Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
When the very moralistic college ethics instructor (Aykroyd) finds himself living next door to an accused German death camp commander (Lemmon), he takes it upon himself to rid the world of ... See full summary »
Avoiding to settle in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with a ... See full summary »
George and Gwen Kellerman live in the small, quiet town of Twin Oaks, Ohio with their two young children and pet dog. George has a strong sense of what is right and wrong, especially as it ... See full summary »
It has been seventeen years now since Oscar and Felix saw each other for the last time. Oscar is living in Florida, Felix in New York. One day, Oscar is called by his son Brucey who invites him to his wedding to Felix' daughter Hannah next Sunday in California. Oscar and Felix meet again at Los Angeles International Airport and take a rental car in order to go to San Malina for the wedding. The trip develops into an odyssey, starting with Oscar forgetting Felix' suitcase at the Budget station, going over to the complete loss of the directions (and the car), several difficulties with the police, a dead person, a toupee, underwear and revenge-hungry Cowboys and ending up with Felix meeting the "one and only" woman. But the wedding has to be reached on time. Written by
Julian Reischl <firstname.lastname@example.org>
While Oscar and Felix are driving down the road, the ignition key is in the off position. See more »
So the man is dead, and you have his wallet, riding in an antique car that's worth over $150,000. How do you think this looks?
To you it looks terrible. My mother, she wouldn't be all that upset.
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It is sad to think that we will not have any more gems from either of these two screen legends. Lemmon was a great actor, as can be seen in any one of his many films (particularly, "Days of Wine and Roses," "Glen Garry Glen Ross"). He had a broad range, and could play comedy with the best of them ("Mr. Roberts," "How to Murder Your Wife," etc.) Matthau was a breed apart, having done many dramatic roles in is early career ("The Kentuckian," "Fail Safe"), but it was light comedy where he truly shined. He was one of those true "naturals." So, after the "Grumpy Old Men" successes, they are paired for "The Odd Couple II." From the broad range of commentary here, there are those who celebrate this film, and those who think it is lame. I feel it has good performances in a so-so plot, but it think it was a bad choice. They were both great in the first "Odd Couple," but who can deny that they abdicated the roles of Oscar and Felix to two consummate professionals, Jack Klugman and Tony Randall on TV? They polished those roles to perfection, and they had done all that could be done with them. It was pointless for Jack Lemmon and Walter Matthau to go there again.
For me, "Grumpy Old Men" is how I would like to remember them. That film had a good story, and was supported by a great team of veterans, Burgess Meredith in particular. In that film, even the out-takes are great.
"The Odd Couple II" reminds me in many ways of "Tough Guys." Both films had legends, both as teams and as individual actors, so when Kirk Douglas and Burt Lancaster appear together for the last time, you want for them to have something really special. That is what we wanted for Jack Lemmon and Walther Matthau. These films are okay, but only because the actors are in them. They are not good enough movies to honor their memories.
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