When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers.
With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil.
A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of "the Outfit", a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life. His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit. He makes good early progress, but then falls into the hands of Fairfax, the crime boss. Written by
The restoration of the Director's Cut took place in 2005. Most of the original elements of the film were not preserved, so Editor Kevin Stitt and Brian Helgeland had to make do with what was preserved from the original film stock, and had to reassemble the film that way, without the use of Avid film editing. At the same time, the blue tint, in which the theatrical version looked visually, was removed, for more vivid color tones and contrast, but still preserving some of the grittiness of the theatrical cut. See more »
The prostitute's hair on her left shoulder when she is talking to Porter in her apartment. See more »
GSW: that's what the hospitals call it: gunshot wound. Doctor has to report it to the police. That makes it hard for guys in my line to get what I call, quality health care.
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A modern-day film noir, this is about as tough as it gets. Rough characters, rough violence and rough language all comprise this re-make of the 1967 film "Point Blank," which starred Lee Marvin.
Mel Gibson is the "good guy" here, taking Marvin's role, but I put that in quotes because he's not really "good," just a thief attempting to get his $70,000 back which was stolen from him by his partner and ex-wife in a former heist. He goes up the ladder, little guy to the top boss, to finally get his money.
Gibson gets beaten up several times and even gets tortured in one toes- crunching scene. The women are tough-looking, coarse and unappealing. I did like the metallic-blue hues in here, making this an interesting visual film. However, the city scenes are bleak, a la Batman.
Despite the above, I still found the movie good enough to watch several times. Most people like a simple, revenge story which this really is, and there is dark humor in here, too. The other characters are interesting, particularly the one played by William Devane. I also liked the narration by Gibson, done in 1940s film noir style. The worst person in here was the sadistic "Val Resnick" (Gregg Henry). He was so bad, he was cartoon-ish, someone so bad he belonged in one of those Batman or Hellboy or Spiderman flicks.
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