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Pleasantville (1998)

7.5
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Ratings: 7.5/10 from 90,898 users   Metascore: 71/100
Reviews: 676 user | 162 critic | 32 from Metacritic.com

Two 1990s teenagers find themselves in a 1950s sitcom where their influence begins to profoundly change that complacent world.

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Title: Pleasantville (1998)

Pleasantville (1998) on IMDb 7.5/10

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Nominated for 3 Oscars. Another 18 wins & 31 nominations. See more awards »

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Cast

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Paul Morgan Stetler ...
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Storyline

A brother and sister from the 1990s are sucked into their television set and suddenly find themselves trapped in a 1950s style television show. Here they have loving parents, old fashioned values, and an overwhelming amount of innocence and naivete. Not sure how to get home, they integrate themselves into this "backwards" society and slowly bring some color to this black and white world. But as innocence fades, the two teens begin to wonder if their 90s outlook is really to be preferred. Written by R. P. Falvey

Plot Summary | Plot Synopsis

Taglines:

Nothing Is As Simple As Black And White. See more »

Genres:

Comedy | Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements emphasizing sexuality, and for language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

23 October 1998 (USA)  »

Also Known As:

Amor a colores  »

Filming Locations:

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

£322,622 (UK) (12 March 1999)

Gross:

£790,203 (UK) (26 March 1999)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The scores projected during the bowling alley scene indicate all the bowlers are on pace for final scores of 230 or better. Two bowlers have perfect scores through eight frames. See more »

Goofs

When Bud pulls up in the fire truck to put out the tree fire, he pulls a charged hose from the back of the truck. Hoses in the back of an engine are not connected to the engine's pump, and water would not flow until the pump was engaged. See more »

Quotes

[first lines]
[David is gazing admiringly at a pretty blonde girl]
David: *Hi*
[chuckles]
David: I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...]
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Crazy Credits

The New Line logo plays in complete silence. See more »

Connections

References Back to the Future (1985) See more »

Soundtracks

Rave On
Written by Norman Petty, Bill Tilghman and Del 'Sonny' West
Performed by Buddy Holly
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
I heard about this movie, but I didn't know that it would be THIS good....
8 April 2000 | by (Silver Spring, Maryland, U.S.A.) – See all my reviews

I knew what this film would be about before I rented it, but I'm stunned that it would be THIS good. Nothing against "Saving Private Ryan" or "Shakespeare in Love", but this film should have won Best Picture in 1998 and it was a shame that it wasn't nominated. It's an even bigger injustice that it did not get a nomination for best screenplay or cinematography.

In the hands of another writer, this movie could have been made as just a parody of 1950's sitcoms like "Leave It To Beaver" or "Ozzie and Harriet." But this film isn't about how clichéd those series look decades later. It's about the false nostalgia for a past that never existed. We survived the past and we know that everything turned out all right. Because of this, we selectively choose our memories and weed out the unpleasant ones. That's why the past is sometimes seen as "the good ol' days." Pleasantville does not represent how the 50's actually were but rather an idealization of what people THINK the 50's were---no one had sex, everyone got along swell, and life was fairly easy. Nothing could be further from the truth, and there are many film from that era which show how real people (even in suburbia) actually lived. This film argues that free will and choice is ESSENTIAL to life and that we should embrace freedom instead of fearing it. It isn't just about making out, but having the OPTION to make out.

Another reviewer claimed that this film was an attack on the 50's, but David and Jennifer could very easily have been dumped in the world of "The Brady Bunch", "Gilligan's Island" , or "Batman." But setting "Pleasantville" in a 1950's sitcom allows for the brilliant metaphor of black and white versus color. Black and white photography is a stylized depiction of the universe, but unless you're color blind it's not the way you actually see the universe. When we first see Pleasantville's citizens, all of them are cardboard cut-outs of stereotypes. As they begin to open up and become real people, color seeps into their world. The catalyst seems to be the willingness to experience new sensations and become vulnerable. Jennifer has slept with lot of guys when she was in the normal world, so sex does not change HER into a color character. On the other hand, when she actually finishes a book (without pictures) for the first time in her life, THEN she becomes colorized. Similarly, David does not bloom into color until he breaks out of his aloofness and defends his "mother." Compare the way he ignores his real mother at the beginning of the film to how he consoles and comforts her at the end to see how much David has changed.

I could go on and on, but I think you get the idea. There are a lot of films out there that are very entertaining and/or very moving--like "Raiders of the Lost Ark" or "Titanic." Movies like "Pleasantville" which challenge the audience and force them to think are very rare, and should be treasured by the discerning filmgoer.


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One 'change' that was probably uncommon in '58 BootsRabb
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