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RKO 281 (1999)

TV Movie  -   -  Biography | Drama  -  20 November 1999 (USA)
7.1
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Ratings: 7.1/10 from 4,591 users  
Reviews: 45 user | 28 critic

Orson Welles produces his greatest film, Citizen Kane, despite the opposition of the film's de facto subject, William Randolph Hearst.

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, (documentary "The Battle Over Citizen Kane"), 1 more credit »
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Title: RKO 281 (TV Movie 1999)

RKO 281 (TV Movie 1999) on IMDb 7.1/10

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Won 2 Golden Globes. Another 7 wins & 15 nominations. See more awards »

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Cast

Cast overview, first billed only:
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George Schaefer
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Anastasia Hille ...
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Simeon Andrews ...
William Armstrong ...
Mr. Lewis
Jay Benedict ...
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Storyline

Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his "War of the Worlds" radio hoax, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed. Written by Greg Bulmash <greg@imdb.com>

Plot Summary | Add Synopsis

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for language and some graphic sexual images | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

Release Date:

20 November 1999 (USA)  »

Also Known As:

RKO 281: The Battle Over Citizen Kane  »

Box Office

Budget:

$12,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

16:9
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Did You Know?

Trivia

On the script are various other narratives of Orson Welles' work with his Mercury Theatre and his move from New York plays to Hollywood movies (mostly under the supposed "VOICE" character). See more »

Goofs

When Welles and Mankiewicz are discussing the origin of the word "Rosebud," it is clear that both actors are mouthing the word "vagina", but in the audio, they both say "pussy". See more »

Quotes

[Addressing the RKO shareholders]
Orson Welles: Good afternoon. Today a man from Germany invaded Greece. He's already swallowed Poland, Denmark, Norway, and Belgium. He's bombing London as I speak. Everywhere this man goes he crushes the life and the freedom of his subjects. He sews yellow stars on their lapels, he takes their voices. In this country, we still have our voices. We can argue with them, and we can sing, and we can be heard because we are, for the moment, free. No one can tell us what to say or ...
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Connections

References Gone with the Wind (1939) See more »

Soundtracks

I'm Getting Sentimental Over You
Written by George Bassman and Ned Washington
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User Reviews

 
fascinating film for fans of Welles, who of course will tear it to shreds
9 December 2004 | by (United States) – See all my reviews

Very interesting movie about the battle to get Citizen Kane made has carved out a tricky niche for itself; the movie is going to be most interesting to fans of Wells and Kane, and those people are going to have such specific expectations about what the movie should be that they can't be satisfied. I see a number of reviews here complaining that this movie doesn't show why Kane was a great movie, but that's not the movie that was being made. It is a short movie about a specific struggle, with brief glimpses into the filming, and unless it had been titled, "RKO 281: the making of Citizen Kane," you can't fault it for not spending an hour on Welles innovations. The film is entertaining, Schreiber is a good Welles and Malkovitch is also quite good. I note people also complain that the movie isn't all that accurate. I do wish the film had done a better job with Marian Davies, as one hears her described as fantastically charming and loved by Hollywood (it has been said that Welles' flaying of Davies did more to bring out the knives of the Hollywood press than his portrayal of Hearst). But come on, how can one complain about liberties taking with reality in a movie made about Welles, who loved taking liberties with reality?


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