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Quest for Camelot (1998)

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An adventurous girl, a young blind hermit, and a goofy two-headed dragon race to find the lost sword Excalibur to save King Arthur and Camelot from disaster.



(novel), (screenplay) | 3 more credits »
Nominated for 1 Oscar. Another 1 win & 5 nominations. See more awards »



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Cast overview, first billed only:
Kayley (voice)
Kayley (singing voice)
Garrett (voice)
Bryan White ...
Garrett (singing voice)
Ruber (voice)
Devon (voice)
Cornwall (voice)
Juliana (voice)
Juliana (singing voice) (as Celine Dion)
King Arthur (voice)
King Arthur (singing voice)
Griffin (voice)
Bladebeak (voice)
Lionel (voice)
Merlin (voice) (as Sir John Gielgud)


During the times of King Arthur, the story of an adventurous brave girl, named Kayley, whose father, a Knight of the Round Table, is killed by Sir Ruber, a maniacal brute who steals Excalibur and ultimately threatens to seize King Arthur's Camelot. Kayley enlists the blind, reclusive knight-aspirant Garrett and a goofy two headed dragon to brave the Enchanted Forest and retrieve the magic sword. Their adventure is also, of course, fraught with danger. Written by Anthony Pereyra {hypersonic91@yahoo.com}

Plot Summary | Add Synopsis


Garrett & Kayley: A noble warrior and a brave girl find the magical sword. See more »


G | See all certifications »

Parents Guide:



Official Sites:



Release Date:

15 May 1998 (USA)  »

Also Known As:

La espada mágica: La leyenda de Camelot  »

Filming Locations:


Box Office


$40,000,000 (estimated)

Opening Weekend USA:

$6,041,602, 17 May 1998, Wide Release

Gross USA:

$22,717,758, 9 August 1998

Cumulative Worldwide Gross:

$15,400,000, 18 October 1998
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

| |



Aspect Ratio:

1.85 : 1
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Did You Know?


Bill Kroyer, the original Director of the film, intended to make a darker film, more faithful in tone to the original book. Following the phenomenal successes of the films of the Disney Renaissance, Warner Brothers, among many other film studios, moved into feature animation, hoping to replicate similar successes with their own animated films. At Warner Brothers' behest, the director's vision for the film was rejected, in favor of a more Disney animated musical film-style, and the film was put into production before the story was even finalized. The complex plot and dark nature of the novel, The King's Damousel, were replaced with several animation trademarks of the 1990s-era: musical numbers, a strong female heroine, a power hungry antagonist who wants to usurp the kingdom, a romantic subplot where the couple lives happily ever after, talking animal sidekicks, and family-friendly comedy gags. See more »


In the second-to-the-last shot where King Arthur comes out of the keep after Excalibur is back in the stone, Garret's stick, which had previously been in two pieces in Arthur's projected path, scoots to the right and one piece (the top half) is missing. See more »


Garrett: [singing] Like every tree stands on its own,/ Reaching for the the sky, I stand alone./ I share my world with no one else./ All by myself, I stand alone/ I've seen your world/ With these very eyes./ Don't come any closer,/ Don't even try./ I've felt all the pain,/ Heard all the lies,/ But in my world, there's no comprimise./ Like every tree stands on its own,/ Reaching for the the sky, I stand alone./ I share my world with no one else./ All by myself, I stand alone.
See more »


References Young Frankenstein (1974) See more »


If I Didn't Have You
Written by Carole Bayer Sager and David Foster
Produced by David Foster and Carole Bayer Sager
Performed by Eric Idle and Don Rickles
See more »

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User Reviews

Enjoyable but flawed Arthurian Adventure
17 October 2000 | by See all my reviews

This is a film that I have watched several times now with the kids and find myself enjoying it more each time.

Previous comments have compared it unfavourably to Disney but this seems unfair - it is clearly a separate product, darker and more cynical than the works of that other company. The song by dragons Devon and Cornwall - 'Without You'- stands in stark contrast to, say, the sentiments of 'You and Me Together' in Disney's Oliver and Company. Neither could I imagine Ruber, with his particular vein of sarcastic villainy, appearing in the products of that more family centred studio.

The weakest individual moment, for me at least, is anachronistic. Devon and Cornwall sing about their mutual hostility, and their song is animated with some twentieth century props and in-jokes. This is a jarring note in a film which otherwise tries to maintain some sort of historical integrity. It is funny but creates a disruption that is hard to forget. (More acceptable is the 'Do you feel clucky?' line later on)

There has been some criticism of the animation quality, and it does seem to vary. Some of the movements of animals, in particular, seem jumpy at a distance. However balancing out these weaknesses are such scenes as the evocation of a cold morning, when Kayley hears of her father's death, and Ruber's splendid witchcraft scene.

Overall the film suffers from being underwritten - one wishes more time was taken in filling out character and incident before the final attack on Camelot. Cayley and Garrett fall in love too easily, while Devon and Cornwall (delightfully witty and charming creations) have too little to do. And what happens to Merlin? He's reduced to flying a bird. It's a shame as other supporting characters, like the Gryphon and the axe chicken are very well judged, and completely memorable. More unforgivable is the character of King Arthur, who is just bland.

On the plus side, this is still a good film, utterly free of pretension. Ruber's magical creation of his henchman is a highlight, a demoniac sequence that is quite thrilling, a brilliant musical set piece that moves the plot forward, sparking huge suspense. His creations are delightfully original in themselves, frightening and intriguing in equal measure. Watching it again I was reminded of how little of this quality of real wonder appears in another non-Disney animation, Prince of Egypt - a much more favourably received work, and far more earnest in tone.

This Arthurian adventure can be quite revealing in comparison when taken this as an unofficial sequel to The Sword in The Stone, throwing stereotypical Disney values and methods into greater relief. In its own right it is very enjoyable in any case, although it could have been even better with some extended work on the script.

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