Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his radio hoax War of the Worlds, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with William Randolph Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman J. Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. The movie is about an aging newspaper publisher who controlled his enemies as ruthlessly as he controlled his friends; and whose mistress was destined for fame. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed. Written by
Greg Bulmash <firstname.lastname@example.org>
The film shows RKO production chief George Schaefer announcing to Orson Welles and Herman Mankiewicz that he has lost his job on the very day of the opening of Citizen Kane (1941) in May 1941. In fact, Schaefer did not get fired until late in the following year, and this was less because he had promoted the film career of Orson Welles than because almost all the films RKO had made during his tenure had been flops. See more »
When Welles is shown crossing out dialogue in the "Citizen Kane" script, he is actually marking up pages from the "RKO 281" script! See more »
i really liked this movie, even the bits with Melanie Griffith's which is something. I appreciate that people who are familiar with wells work might be a little bit more critical of the piece but i thought it was super. Liev Screiber was outstanding in the lead because he chose to play Wells as a man as opposed to simply doing an impression of an already famous face. He made Wells sympathetic and compelling even though lets face it, as the movie presents it hes not really that likable a man. Id definitely recommend it to any Liev Schreiber fans. Hearst is also presented as an unlikeable character, but Cromwell plays him with great dignity that you almost feel sorry for him.
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