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Permanent Midnight (1998)

6.3
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Ratings: 6.3/10 from 5,583 users  
Reviews: 52 user | 30 critic

Comedy writer Jerry Stahl, whose $6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl ... See full summary »

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Cast

Cast overview, first billed only:
...
Jerry Stahl
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Kitty
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Phoenix Punk
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Brad / Tim from Mr. Chompers
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Nicky
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Sandra
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Vola
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Craig Ziffer
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Jerry at 16
Mary Thompson ...
Grandma Whittle
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Dagmar
...
Allen from Mr. Chompers
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Dita
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Miguel
...
Jana Farmer
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Storyline

Comedy writer Jerry Stahl, whose $6000-a-week heroin habit had him taking his infant daughter along on his drug runs and doing smack during TV script conferences. Departing detox, Stahl explores memories with survivor Kitty, who listens patiently to Stahl's flashback. Other women in Stahl's life are his British wife Sandra and his agent Vola. For the TV series "Mr. Chompers" (inspired by ALF), Stahl meets with sitcom exec Craig Ziffer and puppeteer Allen. For freaky freebasing, Stahl hangs with mumbler Nicky and druggie Gus. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

writer | habit | flashback | detox | heroin | See more »


Motion Picture Rating (MPAA)

Rated R for pervasive graphic drug use, strong sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

23 April 1999 (Iceland)  »

Also Known As:

A nap árnyékos oldalán  »

Filming Locations:

 »

Box Office

Opening Weekend:

$260,562 (USA) (18 September 1998)

Gross:

$1,166,199 (USA) (6 November 1998)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Jerry Stahl:  The real Jerry Stahl has a cameo as Dr. Lazarus. ("Lazarus" is on his name plate on his white coat.) See more »

Goofs

After Jerry picks up his daughter from Sandra to babysit her (at approximately [1:01:40]), he can be seen driving down the road sitting on the right hand side of the car. This is not consistent with other scenes in the movie and furthermore, the driver is clearly not Ben Stiller. See more »

Quotes

[first lines]
Jerry: You know what's mortifying? Smack is like the leisure suit of the nineties. Instead of wrecking dad's Buick on prom might, these little suburban fucks are coping habits and OD'ing in the rec room.
Kitty: And you're different, because?
Jerry: I never got to the prom.
See more »

Connections

Referenced in Saturday Night Live: Ben Stiller/Alanis Morrisette (1998) See more »

Soundtracks

GODSPEED
Performed by BT
Written by BT (as Brian Transeau)
Produced and Mixed by BT (as Brian Transeau)
Published by Old Gate (BMI)
See more »

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User Reviews

 
For Any Fan of Drug Films, Fast-Paced Stylized Biographies, and Ben Stiller
31 January 2007 | by (Cincinnati, OH, United States) – See all my reviews

Permanent Midnight seems at first like another film you will love. It's the story of a drug- addicted real-life semi-celebrity, it's directed with slick style and a fast pace, and it provokes emotion with its increasingly gloomy atmosphere and R-rated subject matter. The "but" or the "however" is hard to place, because there is no real reason why it can't live up to the expectations based on what I just described. The only real way to say why it isn't the contemporary classic or young moviegoer's classic that it should be is to say that it doesn't have as much intensity that one would expect from it. It allows itself to indulge in the formula elements of a movie like this.

There are formula elements to every genre and subgenre, even the fast-paced stylized biopic and the drug film, even though they don't seem like they would. Why would they? They're usually based on true stories and real lives, or they go in directions most other films don't take. Still, a real life and a true story can still either turn out the way so many similar ones do, or their adaptations do. Permanent Midnight is a formula film of its subgenre.

That doesn't stop it from being enjoyable and powerful on a substantial level. It's directed well and Stiller's performance is fantastic. It's loaded with dark humor, Scorsesian music placement and jump cuts disguised as techno music and fade outs, and attention-grabbing supporting players like Owen Wilson and Maria Bello. If only its storytelling took another avenue, or if only it were tighter and more extensive.


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