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Pleasantville (1998)

7.5
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Ratings: 7.5/10 from 91,813 users   Metascore: 71/100
Reviews: 676 user | 162 critic | 32 from Metacritic.com

Two 1990s teenagers find themselves in a 1950s sitcom where their influence begins to profoundly change that complacent world.

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Title: Pleasantville (1998)

Pleasantville (1998) on IMDb 7.5/10

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Nominated for 3 Oscars. Another 17 wins & 31 nominations. See more awards »

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Cast

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Paul Morgan Stetler ...
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Storyline

A brother and sister from the 1990s are sucked into their television set and suddenly find themselves trapped in a 1950s style television show. Here they have loving parents, old fashioned values, and an overwhelming amount of innocence and naivete. Not sure how to get home, they integrate themselves into this "backwards" society and slowly bring some color to this black and white world. But as innocence fades, the two teens begin to wonder if their 90s outlook is really to be preferred. Written by R. P. Falvey

Plot Summary | Plot Synopsis

Taglines:

Nothing Is As Simple As Black And White. See more »

Genres:

Comedy | Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements emphasizing sexuality, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 October 1998 (USA)  »

Also Known As:

Amor a colores  »

Filming Locations:

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Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

£322,622 (UK) (12 March 1999)

Gross:

£790,203 (UK) (26 March 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Early appearances of color: the red rose, after the encounter at Lover's Lane;
  • pink bubblegum seen in the hallway at school;


  • one girl's pink tongue;


  • the red hearts of the cards in the bridge hand;


  • the subtle green of the car in front of the diner;


  • the jukebox in the diner becomes multicolored the guy in front of the jukebox combs his hair with a yellow comb Jennifer's red cherry on her shake in the diner;


  • the pink cherry blossoms reflected in the side mirror of the car;


  • the subtle green of the grass at Lover's Lane before it turns completely colorized.


See more »

Goofs

At the very end of the movie, George Parker and Betty Parker are sitting on a bench. The camera pans from George to Betty, then back to where George was sitting, and he "turns into" Mr. Johnson. If you look at Betty before the camera goes back to Mr. Johnson, you can see her bounce. This is from Mr. Johnson sitting down in George's place. See more »

Quotes

[first lines]
[David is gazing admiringly at a pretty blonde girl]
David: *Hi*
[chuckles]
David: I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...]
See more »

Crazy Credits

The New Line logo plays in complete silence. See more »

Connections

References Father Knows Best (1954) See more »

Soundtracks

The Gang That Sang Heart of My Heart
Written by Ben Ryan
Performed by The Four Aces
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Where everything is always the same.
27 January 2003 | by (USA) – See all my reviews

The basic theme here being that the meaningful life requires breaking out of rigid, dull and conventional roles, this film's story sucks two teens back through their television set to a fictitious 1950s sitcom named "Pleasantville," where life is in gray-tones until they start breaking the rules. The self-referential notion of having characters interact with the very media which represents them has its counterpart as far back as 1924 with Buster Keaton in "Sherlock Jr.," in 1970 with a low-budget film named "The Projectionist," and in 1985 with Woody Allen's "The Purple Rose of Cairo." But where the others explore the private experience of self-discovery through their enmeshment with the media, this one explores a much wider public awareness. In that sense it is a very cleaver and intelligent story, offering numerous social messages worthy of consideration.

On the downside, its message that "different" is better mostly translates into "contrary" means better, providing an "anything goes" mentality in answer to conventional values. The rules are to be broken by gratuitous sex, loud music, and cheap garish art. Not "transcending" in answer to different, but rather setting up what is conventional today as more desirable than what was conventional back then. Exchanging one convention for another is not for that reason an improvement, and the attempt to do so results in a self-congratulatory narcissism of the form: See how much more urbane and sophisticated we are than our parents were? The 1950s are set up as a straw-man, while the values of the 1990s are simply taken for granted as superior. Hence the deeper questions of change, growth and improvement, are never asked, and what we are given merely puts the past down without bringing up the present.


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One 'change' that was probably uncommon in '58 BootsRabb
Confused by the ending makeasmileyface
Undefeated basketball team GermanScreenwriter
Pleasantville = liberal? nonoG
Pleasantville accidentally predicted the Teaparty attitude johnnyrollinsbks
Did either of them enter a bathroom + wonder where the toilet was? fubleduck
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