David, single, lonely and not happy with his life, flees reality by watching Pleasantville - a 1950's b&w soap opera, where everything is just that... pleasant. His sister Jennifer, sexually far more active than her brother, gets in a fight with him about a very strange remote control. The remote was given to them just seconds after the TV broke, by an equally strange repair man. They suddenly find themselves in Pleasantville, as Bud and Mary-Sue Parker, completely assimilated and therefore black and white, in clothes a little different and with new parents... pleasant ones. David wants to get out of the situation as well as his sister, but whereas he tries to blend in (effortlessly, with his knowledge), she does whatever she wants to do. One event leads to the other, and suddenly there is a red rose growing in Pleasantville. The more rules are broken, the more colorful life gets in Pleasantville, USA. Written by
Julian Reischl <firstname.lastname@example.org>
While David answers questions in the diner scene, the music in the background is Take Five from Dave Brubeck's album Time Out. Almost all jazz is written in 4/4 time, but the Time Out album consists solely of tracks with non 4/4 time signatures. The Take Five cut, for example, is 5/4. Thus, with the song and in the movie, we are invited into a new world of possibility. See more »
In the bowling alley sequence, the scene begins with two or three 7-10 splits being picked up. Later in the same scene when the mayor is speaking with the scores behind him there are no 8 pin spares listed, only 9 pin spares. See more »
[David is gazing admiringly at a pretty blonde girl]
I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...] See more »
The New Line logo plays in complete silence. See more »
Pleasantville should be nominated for Best Director and Best Cinematography, and perhaps Best Supporting Actor for William H. Macy. Joan Allen, Jeff Daniels and Tobey Maguire are also excellent, and the idea is brilliant. In other words, this film is one of the best of the year. It is fun for the eyes and filled with wonderful allusions to great books and other films, not to mention some similar events in our country's past. If you will let yourself go from reality and put a little thought into it, you will realize the sheer genius behind this film. The messages were plenty and appropriate, and while it is extremely fun to watch, it still is able to evoke deeper emotions. Fantastic, and my vote for second best film of the year behind Saving Private Ryan.
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