A brother and sister from the 1990s are sucked into their television set and suddenly find themselves trapped in a 1950s style television show. Here they have loving parents, old fashioned values, and an overwhelming amount of innocence and naivete. Not sure how to get home, they integrate themselves into this "backwards" society and slowly bring some color to this black and white world. But as innocence fades, the two teens begin to wonder if their 90s outlook is really to be preferred. Written by
R. P. Falvey
The back lot street set where Bud and Mary Sue's house stands is located at Warner Brothers "Ranch" studio complex in Burbank, California. The main house was a new facade built for the movie but directly across the street, clearly seen in a number of scenes, are houses once occupied by other famous 1960's T.V. characters like Gidget, Hazel and Samantha Stevens. It is the Gidget / Hazel house that was also used as Danny Glover's house in the Lethal Weapon movies. Margaret's house (where Whitey drives up in his car at night and drops her off) was used as the residence of Mrs. Kravitz in Bewitched (1964) and The Partridge Family (1970). See more »
The closing credits end with "Dedicated to: J.T. Walsh 1943-1997". However, J.T. Walsh died in 1998. See more »
[David is gazing admiringly at a pretty blonde girl]
I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...] See more »
The New Line logo plays in complete silence. See more »
I thoroughly enjoyed "Pleasantville" from the 'Once upon a time' through the film fading to black.
The acting was top notch all around, as was the use of special effects; in very few films has colour been used so effectively that it can convey a story seemingly without help from dialogue or music.
I can see how some people would perceive it as merely another mouthpiece of liberalism, but I watched it twice, and I only noticed it attacking bigotry and censorship. What was wrong wasn't that these people were living according conservative values, but that they didn't really choose those values in the first place!
I like the fact that the film was bold, and that it made its point as directly as it contrasted the black and white with the splotches of Technicolour. While "Pleasantville" had little subtlety in its allegory, it was, like any good fairytale, beautiful in its simplicity.
Nine out of ten =)
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