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The Prince of Egypt (1998)

6.9
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Ratings: 6.9/10 from 75,964 users   Metascore: 64/100
Reviews: 339 user | 121 critic | 26 from Metacritic.com

An Egyptian prince learns of his identity as a Hebrew and, later his destiny to become the chosen deliverer of his people.

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(screenplay), (additional screenplay material)
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Title: The Prince of Egypt (1998)

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Won 1 Oscar. Another 8 wins & 25 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
Moses / God (voice)
...
Rameses (voice)
...
Tzipporah (voice)
...
Miriam (voice)
...
Aaron (voice)
...
Jethro (voice)
...
Seti (voice)
...
The Queen (voice)
...
Hotep (voice)
...
Huy (voice)
Bobby Motown ...
Rameses Son (voice)
...
Young Miriam (voice)
Ofra Haza ...
Yocheved (voice)
...
Additional Voices (voice)
...
Additional Voices (voice)
Edit

Storyline

This is the extraordinary tale of two brothers named Moses and Ramses, one born of royal blood, and one an orphan with a secret past. Growing up the best of friends, they share a strong bond of free-spirited youth and good-natured rivalry. But the truth will ultimately set them at odds, as one becomes the ruler of the most powerful empire on earth, and the other the chosen leader of his people! Their final confrontation will forever change their lives and the world. Written by Anthony Pereyra <hypersonic91@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

Two brothers united by friendship divided by destiny See more »


Motion Picture Rating (MPAA)

Rated PG for intense depiction of thematic elements | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

18 December 1998 (USA)  »

Also Known As:

El príncipe de Egipto  »

Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend:

£725,559 (UK) (18 December 1998)

Gross:

$101,217,900 (USA) (14 May 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

It was originally intended that a woman and a child's voice would also be used, as God, but it was decided that might offend some viewers. Hence Val Kilmer played the voice of God also. See more »

Goofs

When Moses is dragged by the camel, his arm is looped through a brown bag filled with water. Just before his head hits the well, his arm is looped through a red strap. See more »

Quotes

[first lines]
Overseers: [chanting] Mud... Sand... Water... Straw. Faster! Mud... and lift... sand... and pull... water... and raise up! Straw... Faster!
Hebrews: [singing] With the sting of the whip on my shoulder, with the salt of my sweat on my brow... Elohim, God on high, can you hear your people cry? Help us now, this dark hour... Deliver us, hear our call, deliver us, Lord of all! Remember us, here in this burning sand! Deliver us, there's a land you promised us! Deliver us to the promised land!
See more »

Crazy Credits

At the very end of the credits the movie showed lines about Moses from the hebrew bible, the new testament, and the Koran See more »

Connections

Referenced in Hewy's Animated Movie Reviews: Mars Needs Moms (2011) See more »

Soundtracks

Deliver Us
Performed by Ofra Haza and Eden Riegel
Ofra Haza appears courtesy of BMG Ariola Munich
Produced by Hans Zimmer
Additional arrangements by Martin Erskine and Andrew Lippa
Music and Lyrics by Stephen Schwartz
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Credit where credit is due
28 December 1998 | by (Chicago, IL USA) – See all my reviews

This is very possibly the finest animation I've seen. Before commenting on the film as a whole, I want to make that clear, because in the inevitable rush to pick this film apart (the plot, the voices, the religious significance, the literary accuracy, the moral issues, the music, the comparisons with Disney and de Mille, etc...) one might easily become distracted from the aesthetic and technical triumphs of The Prince of Egypt, and that would be unfortunate. As someone who has an interest and appreciation of animation, I can say that this is the first film I've seen that successfully integrates computer-generated animation and traditional animation (and I've seen many attempts). More importantly, as someone who has eyes, I can say that the result is a visual experience of intense style and beauty. In fact, the initial depiction of Egypt is so breathtaking, that it seriously hinders the film's later efforts to vilify it.

Comparisons with Disney are inevitable, especially because Prince of Egypt employs tired Disney formula in an attempt, I assume, to remain economically viable. What a shame, since Disney hasn't made a decent film since Aladdin. I am referring, of course, to the unnecessary musical numbers and the two high priests, the film's comic relief, who are drawn grossly out of proportion to the other characters. Even worse than their unoriginality, however, is the open mockery of ancient Egyption religion and culture, which these two characters embody. I found their musical number especially appalling. On the other hand, it's a story in which the protagonists succeed only through a greater capacity for cruelty and destruction and the slaughter of innocent children, so it's kind of hard to nail down any concrete moral standard here.

In general, I thought the story was well told, with solid direction and a good script. The only complaint I have about the voice acting is that Jeff Goldblum's unmistakable mannerisms seriously distract from his character. I suspect that I wasn't really bothered by the others only because I hadn't seen a cast list before seeing the film. I wish they would stop relying on celebrity voices for animated features. No character can be effective if the viewer can't separate the voice from the actor supplying it.

The bottom line is, despite any objections, complaints, or concerns I might have about this film, despite the moral, religious, or idealogical issues it brings up, and despite the $8 and two hours you'll spend, this film is worth seeing. It's worth seeing because of the animation. I hope it sets a new standard for feature-length animated films. At the very least, I think it will show the movie-going public what the medium is capable of.


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