A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
George and Nina seem like the perfect couple. They share a cozy Brooklyn apartment, a taste for tuna casserole dinners, and a devotion to ballroom dancing. They love each other. There's only one hitch: George is gay. And when Nina announces she's pregnant, things get especially complicated. Vince - Nina's overbearing boyfriend and the baby's father-wants marriage. Nina wants independence. George will do anything for a little unqualified affection, but is he ready to become an unwed surrogate dad? Written by
Michael Kuroiwa <Afixiation@mail.earthlink.net>
In the scene at the beginning, where Nathan and George were peeping out from behind the curtains at the school play, and Nathan asks who George is waiting for, Liam Aiken mouths Paul Rudd's next line. See more »
I want to look at you and not feel so hurt by you.
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It's amazing how this sensitive film can be realistic all the time. Although this is, indeed, a love story, there's no need to give the viewer happy solutions just to make them fulfilled. Every second of the movie is real, every emotion, every fact. Justice to Jennifer Aniston and Paul Rudd. There's an amazing cast here, including Mad About You's John Pankow and veteran Alan Alda (all great) but the movie belongs to Jennifer and Paul. They make you think no one else could do a better portrait of Nina and George - they were born to do it. Anyone can relate to them at some point. Congratulations not only for the two, but also for the entire crew who made this movie - including, of course, the great sensibility of director Nicholas Hytner. A job well done.
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