Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When ... See full summary »
Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
Joseph Kotcher, a retired traveling salesman, lives with his son Gerald and daughter-in-law Wilma in Los Angeles. He dotes upon his young grandson Duncan irritating high-strung Wilma to the... See full summary »
Felix's daughter Edna is getting married, and his wife Gloria throws him out of the house for a few days, so that she can plan the wedding herself, without him getting in the way. Felix ... See full summary »
It has been seventeen years now since Oscar and Felix saw each other for the last time. Oscar is living in Florida, Felix in New York. One day, Oscar is called by his son Brucey who invites him to his wedding to Felix' daughter Hannah next Sunday in California. Oscar and Felix meet again at Los Angeles International Airport and take a rental car in order to go to San Malina for the wedding. The trip develops into an odyssey, starting with Oscar forgetting Felix' suitcase at the Budget station, going over to the complete loss of the directions (and the car), several difficulties with the police, a dead person, a toupee, underwear and revenge-hungry Cowboys and ending up with Felix meeting the "one and only" woman. But the wedding has to be reached on time. Written by
Julian Reischl <email@example.com>
This sequel to The Odd Couple (1968) was made and released about thirty years after the original. The movie is significant in film history for being one of the longest gaps between the release of the original film and a sequel where all the main lead actors actually reprise their roles. Reportedly, the picture actually holds the record for this. See more »
During a scene where Felix and Oscar are driving on the highway, you can see someone in a passing car take a photo of them. See more »
Nothing has changed, Felix. I'm still a pig, you're still a human vacuum cleaner.
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It is sad to think that we will not have any more gems from either of these two screen legends. Lemmon was a great actor, as can be seen in any one of his many films (particularly, "Days of Wine and Roses," "Glen Garry Glen Ross"). He had a broad range, and could play comedy with the best of them ("Mr. Roberts," "How to Murder Your Wife," etc.) Matthau was a breed apart, having done many dramatic roles in is early career ("The Kentuckian," "Fail Safe"), but it was light comedy where he truly shined. He was one of those true "naturals." So, after the "Grumpy Old Men" successes, they are paired for "The Odd Couple II." From the broad range of commentary here, there are those who celebrate this film, and those who think it is lame. I feel it has good performances in a so-so plot, but it think it was a bad choice. They were both great in the first "Odd Couple," but who can deny that they abdicated the roles of Oscar and Felix to two consummate professionals, Jack Klugman and Tony Randall on TV? They polished those roles to perfection, and they had done all that could be done with them. It was pointless for Jack Lemmon and Walter Matthau to go there again.
For me, "Grumpy Old Men" is how I would like to remember them. That film had a good story, and was supported by a great team of veterans, Burgess Meredith in particular. In that film, even the out-takes are great.
"The Odd Couple II" reminds me in many ways of "Tough Guys." Both films had legends, both as teams and as individual actors, so when Kirk Douglas and Burt Lancaster appear together for the last time, you want for them to have something really special. That is what we wanted for Jack Lemmon and Walther Matthau. These films are okay, but only because the actors are in them. They are not good enough movies to honor their memories.
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