Comedy writer Jerry Stahl, whose $6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl ...
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The world's greatest detective Daryl Zero aided by his associate Steve Arlo investigates a complex and mysterious case of blackmail and missing keys for shady tycoon Gregory Stark who is less than forthcoming about what is really happening!
A cold-blooded serial killer floats around the country and chooses his victims from people who complain about their lives and indicate a willingness to be killed. His murders are introduced... See full summary »
Clay (as in the title) is a young man in a small town who witnesses his friend kill himself because of the ongoing affair that Clay was having with the man's wife. Feeling guilty, Clay now ... See full summary »
Comedy writer Jerry Stahl, whose $6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl explores memories with survivor Kitty, who listens patiently to Stahl's flashback. Other women in Stahl's life are his British wife Sandra and his agent Vola. For the TV series "Mr. Chompers" (inspired by ALF), Stahl meets with sitcom exec Craig Ziffer and puppeteer Allen. For freaky freebasing, Stahl hangs with mumbler Nicky and druggie Gus. Written by
After Jerry picks up his daughter from Sandra to babysit her (at approximately [1:01:40]), he can be seen driving down the road sitting on the right hand side of the car. This is not consistent with other scenes in the movie and furthermore, the driver is clearly not Ben Stiller. See more »
You know what's mortifying? Smack is like the leisure suit of the nineties. Instead of wrecking dad's Buick on prom might, these little suburban fucks are coping habits and OD'ing in the rec room.
And you're different, because?
I never got to the prom.
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For Any Fan of Drug Films, Fast-Paced Stylized Biographies, and Ben Stiller
Permanent Midnight seems at first like another film you will love. It's the story of a drug- addicted real-life semi-celebrity, it's directed with slick style and a fast pace, and it provokes emotion with its increasingly gloomy atmosphere and R-rated subject matter. The "but" or the "however" is hard to place, because there is no real reason why it can't live up to the expectations based on what I just described. The only real way to say why it isn't the contemporary classic or young moviegoer's classic that it should be is to say that it doesn't have as much intensity that one would expect from it. It allows itself to indulge in the formula elements of a movie like this.
There are formula elements to every genre and subgenre, even the fast-paced stylized biopic and the drug film, even though they don't seem like they would. Why would they? They're usually based on true stories and real lives, or they go in directions most other films don't take. Still, a real life and a true story can still either turn out the way so many similar ones do, or their adaptations do. Permanent Midnight is a formula film of its subgenre.
That doesn't stop it from being enjoyable and powerful on a substantial level. It's directed well and Stiller's performance is fantastic. It's loaded with dark humor, Scorsesian music placement and jump cuts disguised as techno music and fade outs, and attention-grabbing supporting players like Owen Wilson and Maria Bello. If only its storytelling took another avenue, or if only it were tighter and more extensive.
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