Pleasantville (1998)

Director:

Gary Ross

Writer (WGA):

Gary Ross (written by)

Release Date:

23 October 1998 (USA)

Genre:

Fantasy | Comedy | Drama

Tagline:

Nothing Is As Simple As Black And White.

Plot:

Two 1990's teenagers find themselves in a 1950's sitcom where their influence begins to profoundly change that complacent world.

Plot Keywords:

1950s | Television | Innocence | Sitcom | Television Set

Awards:

Nominated for 3 Oscars. Another 15 wins & 23 nominations

Cast

Tobey Maguire	...	David
Reese Witherspoon	...	Jennifer
William H. Macy	...	George Parker
Joan Allen	...	Betty Parker
Jeff Daniels	...	Bill Johnson
J.T. Walsh	...	Big Bob
Don Knotts	...	TV Repairman
Marley Shelton	...	Margaret Henderson
Jane Kaczmarek	...	David's Mom
Giuseppe Andrews	...	Howard
Jenny Lewis	...	Christin
Marissa Ribisi	...	Kimmy
Denise Dowse	...	Health Teacher
McNally Sagal	...	Science Teacher
Paul Morgan Stetler	...	College Counselor

MPAA:

Rated PG-13 for some thematic elements emphasizing sexuality, and for language.

Runtime:

124 min

Country:

USA

Language:

English

Color:

Black and White | Color

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

Iceland:L | Canada:PG (Ontario) | Netherlands:AL (DVD rating) | Argentina:13 | Australia:M | Chile:14 | Finland:S | France:U | Germany:6 (bw) | Hong Kong:IIA | Italy:T | Norway:7 | Portugal:M/12 | Singapore:PG | South Korea:12 | Spain:T | Sweden:7 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:12 | USA:PG-13

Filming Locations:

Los Angeles, California, USA

Company:

New Line Cinema

Trivia:

The two books that Bud (David) narrates to the teenagers of Pleasantville, "The Adventures of Huckleberry Finn" and "Catcher in the Rye," are the two most widely banned books in the United States.

Goofs:

Continuity: While Mary Sue is explaining sex to her mother, her hair changes between shots.

Quotes:

[first lines]
[David is gazing admiringly at a pretty blonde girl]
David: *Hi*
[chuckles]
David: I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[the camera pulls back to show that the girl is standing several dozen feet away and, in fact, is smiling and looking at another boy]
[...]

Movie Connections:

Referenced in Baghead (2008)

Soundtrack:

Mr. Blue

Good tale on values and change that loses it's way occasionally and is quite slow

When a mysterious TV repairman gives David a new remote control both he and his sister gets sucked into an old 50's show called Pleasantville. A first all seems perfect in a cheesy 1950's way - all language is wholesome, everything is black and white, none of the sports team ever miss and nothing is unwholesome. However when David and Jenifer begin to influence those around them they not only change attitudes and behaviour but start to bring colour to the town. The town splits in it's attitude to this change.

This is a very gentle comedy but with a hint of a moral about it. It starts out with `once upon a time' and that's quite apt in that it is a fable with a moral in the way many fairy tales are. At the start it's all quite small and the film almost shows the changes as bad and something that has comedy value, however later the changes are shown as something that should be embraced rather than feared. Then those who fear change and expression are shown to be wrong. It's all quite clever - the only problem to me was that the message felt a bit muddled and could have been a bit clearer - but then maybe that's the point, we learn our own lessons from it.

The effects are excellent throughout - colour creeps in in some objects and people to great effect. It's very well done and never seems unnatural. As a metaphor for change or lost innocence it gets a bit tired but for most it's very effective as a way of seeing people's true feelings come out.

The cast are great - Maguire and Witherspoon are both good (yes, even Witherspoon!), but the real strength comes from the adult support cast. Daniels gives a great understated role, it's not his best as he plays it a little too much like a wounded deer at times but he's still very good. Allen is the strongest as she has to carry much of the story with Macy who it goes without saying is superb - they share some very emotionally charged scenes together. It's always a pleasure to see the late J.T. Walsh in anything and here he is good in a comparatively minor role.

Overall this is a very enjoyable film that is very thoughtful and easily overcomes it's slow pace and slight lack of total clarity.