A brother and sister from the 1990s are sucked into their television set and suddenly find themselves trapped in a 1950s style television show. Here they have loving parents, old fashioned values, and an overwhelming amount of innocence and naivete. Not sure how to get home, they integrate themselves into this "backwards" society and slowly bring some color to this black and white world. But as innocence fades, the two teens begin to wonder if their 90s outlook is really to be preferred. Written by
R. P. Falvey
The Native American in the test pattern behind Don Knotts changes to angry and then sad as the movie progresses. See more »
While Mary Sue is explaining sex to her mother, her hair changes between shots. See more »
[David is gazing admiringly at a pretty blonde girl]
I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...] See more »
The New Line logo plays in complete silence. See more »
Pleasantville should be nominated for Best Director and Best Cinematography, and perhaps Best Supporting Actor for William H. Macy. Joan Allen, Jeff Daniels and Tobey Maguire are also excellent, and the idea is brilliant. In other words, this film is one of the best of the year. It is fun for the eyes and filled with wonderful allusions to great books and other films, not to mention some similar events in our country's past. If you will let yourself go from reality and put a little thought into it, you will realize the sheer genius behind this film. The messages were plenty and appropriate, and while it is extremely fun to watch, it still is able to evoke deeper emotions. Fantastic, and my vote for second best film of the year behind Saving Private Ryan.
32 of 42 people found this review helpful.
Was this review helpful to you?