A brother and sister from the 1990s are sucked into their television set and suddenly find themselves trapped in a 1950s style television show. Here they have loving parents, old fashioned values, and an overwhelming amount of innocence and naivete. Not sure how to get home, they integrate themselves into this "backwards" society and slowly bring some color to this black and white world. But as innocence fades, the two teens begin to wonder if their 90s outlook is really to be preferred. Written by
R. P. Falvey
The Native American in the test pattern behind Don Knotts changes to angry and then sad as the movie progresses. See more »
On their way to school on the first day, Jennifer/Mary Sue gets angry and pulls her hair clips out - just before Skip pulls up in his car. After Skip drives away her hair is suddenly clipped back again. See more »
[David is gazing admiringly at a pretty blonde girl]
I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...] See more »
The New Line logo plays in complete silence. See more »
Brief recap of story: A brother and sister from the 1990s are magically transported into the world of a fictitious television show from the 1950s. There actions have consequences and result in major changes with the characters from the show.
The misandric (anti-male) messages abound. As the (positive) changes occur in the town, the adult males are the ones that are shown as being adamantly opposed,and are shown as stereotypical stuck-in-the-muds that don't like change. The adult males are shown as incompetents that are unable to even cook for themselves and gripe about having no one (i.e. their wives, which they are *dependant* upon like children) cook, clean or prepare their clothing for them.
The movie goes into depth to portray what the expectations of women back in the 1950s (e.g. cooking and cleaning), yet does NOTHING to portray the limitations and responsibilities imposed upon males, like providing for the family, wearing a suit and tie everyday and "male"-oriented work like yardwork. As with most aspects of modern culture, only the lamentations of frustrated women are shown and males are shown as living in a utopian society with no worries or limits.
Just as other movies, this movie shows a woman having a extra marital affair and it is "justified" because she has grown weary of her married life. Despite the fact that she never *discusses* the matter with her husband, who remains OBLIVIOUS to the changes that are happening, she has decided that her husband cannot cope with her newly discovered sexual desires and seeks out another man. This, of course, would be *taboo* if a man had done it; there are enough movies showing what a creep a man is who cheats on his wife, yet a when a woman has an affair it is always "justified". The father character is shown as being a nice guy, who never accosts his family, provides for them and seems to do nothing wrong, yet this also portrays him as being boring and therefore needs to change.
The movie started with an interesting premise and had really good acting and good special effects, I just found it difficult to stomach the frequent negative attitudes about males and the male bashing. This movie would fit in well in the book, Misandry: The Teaching of Contempt for Males in Popular Culture.
Overall the movie was pretty hypocritical. The basic premise was, "People should be free to do what they want, as long as what they want is what we tell them they want." For example, the father character was comfortable and happy with his old life. *That* was the life he wanted and he was happy with it. But this is portrayed as wrong because he is not "changing" his lifestyle to conform to what the other people are saying. Huh?
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