In an ethereal, high-ceilinged room, women stand, waiting. Perhaps it's Purgatory and they're dead. In the room, two young women, one an actress and the other a psychologist, watch the last... See full summary »
Raymond Eames, a small-time drug dealer, has been sentenced to death for the shooting death of a policeman. After seven years of appeals are exhausted, the date of his execution arrives. ... See full summary »
Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his "War of the Worlds" radio hoax, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed. Written by
Greg Bulmash <email@example.com>
I didn't know the history of the making of Citizen Kane, and while I enjoyed this movie quite a bit, I still doubt that I know much about it. The movie is attractive, I imagine that it's more or less factually correct, and the cast is generally good, but it doesn't feel "real". Hardly anything is ever as black and white as most of the movie, and even more to the point, the character doesn't manage to capture any of the "zing" that Wells had even as an old man. It's fun, but don't expect too much...
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