A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
A 1939 test pilot asks his best friend to use him as a guinea pig for a cryogenics experiment. Daniel McCormick wants to be frozen for a year so that he doesn't have to watch his love lying... See full summary »
Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of "the Outfit", a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life. His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. He makes good early progress, but then falls into the hands of Fairfax, the crime boss. Written by
For release in Australia, the U.S. tagline "Get ready to root for the bad guy" was changed to "Get ready to CHEER for the bad guy" because, as Mel Gibson himself pointed out, in Australia "to root" is slang for "to have sexual intercourse". See more »
During the opening sequence, Porter picks a man's pocket & steals his wallet. While practicing the face in the mirror, he's wearing the light gray jacket. But in the next shot, he reaches into the teller's window & she looks up at him in the black jacket he will buy later. When he buys & pawns the watches, light gray again. Then he buys the black jacket & has dinner. See more »
GSW: that's what the hospitals call it: gunshot wound. Doctor has to report it to the police. That makes it hard for guys in my line to get what I call, quality health care.
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Easily one of Gibson's best, and one of the best of it's kind you will ever see. Homage to film noir, combined with usual Gibson tongue-in-cheekness, and some fabulous supporting roles from the likes of Coburn, Kristofferson, Liu, and Devane. Henry does a stirling job here opposite Gibson. Liu is simply wonderful in a role that - worryingly perhaps - looks like it was made for her!
Porter's single-minded, no-nonsense determination to get what he sees as justice for himself strikes a chord, and has you rooting for him right to the end. This film rarely lets up on the intensity, and gets better as it goes along. It will make you laugh and cringe at the same time, but you won't want to take your eyes off the screen for a second. It looks good, feels good, and oozes class. Definitely a must-see.
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