7.5/10
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704 user 172 critic

Pleasantville (1998)

Two 1990s teenage siblings find themselves in a 1950s sitcom where their influence begins to profoundly change that complacent world.

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2,945 ( 423)

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ON DISC
Nominated for 3 Oscars. Another 18 wins & 41 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Paul Morgan Stetler ...
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Storyline

David Wagner is a kid whose mind is stuck in the 1950s. He's addicted to a classic 50's sitcom television show called "Pleasantville". Pleasntville is a simple place, a place where all of its citizens are swell and simple-minded folks, a place where the word "violence", and life outside of Pleasantville, is unbeknown to its inhabitants; things are perfect down in Pleasantville. One evening, the life of David and his obnoxious sister Jennifer take a bizarre turn when an eccentric repairman hand them a supposed magical remote. After a quarrel between the siblings, they inexplicably zap themselves into the world of "Pleasantville". Now, David and Jennifer must adjust to a 50s lifestyle of repressed desires and considerably different societal values while trying to find their way home. Written by Kyle Perez

Plot Summary | Plot Synopsis

Taglines:

Pleasantville - It's Just Around the Corner See more »

Genres:

Comedy | Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements emphasizing sexuality, and for language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

23 October 1998 (USA)  »

Also Known As:

Amor a colores  »

Filming Locations:

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

$8,855,063 (USA) (23 October 1998)

Gross:

$40,568,025 (USA) (26 March 1999)
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Early appearances of color: the red rose, after the encounter at Lover's Lane;
  • pink bubblegum seen in the hallway at school;


  • one girl's pink tongue;


  • the red hearts of the cards in the bridge hand;


  • the subtle green of the car in front of the diner;


  • the jukebox in the diner becomes multicolored the guy in front of the jukebox combs his hair with a yellow comb Jennifer's red cherry on her shake in the diner;


  • the pink cherry blossoms reflected in the side mirror of the car;


  • the subtle green of the grass at Lover's Lane before it turns completely colorized.


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Goofs

When Bud is about to go to work for the first time, Mary Sue complains to him about having to wear falsies on her date. When she's talking to her date at the restaurant, the falsies are gone. She's wearing them again right after her date is over and she walks into the house. See more »

Quotes

[first lines]
[David is gazing admiringly at a pretty blonde girl]
David: *Hi*
[chuckles]
David: I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...]
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Crazy Credits

The New Line logo plays in complete silence. See more »

Connections

Featured in Siskel & Ebert: Memo to the Academy - 1999 (1999) See more »

Soundtracks

Lawdy Miss Clawdy
Written by Lloyd Price
Performed by Larry Williams
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Frequently Asked Questions

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User Reviews

 
A brilliant fairytale..
28 March 2001 | by (Kingston, Ontario) – See all my reviews

I thoroughly enjoyed "Pleasantville" from the 'Once upon a time' through the film fading to black.

The acting was top notch all around, as was the use of special effects; in very few films has colour been used so effectively that it can convey a story seemingly without help from dialogue or music.

I can see how some people would perceive it as merely another mouthpiece of liberalism, but I watched it twice, and I only noticed it attacking bigotry and censorship. What was wrong wasn't that these people were living according conservative values, but that they didn't really choose those values in the first place!

I like the fact that the film was bold, and that it made its point as directly as it contrasted the black and white with the splotches of Technicolour. While "Pleasantville" had little subtlety in its allegory, it was, like any good fairytale, beautiful in its simplicity.

Nine out of ten =)


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