A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Benicio Del Toro,
Melanie Parker, an architect and mother of Sammy, and Jack Taylor, a newspaper columnist and father of Maggie, are both divorced. They meet one morning when overwhelmed Jack is left ... See full summary »
A career bank robber busts out of jail (Clooney) with the help of his buddy (Rhames) and kidnaps a US Marshal (Lopez) in the process. When the two cons head for Detroit to pull off their final big scam, the Marshal is put on their case but she finds she is attracted to one of them and has second thoughts about bringing them in. Written by
Great film. The characters seemed believable. The dialog well written, sharp, but not overly polished, no character has a monologue. How often in the 90's do we see a thriller, or crime mystery, or a buddy film, all components the film plays with, and would consider a discussion about the script? Leonard has a way with the practical aspects of crime, the fist fight and shoot outs are awkward, characters miss their mark more often than not, they run out of gas. How often in an action film does the hero miss a shot? I'm sick to death of wildly unbelievable stories, huge explosions and car chases. The photography is very well done and the soundtrack is fantastic. Of particular note is the editing, of which the film received an oscar nomination. One of the best love scenes in a contemporary film. What you hope you get with an adult crime movie, sleek, smart and sexy.
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