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Martin Blank is a professional assassin. He is sent on a mission to a small Detroit suburb, Grosse Pointe, and, by coincidence, his ten-year high school reunion party is taking place there at the same time.
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Nick and the other boys (and Vicki Lewis) working the hotspot of air traffic control in New York are impressed with themselves, to say the least. They thrive on the no-room-for-error, fast-paced job and let it infect their lives. The undisputed king of pushing tin, "The Zone" Falzone, rules his workplace and his wedded life with the same short-attention span that gets planes where they need to be in the nick of time. That is, until Russell Bell, a new transfer with a reputation for recklessness but a record of pure perfection shatters the tensely-held status quo. The game of one-upmanship between the two flies so high as to lead Nick into Russell's bed with his wife. His sanity slipping just as fast as his hold on #1, Cusack's controller is thrown out-of-control when Thornton's wanderer quietly leaves town. Nick must now find a way to regain his sanity and repair his marriage before he breaks down completely. Written by
John Oliver, on his show "Last Week Tonight," endorsed this movie on YouTube as a snorefest. See more »
Several scenes show characters in the movie standing beneath landing jet airliners and being tumbled by the "turbulence." In fact, the downwash from the wings of a jet airliner during landing will not send a person tumbling, and won't have much effect at all other than to muss up the hair a bit. The jet blast from an airliner taking off is dangerous and can send people and vehicles behind it tumbling, but there is no particular danger beneath a landing aircraft. See more »
Here's 1999's winner for the film least likely to be shown during an overseas flight. Cusack stars as a hotshot air traffic controller whose top dog status is threatened by the arrival of the equally gifted but enigmatic Billy Bob Thornton. Cusack's mounting rivalry with the inscrutable Thornton eventually consumes his personal life as he falls prey to Thornton's sexy wife (Angelina Jolie) and his marriage (to Cate Blanchett) gradually disintegrates. Director Mike Newell showed great flair in balancing comedy and drama in 1994's "Four Weddings And A Funeral", but here the mix is less assured and the extremes far too close together. Only fitfully amusing, "Pushing Tin" too rarely concentrates on its examination of air traffic controllers and their daily stresses, opting instead for a simple one-upmanship plotline with a superficial and sometimes flippant look at the men and women within whose hands we entrust our lives. The four leads are more than adequate in their roles, though the characters portrayed by Blanchett and Jolie (excellent during her brief appearances) are all but forgotten for long stretches at a time. As for rental possibilities, visibility should remain zero.
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