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Pleasantville (1998)

7.5
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Ratings: 7.5/10 from 90,200 users   Metascore: 71/100
Reviews: 676 user | 162 critic | 32 from Metacritic.com

Two 1990s teenagers find themselves in a 1950s sitcom where their influence begins to profoundly change that complacent world.

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Title: Pleasantville (1998)

Pleasantville (1998) on IMDb 7.5/10

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Nominated for 3 Oscars. Another 17 wins & 31 nominations. See more awards »

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Cast

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Storyline

A brother and sister from the 1990s are sucked into their television set and suddenly find themselves trapped in a 1950s style television show. Here they have loving parents, old fashioned values, and an overwhelming amount of innocence and naivete. Not sure how to get home, they integrate themselves into this "backwards" society and slowly bring some color to this black and white world. But as innocence fades, the two teens begin to wonder if their 90s outlook is really to be preferred. Written by R. P. Falvey

Plot Summary | Plot Synopsis

Taglines:

Nothing Is As Simple As Black And White. See more »

Genres:

Comedy | Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements emphasizing sexuality, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 October 1998 (USA)  »

Also Known As:

Amor a colores  »

Filming Locations:

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

£322,622 (UK) (12 March 1999)

Gross:

£790,203 (UK) (26 March 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The jukebox in Mr. Johnson's malt shop is a 1952 Seeburg M100C, known in collector circles as the "Happy Days" jukebox due to its appearance in the opening/closing segments of the ABC-TV series. See more »

Goofs

The closing credits end with "Dedicated to: J.T. Walsh 1943-1997". However, J.T. Walsh died in 1998. See more »

Quotes

[first lines]
[David is gazing admiringly at a pretty blonde girl]
David: *Hi*
[chuckles]
David: I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...]
See more »

Crazy Credits

The New Line logo plays in complete silence. See more »

Connections

References Do the Right Thing (1989) See more »

Soundtracks

Rave On
Written by Norman Petty, Bill Tilghman and Del 'Sonny' West
Performed by Buddy Holly
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

a wonderful many layered experience that put a smile on my face again
18 December 1999 | by See all my reviews

i wish i had the ability to put into a 1000 words what this movie impressed upon me. sadly enough, i am a verbose person, inclined to write and write and write, following a train of thought that never ends. however, i shall certainly give it a try, without botching it up. after having viewed this movie, i sat a while in my chair, watching the end credits play and listening to the music as it played along. not until the tape rewinded did i fully realise that i had watched a really good movie again, one that spoke on more levels than the simple obvious ones.

if i were to speak of one of the main things in this movie that are so incredibly important, it's the fact that it speaks about people and society, and the patterns inherent in them. in the beginning, you see reese witherspoon in a normal 90's class situation, following what is a 'normal' situation in that environment. then she is dropped into pleasantville, and what happens? she loses all reference points towards a life that seems right to her; she misses her pattern in life. the first thing that happens is she tries to enforce it again, resulting in the start of the major happenings of the movie, and somewhere along the line, softly swerves away from it and finds another pattern. once she reads a book, and stays put reading in it while she could have gone out to 'do it', you know things have changed.

william c. macy shows the same thing when he gets home, and his wife isn't there to greet him, and i could go on for ages to point to this, but i'd be overstepping my boundaries of these 1000 words, and definitely spoil someone elses movie experience. fact is, almost every single storyline in this movie is about change, change brought about because someone is stuck in a pattern and feels something is wrong, or through the self discovery that is inherent in every single one of us. not only that, it also shows how fear of breaking established patterns can bring out the worst, or get the upheaval that the major starts with his 'concerned citizens'. but even beyond all this, all the explanations and thought provoking issues that it brings up, if alone for the beauty of it and for the precious score that is attached, one should at least consider seeing it. i am personally a very jaded person concerning movies, having seen more than probably even a professional movie reviewer has seen taking my age as his career.

even with that in mind, i thank my lucky stars for picking this up on a whim and getting a look at something that has taken me in more than most of the movies this year. several of the scenes are priceless, and as someone before commented, the drive through a black and white scenery with coloured blossom weaving through the soft winds will leave you breathless.

in short, if you feel like watching a wonderful movie, catch this one and be impressed; try to follow the patterns every character exhibits and think about what the colour means in that sense, how it brings life back, how change is life.


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