Orson Welles produces his greatest film, Citizen Kane (1941), despite the opposition of the film's de facto subject, William Randolph Hearst.

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, (documentary "The Battle Over Citizen Kane") | 1 more credit »
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Won 1 Golden Globe. Another 13 wins & 27 nominations. See more awards »

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Cast

Cast overview, first billed only:
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George Schaefer
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Anastasia Hille ...
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William Armstrong ...
Mr. Lewis
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Storyline

Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his radio hoax War of the Worlds, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with William Randolph Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman J. Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. The movie is about an aging newspaper publisher who controlled his enemies as ruthlessly as he controlled his friends; and whose mistress was destined for fame. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed. Written by Greg Bulmash <greg@imdb.com>

Plot Summary | Add Synopsis

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The true, behind-the-scenes story of the making of the greatest movie of all time, Citizen Kane. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for language and some graphic sexual images | See all certifications »

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Details

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Release Date:

20 November 1999 (USA)  »

Also Known As:

RKO 281: The Battle Over Citizen Kane  »

Box Office

Budget:

$12,000,000 (estimated)
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Technical Specs

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Aspect Ratio:

16:9
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Did You Know?

Trivia

The film shows RKO production chief George Schaefer announcing to Orson Welles and Herman Mankiewicz that he has lost his job on the very day of the opening of Citizen Kane (1941) in May 1941. In fact, Schaefer did not get fired until late in the following year, and this was less because he had promoted the film career of Orson Welles than because almost all the films RKO had made during his tenure had been flops. See more »

Goofs

When Welles and Mankiewicz are discussing the origin of the word "Rosebud", it is clear that both actors are mouthing the word "vagina", but in the audio, they both say "pussy". See more »

Quotes

Herman Mankiewicz: What about Marion?
Orson Welles: Another animal in his zoo.
Herman Mankiewicz: That is love to him. "I love you, I built you a beautiful cage."
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Connections

References Gone with the Wind (1939) See more »

Soundtracks

Finale
from Citizen Kane (1941)
Music by Bernard Herrmann
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User Reviews

 
fascinating film for fans of Welles, who of course will tear it to shreds
9 December 2004 | by (United States) – See all my reviews

Very interesting movie about the battle to get Citizen Kane made has carved out a tricky niche for itself; the movie is going to be most interesting to fans of Welles and Kane, and those people are going to have such specific expectations about what the movie should be that they can't be satisfied.

I see a number of reviews here complaining that this movie doesn't show why Kane was a great movie, but that's not the movie that was being made. It is a short movie about a specific struggle, with brief glimpses into the filming, and unless it had been titled, "RKO 281: The Making of Citizen Kane," you can't fault it for not spending an hour on Welles innovations.

The film is entertaining, Schreiber is a good Welles and Malkovitch is also quite good. I note people also complain that the movie isn't all that accurate. I do wish the film had done a better job with Marian Davies, as one hears her described as fantastically charming and loved by Hollywood (it has been said that Welles' flaying of Davies did more to bring out the knives of the Hollywood press than his portrayal of Hearst). But come on, how can one complain about liberties taking with reality in a movie made about Welles, who loved taking liberties with reality?


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