Biographical account of America's President for the latter part of WWII. Shows Truman's rise from small-town nobody to leader of the USA, his decision to use the Atomic Bomb against Japan, ... See full summary »
This film follows Norma Jean from her simple, ambitious youth to her superstar pinnacle and back down. She moves from lover to lover in order to further her career. She finds fame but never happiness, only knowing seduction but not love.
Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his "War of the Worlds" radio hoax, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed. Written by
Greg Bulmash <firstname.lastname@example.org>
The size of the principal actors had to be modified for their roles. The 6'3" Liev Schreiber had to bulk up to portray Orson Welles, while John Malkovich, who stands about 6'1" (a full head taller than the real Herman Mankiewicz), had to be made to look much slighter and smaller than usual. James Cromwell, who stands a towering 6'7", was surrounded by actors in lifts, as the real William Randolph Hearst was about 6'3" or 6'4". See more »
When Welles and Mankiewicz are discussing the origin of the word "Rosebud," it is clear that both actors are mouthing the word "vagina", but in the audio, they both say "pussy". See more »
If you are into vintage movies, vintage America and conspiracy theories, then this is an entertainment for you.
Many other reviews here have outlined the strengths and weaknesses of the film re the truth about the making of Kane, and the relative attributions of credit, blame and opprobrium. I'd like to inject a good word for Roy Scheider's portrayal of RKO boss George Schaefer: His character's struggle to find the right balance between keeping his east coast money men happy, his obvious liking for Welles and the desire to make good movies is very well portrayed.
Something I really enjoyed was the portrayal of Welles' and Mank's visit to the Hearst Castle at San Simeon, California. That is a fascinating place, which saw so many famous and talented people visit during Hearst's time there. There's a movie about the lifetime of that place to be made by someone, though I don't think anyone has ever attempted it? Apparently they didn't use the real location for RKO281 - a lot of it seems to have been done in London. Was that cost, or did the Hearst Castle trustees refuse....? Anyway, if you're up for a good tale woven around some known facts, but not sticking to them too tightly, take the RKO281 ride, you'll have fun. Just don't let it become your true picture of Mr Welles, Mr Hearst or (most of all) Mr Mankiewicz.
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