As the seasons change in a Connecticut town, two men of different age and backgrounds who work together outdoors for the local park system, share thoughts and feelings that gradually deepen... See full summary »
This film is based on a true story about a British teenager who allegedly poisoned family, friends, and co-workers. Graham is highly intelligent, but completely amoral. He becomes ... See full summary »
N has been a day patient at north London's Dorothy Fish day hospital for 13 years - her ambition is never to leave. Then she meets glamourous new patient Poppy Shakespeare, an ad agency receptionist convinced she's not mad.
Anna Maxwell Martin,
Shows the effects of a rear seat passenger not wearing a seat belt in a crash at 30 miles an hour. The passenger is thrown forward with the force of a three and a half ton elephant crushing the driver.
Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his "War of the Worlds" radio hoax, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed. Written by
Greg Bulmash <firstname.lastname@example.org>
The title refers to the production number given by RKO to Citzen Kane. See more »
When Orson is sketching a picture during the orchestra scene, he draws a semi-circle around the head of a lone figure on his sketch pad. When the scene cuts to the next part, the circle is not there. See more »
Orson, come into the light. Never stand in the shadows -- you were made for the light. Always remember that.
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i really liked this movie, even the bits with Melanie Griffith's which is something. I appreciate that people who are familiar with wells work might be a little bit more critical of the piece but i thought it was super. Liev Screiber was outstanding in the lead because he chose to play Wells as a man as opposed to simply doing an impression of an already famous face. He made Wells sympathetic and compelling even though lets face it, as the movie presents it hes not really that likable a man. Id definitely recommend it to any Liev Schreiber fans. Hearst is also presented as an unlikeable character, but Cromwell plays him with great dignity that you almost feel sorry for him.
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