A career bank robber busts out of jail (Clooney) with the help of his buddy (Rhames) and kidnaps a US Marshal (Lopez) in the process. When the two cons head for Detroit to pull off their final big scam, the Marshal is put on their case but she finds she is attracted to one of them and has second thoughts about bringing them in. Written by
The supposedly uncut diamonds sparkle and look like already-cut diamonds. See more »
It's like seeing someone for the first time, and you look at each other for a few seconds, and there's this kind of recognition like you both know something. Next moment the person's gone, and it's too late to do anything about it.
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'Out of Sight' is one of those rare films that can boast of having class in every department. The direction, script, cinematography, design and costumes disply such an acute and almost natural flair for bringing Elmore Leonard to the screen that it should be made illegal to film any of his novels without these people. But the acting is in a world of its own. Farina, Keaton, Rhames, Cheadle and Zahn all bring depth, comedy and intelligence to their roles. All are eclipsed however by the irresistable pairing of Jennifer Lopez and George Clooney. Clooney has finally managed to act without peering beneath his eyebrows and the effect is electric. This is the part he was born to play. His charisma is tangiable, but there is also a sense of fatalism whihc makes his character all the more compelling. Lopez, after her screaming shit-fits in the woeful 'Anaconda' proves that sexuality must also equal intelligence. Her Cisco is a mouth-watering mix of sass, beauty and cut-throat determination. It is one of those moments when you can actually see a star being born on screen. Put Clooney and Lopez together, and you have the type of chemistry with which executives have wet dreams over
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