When Joseph receives a beautiful coat from his parents, his eleven brothers hate him even more and are driven to sell him to desert merchants who take him to Egypt! There he is made the ... See full summary »
The sailor of legend is framed by the goddess Eris for the theft of the Book of Peace, and must travel to her realm at the end of the world to retrieve it and save the life of his childhood friend Prince Proteus.
This is the extraordinary tale of two brothers named Moses and Ramses, one born of royal blood, and one an orphan with a secret past. Growing up the best of friends, they share a strong bond of free-spirited youth and good-natured rivalry. But the truth will ultimately set them at odds, as one becomes the ruler of the most powerful empire on earth, and the other the chosen leader of his people! Their final confrontation will forever change their lives and the world. Written by
Anthony Pereyra <email@example.com>
After the credits of the film, there are three excerpts praising Moses. "Never again did there arise in Israel a prophet like Moses, whom the Lord singled out face to face..." (Hebrew Bible-Deuteronomy 34:10) "[Moses] was sent to be their ruler and deliverer by God himself..." (New Testament-Acts 7:35) "And call to mind, through his divine writ, Moses. Behold he was a chosen one, and was an apostle [of God], a prophet." (Qur'an-Surah 19:51) See more »
When the plagues destroy Egypt, not a lot of monuments are shown being toppled. However, in the song "When You Believe", when the Hebrews are walking through the ruins of Egypt, there is far more damage and destruction of Egypt that what was seen in the Plagues. However, the entire breadth of the plagues could not be shown since, in the record of them, the plagues last a lot longer than a few minutes, leaving the possibility that we didn't get to see all of the destruction. See more »
Mud... Sand... Water... Straw. Faster! Mud... and lift... sand... and pull... water... and raise up! Straw... Faster!
With the sting of the whip on my shoulder, with the salt of my sweat on my brow... Elohim, God on high, can you hear your people cry? Help us now, this dark hour... Deliver us, hear our call, deliver us, Lord of all! Remember us, here in this burning sand! Deliver us, there's a land you promised us! Deliver us to the promised land!
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At the very end of the credits the movie showed lines about Moses from the hebrew bible, the new testament, and the Koran See more »
Why are you sitting there when you could be seeing this film?
Quite possibly the most astonishing achievement in animation since Beauty and the Beast (and surpassing same), The Prince of Egypt is a lovingly crafted, engaging piece of cinema. The main characters are well-realized, three-dimensional characters. The focus of the film is the conflict between Ramses and his adopted brother, Moses, set against the backdrop of the epic events in the book of Exodus. The result is a religious tale that treats the oft-ignored human element. Instead of merely relating the tale as it is, the story asks "how would a person *feel* if God appeared to them and told them to do this? How would others react?" The script is light-years beyond any past biblical epic. The animation style owes a small debt to Disney's house style, but goes above and beyond in the details in character design (the Hebrews and Egyptians and Midians are clearly of different ethnic backgrounds, and no character suffers from the doe-eyed Disney Belle syndrome). Computer Generated Imagery blends -- for the first time in an animated film -- seamlessly with traditional cel animation. The film also takes some fairly audacious risks; Moses has a dream sequence in stiffly animated hieroglyphics, completely switching animation styles for about five minutes, which I believe is completely unprecedented in animation. There are moments when the visual effects made me forget to breathe. If you blink during the parting of the red sea, you'll regret it. There is, I believe I can safely say, not a second of the film that does not offer some sort of visual delight -- from the deep symbolism of the hieroglyphics to the dizzying chariot race in the opening sequence. The music has been touted by some critics as the film's weak link; such is definitely not the case. Stephen Schwartz' songs combine elements of Broadway-esque show tunes with native Hebrew and Egyptian music. The songs are powerful and moving, sometimes no more than one verse in length, sometimes full-blown seven-minute extravaganzas like "Let My People Go." The one weaker song, surprisingly, is the theme "When You Believe." Even freed from Mariah Carey/Whitney Houston R&B cheese as it is in the movie, it's a watery definition of faith at best. Still, the scene in which it takes place is powerful and the song is beautifully performed. If the film has a weak link, it might be the voice casting,Val Kilmer and Patrick Stewart in particular. The two voices are distinctive of the gentleman who possess them, and thus are distracting in this format. But such is a minor quibble, and should not dissuade anyone from seeing the greatest animated story ever told.
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