Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a ... See full summary »
Old Nat Moyer is a talker, a philosopher, and a troublemaker with a fanciful imagination. His companion is Midge Carter, who is half-blind, but still the super of an apartment house. When ... See full summary »
After his mother's death, Collin Fenwick goes to live with his father's cousins, the wealthy, avaricious, and controlling Verena Talbo, and her compliant, earthy sister Dolly. When a city ... See full summary »
It has been seventeen years now since Oscar and Felix saw each other for the last time. Oscar is living in Florida, Felix in New York. One day, Oscar is called by his son Brucey who invites him to his wedding to Felix' daughter Hannah next Sunday in California. Oscar and Felix meet again at Los Angeles International Airport and take a rental car in order to go to San Malina for the wedding. The trip develops into an odyssey, starting with Oscar forgetting Felix' suitcase at the Budget station, going over to the complete loss of the directions (and the car), several difficulties with the police, a dead person, a toupee, underwear and revenge-hungry Cowboys and ending up with Felix meeting the "one and only" woman. But the wedding has to be reached on time. Written by
Julian Reischl <firstname.lastname@example.org>
This sequel to The Odd Couple (1968) was made and released about thirty years after the original. The movie is significant in film history for being one of the longest gaps between the release of the original film and a sequel where all the main lead actors actually reprise their roles. Reportedly, the picture actually holds the record for this. See more »
In the scene where Felix and Oscar are in that old man's car, and the old man dies, it is clearly visible in the following shots that he is breathing. See more »
You just have to help me figure out a reason why I should get up and go sit next to her.
How about... ummm... .I don't know. How about, your seat is broken?
No, 'cos I'm a bad liar, she'll know I'm lying.
How about if I break your seat?
See more »
It is hard to believe it was only eight years ago that this, the last of the Lemmon and Matthau (or Matthau and Lemmon) films was made, and within four years both stars would be gone. One only wishes that their last film together had been more of a success. They had done first rate sequels before with GRUMPIER OLD MEN, but that film had been done within two years of GRUMPY OLD MEN, and a natural momentum carried the stars (and supporting casts) to the finish line. That is not the case with THE ODD COUPLE II. It came out thirty years after the original THE ODD COUPLE, and while they are reunited with the play's creator (Neil Simon) on the screenplay, the momentum - the push - is lacking.
Not that this is a boring film. Far from it. We always wondered how Oscar Madison and Felix Unger would have behaved as elderly men. Of course, Felix looked like he and Gloria were going to settle their differences and return together in the first play/movie. Indeed, in the television series Tony Randall did get back to his wife. But here it is obvious it did not work at all. Both men have remained divorced, and both men remain essential the same: Felix the compulsively organized neatnik and Oscar the incorrigible slob. They also have given each other a wide birth if possible. But they find themselves drawn back into mutual orbit. Oscar's son is getting married - and to Felix's daughter. So the pair are headed for the wedding, and that means jointly showing up.
What happens is a series of joint misadventures on the way to the wedding, especially involving two rather fun young women that they meet (Christine Baranski and Jean Smart) with their jealous boyfriends. This leads to several, increasingly odd, run-ins with the sheriff of a small town they can't seem to successfully leave. Indeed, in one case they get a lift out of town in a beautiful white classic Rolls Royce, which moves more slowly than a pair of people on bicycles.
The situations are all quite amusing. But the unity of the film is not there - it is like a series of skits involving Felix and Oscar, that are vaguely united because the two characters are familiar to us, and they are supposed to get to the wedding. Still the two stars give it their all, and with Baranski, Smart, and the late Bernard Hughes it works well enough as an entertainment. But for me, the wackiness and variety of OUT TO SEA make that film a better final film for the pair.
5 of 5 people found this review helpful.
Was this review helpful to you?