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Two 1990s teenagers find themselves in a 1950s sitcom where their influence begins to profoundly change that complacent world.

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Nominated for 3 Oscars. Another 17 wins & 41 nominations. See more awards »

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Cast

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Paul Morgan Stetler ...
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Storyline

David, single, lonely and not happy with his life, flees reality by watching Pleasantville - a 1950's b&w soap opera, where everything is just that... pleasant. His sister Jennifer, sexually far more active than her brother, gets in a fight with him about a very strange remote control. The remote was given to them just seconds after the TV broke, by an equally strange repair man. They suddenly find themselves in Pleasantville, as Bud and Mary-Sue Parker, completely assimilated and therefore black and white, in clothes a little different and with new parents... pleasant ones. David wants to get out of the situation as well as his sister, but whereas he tries to blend in (effortlessly, with his knowledge), she does whatever she wants to do. One event leads to the other, and suddenly there is a red rose growing in Pleasantville. The more rules are broken, the more colorful life gets in Pleasantville, USA. Written by Julian Reischl <julianreischl@mac.com>

Plot Summary | Plot Synopsis

Taglines:

Pleasantville - It's Just Around the Corner See more »

Genres:

Comedy | Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements emphasizing sexuality, and for language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

23 October 1998 (USA)  »

Also Known As:

Amor a colores  »

Filming Locations:

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

$8,855,063 (USA) (23 October 1998)

Gross:

£790,203 (UK) (26 March 1999)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

For the sequence where Bud is applying the gray makeup to his mother, the color of the makeup was actually green. When they had to "black-and-white" the scene, the shades of green came out the best for the appropriate shades of her "gray" make-up. Conversely, when Betty first visits the soda shop, she is in full gray makeup which meant that Joan Allen was shot wearing full green make-up that is subsequently removed by Bill Johnson (Jeff Daniels). See more »

Goofs

In the bowling alley, we are shown a sequence of 7-10 splits converted to spares. This should be marked as an 8-/ on a scorecard. However on the scoreboard projected behind Bob, there are no frames with any 8s. Even if the scores hadn't been recorded yet, we should at the very least see 8s with the top right squares blank. See more »

Quotes

[first lines]
[David is gazing admiringly at a pretty blonde girl]
David: *Hi*
[chuckles]
David: I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...]
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Crazy Credits

The New Line logo plays in complete silence. See more »

Connections

Referenced in Gilmore Girls: Go, Bulldogs! (2006) See more »

Soundtracks

(Let Me Be Your)Teddy Bear
Written by Kal Mann and Bernie Lowe
Performed by Elvis Presley
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Frequently Asked Questions

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User Reviews

 
A brilliant fairytale..
28 March 2001 | by (Kingston, Ontario) – See all my reviews

I thoroughly enjoyed "Pleasantville" from the 'Once upon a time' through the film fading to black.

The acting was top notch all around, as was the use of special effects; in very few films has colour been used so effectively that it can convey a story seemingly without help from dialogue or music.

I can see how some people would perceive it as merely another mouthpiece of liberalism, but I watched it twice, and I only noticed it attacking bigotry and censorship. What was wrong wasn't that these people were living according conservative values, but that they didn't really choose those values in the first place!

I like the fact that the film was bold, and that it made its point as directly as it contrasted the black and white with the splotches of Technicolour. While "Pleasantville" had little subtlety in its allegory, it was, like any good fairytale, beautiful in its simplicity.

Nine out of ten =)


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