A high school teacher's personal life becomes complicated as he works with students during the school elections, particularly with an obsessive overachiever determined to become student body president.
In small-town Texas, high school football is a religion. The head coach is deified, as long as the team is winning and 17-year-old schoolboys carry the hopes of an entire community onto the... See full summary »
James Van Der Beek,
An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Luke McNamara, a college senior from a working class background joins a secret elitist college fraternity organization called "The Skulls", in hope of gaining acceptance into Harvard Law ... See full summary »
A man suspects his girlfriend of being unfaithful. So he sends her a letter, but than finds out that he was wrong. He has 24 hours to stop the package, prevent a disaster, and fall in love.... See full summary »
David, single, lonely and not happy with his life, flees reality by watching Pleasantville - a 1950's b&w soap opera, where everything is just that... pleasant. His sister Jennifer, sexually far more active than her brother, gets in a fight with him about a very strange remote control. The remote was given to them just seconds after the TV broke, by an equally strange repair man. They suddenly find themselves in Pleasantville, as Bud and Mary-Sue Parker, completely assimilated and therefore black and white, in clothes a little different and with new parents... pleasant ones. David wants to get out of the situation as well as his sister, but whereas he tries to blend in (effortlessly, with his knowledge), she does whatever she wants to do. One event leads to the other, and suddenly there is a red rose growing in Pleasantville. The more rules are broken, the more colorful life gets in Pleasantville, USA. Written by
Julian Reischl <email@example.com>
In the original screenplay, the TV Repairman was to be played by Dick Van Dyke and the name of the repair company was Rob's TV Repair (Rob was Van Dyke's name on his first show) In a subsequent draft, the name in the script was simply TV Repairman, leaving room for Don Knotts. See more »
On their way to school on the first day, Jennifer/Mary Sue gets angry and pulls her hair clips out - just before Skip pulls up in his car. After Skip drives away her hair is suddenly clipped back again. See more »
[David is gazing admiringly at a pretty blonde girl]
I mean, Hi. Uh, look, you probably don't think I should be asking you this. I mean, not knowing you well and all? I mean, you know, I, I, I know you, 'cause everybody knows you. I just don't know you technically. Uh, anyhow. Uh, I don't know what you're doing this weekend, but my mom's leaving town, and she's letting me borrow the car.
[...] See more »
The New Line logo plays in complete silence. See more »
I heard about this movie, but I didn't know that it would be THIS good....
I knew what this film would be about before I rented it, but I'm stunned that it would be THIS good. Nothing against "Saving Private Ryan" or "Shakespeare in Love", but this film should have won Best Picture in 1998 and it was a shame that it wasn't nominated. It's an even bigger injustice that it did not get a nomination for best screenplay or cinematography.
In the hands of another writer, this movie could have been made as just a parody of 1950's sitcoms like "Leave It To Beaver" or "Ozzie and Harriet." But this film isn't about how clichéd those series look decades later. It's about the false nostalgia for a past that never existed. We survived the past and we know that everything turned out all right. Because of this, we selectively choose our memories and weed out the unpleasant ones. That's why the past is sometimes seen as "the good ol' days." Pleasantville does not represent how the 50's actually were but rather an idealization of what people THINK the 50's were---no one had sex, everyone got along swell, and life was fairly easy. Nothing could be further from the truth, and there are many film from that era which show how real people (even in suburbia) actually lived. This film argues that free will and choice is ESSENTIAL to life and that we should embrace freedom instead of fearing it. It isn't just about making out, but having the OPTION to make out.
Another reviewer claimed that this film was an attack on the 50's, but David and Jennifer could very easily have been dumped in the world of "The Brady Bunch", "Gilligan's Island" , or "Batman." But setting "Pleasantville" in a 1950's sitcom allows for the brilliant metaphor of black and white versus color. Black and white photography is a stylized depiction of the universe, but unless you're color blind it's not the way you actually see the universe. When we first see Pleasantville's citizens, all of them are cardboard cut-outs of stereotypes. As they begin to open up and become real people, color seeps into their world. The catalyst seems to be the willingness to experience new sensations and become vulnerable. Jennifer has slept with lot of guys when she was in the normal world, so sex does not change HER into a color character. On the other hand, when she actually finishes a book (without pictures) for the first time in her life, THEN she becomes colorized. Similarly, David does not bloom into color until he breaks out of his aloofness and defends his "mother." Compare the way he ignores his real mother at the beginning of the film to how he consoles and comforts her at the end to see how much David has changed.
I could go on and on, but I think you get the idea. There are a lot of films out there that are very entertaining and/or very moving--like "Raiders of the Lost Ark" or "Titanic." Movies like "Pleasantville" which challenge the audience and force them to think are very rare, and should be treasured by the discerning filmgoer.
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