Comedy writer Jerry Stahl, whose $6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl ... See full summary »
A cold-blooded serial killer floats around the country and chooses his victims from people who complain about their lives and indicate a willingness to be killed. His murders are introduced... See full summary »
The world's greatest detective Daryl Zero aided by his associate Steve Arlo investigates a complex and mysterious case of blackmail and missing keys for shady tycoon Gregory Stark who is less than forthcoming about what is really happening!
Vusi Madlazi returns to the South African village he left as a young boy (he was organizing against apartheid, and left in fear of his life) to bury his father. He meets up with his brother... See full summary »
Dr.Stephanie Lyell works for Neurological Research, and is testing a seemingly safe personality-altering drug on Marc Gilmour a notorious Serial Killer. But when a pair of bizarre suicides ... See full summary »
High society, high times, and no end in sight. Shameless is an emotionally charged story about heroin, high living and the dramatic power of love as the last chance for survival. In the ... See full summary »
A portrait of a fictional town in the mid west that is home to a group of idiosyncratic and slightly neurotic characters. Dwayne Hoover is a wealthy car dealer-ship owner that's on the ... See full summary »
In this sequel to "Long Vacations of 36", the son of a large bourgeois family returns to Barcelona to find out what happened after he fled the country in '39. He learns the details of the fascist takeover from his former butler.
Comedy writer Jerry Stahl, whose $6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl explores memories with survivor Kitty, who listens patiently to Stahl's flashback. Other women in Stahl's life are his British wife Sandra and his agent Vola. For the TV series "Mr. Chompers" (inspired by ALF), Stahl meets with sitcom exec Craig Ziffer and puppeteer Allen. For freaky freebasing, Stahl hangs with mumbler Nicky and druggie Gus. Written by
The real Jerry Stahl has a cameo as Dr. Lazarus. ("Lazarus" is on his name plate on his white coat.) See more »
After Jerry picks up his daughter from Sandra to babysit her (at approximately [1:01:40]), he can be seen driving down the road sitting on the right hand side of the car. This is not consistent with other scenes in the movie and furthermore, the driver is clearly not Ben Stiller. See more »
You know what's mortifying? Smack is like the leisure suit of the nineties. Instead of wrecking dad's Buick on prom might, these little suburban fucks are coping habits and OD'ing in the rec room.
And you're different, because?
I never got to the prom.
See more »
SMACK MY BITCH UP
Performed by The Prodigy (as Prodigy)
Written by Liam Howlett (as L. Howlett) / Moe Love (as M. Smith) / Ced-Gee (as C. Miller) / Kool Keith (as K. Thornton) / TR Love (as T. Randolph)
Published by EMI Virgin Music Ltd./Next Plateau Music/Beats G Music
Contains Portions of "Give the Drummer Some"
By Ultramagnetic M.C.'s
Used Courtesy of Next Plateau Records
Courtesy of XL-Recordings, Ltd./Mute Corporation/Maverick Recording Company/Warner Bros. Records,
By Arrangement with Warner Special Products See more »
For Any Fan of Drug Films, Fast-Paced Stylized Biographies, and Ben Stiller
Permanent Midnight seems at first like another film you will love. It's the story of a drug- addicted real-life semi-celebrity, it's directed with slick style and a fast pace, and it provokes emotion with its increasingly gloomy atmosphere and R-rated subject matter. The "but" or the "however" is hard to place, because there is no real reason why it can't live up to the expectations based on what I just described. The only real way to say why it isn't the contemporary classic or young moviegoer's classic that it should be is to say that it doesn't have as much intensity that one would expect from it. It allows itself to indulge in the formula elements of a movie like this.
There are formula elements to every genre and subgenre, even the fast-paced stylized biopic and the drug film, even though they don't seem like they would. Why would they? They're usually based on true stories and real lives, or they go in directions most other films don't take. Still, a real life and a true story can still either turn out the way so many similar ones do, or their adaptations do. Permanent Midnight is a formula film of its subgenre.
That doesn't stop it from being enjoyable and powerful on a substantial level. It's directed well and Stiller's performance is fantastic. It's loaded with dark humor, Scorsesian music placement and jump cuts disguised as techno music and fade outs, and attention-grabbing supporting players like Owen Wilson and Maria Bello. If only its storytelling took another avenue, or if only it were tighter and more extensive.
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