A high school teacher's personal life becomes complicated as he works with students during the school elections, particularly with an obsessive overachiever determined to become student body president.
Luke McNamara, a college senior from a working class background joins a secret elitist college fraternity organization called "The Skulls", in hope of gaining acceptance into Harvard Law ... See full summary »
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
David, single, lonely and not happy with his life, flees reality by watching Pleasantville - a 1950's b&w soap opera, where everything is just that... pleasant. His sister Jennifer, sexually far more active than her brother, gets in a fight with him about a very strange remote control. The remote was given to them just seconds after the TV broke, by an equally strange repair man. They suddenly find themselves in Pleasantville, as Bud and Mary-Sue Parker, completely assimilated and therefore black and white, in clothes a little different and with new parents... pleasant ones. David wants to get out of the situation as well as his sister, but whereas he tries to blend in (effortlessly, with his knowledge), she does whatever she wants to do. One event leads to the other, and suddenly there is a red rose growing in Pleasantville. The more rules are broken, the more colorful life gets in Pleasantville, USA. Written by
Julian Reischl <firstname.lastname@example.org>
When Jennifer enters Pleasantville, she becomes a character named Mary-Sue. "Mary-Sue" is a term that originated in fan fiction to describe a character who comes into the character's lives and completely solves all of their problems. It is also a fan-fiction term for when the author (usually female) inserts herself (as a character) into the story. See more »
When David/Bud is pulling up to his home with the firemen to put out the burning tree, he is heard yelling, "Alright, stop...stop!" At this point you can already see his face in profile and he is clearly not saying anything. See more »
[David is gazing admiringly at a pretty blonde girl]
I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...] See more »
The New Line logo plays in complete silence. See more »
Good tale on values and change that loses it's way occasionally and is quite slow
When a mysterious TV repairman gives David a new remote control both he and his sister gets sucked into an old 50's show called Pleasantville. A first all seems perfect in a cheesy 1950's way - all language is wholesome, everything is black and white, none of the sports team ever miss and nothing is unwholesome. However when David and Jenifer begin to influence those around them they not only change attitudes and behaviour but start to bring colour to the town. The town splits in it's attitude to this change.
This is a very gentle comedy but with a hint of a moral about it. It starts out with `once upon a time' and that's quite apt in that it is a fable with a moral in the way many fairy tales are. At the start it's all quite small and the film almost shows the changes as bad and something that has comedy value, however later the changes are shown as something that should be embraced rather than feared. Then those who fear change and expression are shown to be wrong. It's all quite clever - the only problem to me was that the message felt a bit muddled and could have been a bit clearer - but then maybe that's the point, we learn our own lessons from it.
The effects are excellent throughout - colour creeps in in some objects and people to great effect. It's very well done and never seems unnatural. As a metaphor for change or lost innocence it gets a bit tired but for most it's very effective as a way of seeing people's true feelings come out.
The cast are great - Maguire and Witherspoon are both good (yes, even Witherspoon!), but the real strength comes from the adult support cast. Daniels gives a great understated role, it's not his best as he plays it a little too much like a wounded deer at times but he's still very good. Allen is the strongest as she has to carry much of the story with Macy who it goes without saying is superb - they share some very emotionally charged scenes together. It's always a pleasure to see the late J.T. Walsh in anything and here he is good in a comparatively minor role.
Overall this is a very enjoyable film that is very thoughtful and easily overcomes it's slow pace and slight lack of total clarity.
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