As the seasons change in a Connecticut town, two men of different age and backgrounds who work together outdoors for the local park system, share thoughts and feelings that gradually deepen... See full summary »
This film is based on a true story about a British teenager who allegedly poisoned family, friends, and co-workers. Graham is highly intelligent, but completely amoral. He becomes ... See full summary »
Shows the effects of a rear seat passenger not wearing a seat belt in a crash at 30 miles an hour. The passenger is thrown forward with the force of a three and a half ton elephant crushing the driver.
Coming to Hollywood as a celebrated boy genius featuring a spectacular career arc in New York including his "War of the Worlds" radio hoax, Orson Welles is stymied on the subject for his first film. After a dinner party at Hearst Castle, during which he has a verbal altercation with Hearst, Welles decides to do a movie about Hearst. It takes him some time to convince co-writer Herman Mankiewicz and the studio, but Welles eventually gets the script and the green light, keeping the subject very hush-hush with the press. When a rough cut is screened, Hearst gets wind of the movie's theme and begins a campaign to see that it is not only never publicly screened, but destroyed. Written by
Greg Bulmash <firstname.lastname@example.org>
The size of the principal actors had to be modified for their roles. The 6'3" Liev Schreiber had to bulk up to portray Orson Welles, while John Malkovich, who stands about 6'1" (a full head taller than the real Herman Mankiewicz), had to be made to look much slighter and smaller than usual. James Cromwell, who stands a towering 6'7", was surrounded by actors in lifts, as the real William Randolph Hearst was about 6'3" or 6'4". See more »
When Welles is shown crossing out dialogue in the "Citizen Kane" script, he is actually marking up pages from the "RKO 281" script! See more »
fascinating film for fans of Welles, who of course will tear it to shreds
Very interesting movie about the battle to get Citizen Kane made has carved out a tricky niche for itself; the movie is going to be most interesting to fans of Wells and Kane, and those people are going to have such specific expectations about what the movie should be that they can't be satisfied. I see a number of reviews here complaining that this movie doesn't show why Kane was a great movie, but that's not the movie that was being made. It is a short movie about a specific struggle, with brief glimpses into the filming, and unless it had been titled, "RKO 281: the making of Citizen Kane," you can't fault it for not spending an hour on Welles innovations. The film is entertaining, Schreiber is a good Welles and Malkovitch is also quite good. I note people also complain that the movie isn't all that accurate. I do wish the film had done a better job with Marian Davies, as one hears her described as fantastically charming and loved by Hollywood (it has been said that Welles' flaying of Davies did more to bring out the knives of the Hollywood press than his portrayal of Hearst). But come on, how can one complain about liberties taking with reality in a movie made about Welles, who loved taking liberties with reality?
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