When the daughter of a psychiatrist is kidnapped, he's horrified to discover that the abductors' demand is that he break through to a post traumatic stress disorder suffering young woman who knows a secret...
This is the sequel to "Romancing the Stone" where Jack and Joan have their yacht and easy life, but are gradually getting bored with each other and this way of life. Joan accepts an ... See full summary »
Nicholas Van Orton is a very wealthy San Francisco banker, but he is an absolute loner, even spending his birthday alone. In the year of his 48th birthday (the age his father committed ... See full summary »
Deborah Kara Unger,
Millionaire industrialist Steven Taylor is a man who has everything but what he craves most: the love and fidelity of his wife. A hugely successful player in the New York financial world, he considers her to be his most treasured acquisition. But she needs more than simply the role of dazzling accessory. Brilliant in her own right, she works at the U.N. and is involved with a struggling artist who fulfills her emotional needs. When her husband discovers her indiscretion, he sets out to commit the perfect murder and inherit her considerable trust fund in the bargain. Written by
[ dark angel grace ]
To calm her and create a certain atmosphere of intimacy before filming the lovemaking scenes, Viggo Mortensen sang a couple of love songs to Gwyneth Paltrow that he learned in Argentina when he was young. In an interview he said, "I don't know if that ended up scaring her instead." See more »
When Steven is getting ready to leave for the card game the night of the intruder he places his cell phone in his inside jacket pocket. Then after he kisses Emily goodbye he walks back to that table and again puts his cellphone in his pocket. See more »
There you are. And how was your day? Any progress in saving the world?
I'm working on it.
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Hitchcock's DIAL M FOR MURDER was based on the Frederick Knott play of the same name. A PERFECT MURDER takes elements from the play, makes alterations in scenes and characters, changes the ending, and in attempting to modernize the whole thing has added some extra gore to the proceedings so today's audiences won't feel cheated. And yet, the result is not only distinctly disappointing, but inferior.
Only fans of Gwyneth Paltrow and Michael Douglas will relish their performances in this pale rehash of the original material. The complexity of "the key under the stairmat" which was so effectively played out in the Hitchcock film is entirely missing here. The detective work so fascinating in the original play and film is also gone despite the fact that he is played by David Suchet (in a very underwritten role). In short: none of the revisions are any improvement. Nor does Viggo Mortensen impress as Paltrow's lover.
Those who haven't seen the movie or the play DIAL M FOR MURDER will no doubt find some of this absorbing enough--but anyone able to make a comparison is bound to be disappointed. I'll take Ray Milland-Grace Kelly-Robert Cummings under Hitchcock's direction any day over a misguided Paltrow and Douglas under Andrew Davis' direction.
As for the comments of the viewer who said, "Who's Hitchcock?", please...spare me your review.
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