilst a guest at the latter's home, San Simeon. In reality, Welles never went there, and never met Hearst until after "Citizen Kane" had opened. (Their one, brief meeting was in a San Francisco elevator, according to Welles; there were no others present, and it may be that Welles made up the story and never actually met Hearst). See more »
When Orson is sketching a picture during the orchestra scene, he draws a semi-circle around the head of a lone figure on his sketch pad. When the scene cuts to the next part, the circle is not there. See more »
Near perfect movie about the making of CITIZEN KANE does not succeed 100% on document accuracy but for a movie, this is really good! Liev Shreiber plays surprisingly good for Orson although it is hard to detach him from the SCREAM trilogy. If you loved the masterpiece of CITIZEN KANE than maybe the movie is not meant for you. A surprise that this movie would not make it to the larger screen, probably because the target audience is too narrow. Anyone under 18 and/or has not watched the classic may need some guidance as to what the characters are actually saying. If you want a further look into CITIZEN KANE, this is your best bet unless you like the library!
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