A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
George and Nina seem like the perfect couple. They share a cozy Brooklyn apartment, a taste for tuna casserole dinners, and a devotion to ballroom dancing. They love each other. There's only one hitch: George is gay. And when Nina announces she's pregnant, things get especially complicated. Vince - Nina's overbearing boyfriend and the baby's father-wants marriage. Nina wants independence. George will do anything for a little unqualified affection, but is he ready to become an unwed surrogate dad? Written by
Michael Kuroiwa <Afixiation@mail.earthlink.net>
George tells Nina that his date for his high school prom (the one to whom he showed a "good time") was named Lucy Jane. In a display of her offbeat sense of humor, that is the name of screenwriter Wendy Wasserstein's daughter. See more »
In the scene at the beginning, where Nathan and George were peeping out from behind the curtains at the school play, and Nathan asks who George is waiting for, Liam Aiken mouths Paul Rudd's next line. See more »
I used to give women lots of opinions but now, I go with the flow.
Are you gay?
I've this new theory that any man who doesn't hit you over the head with his opinions must be gay.
See more »
They say you can't help who you love, and people have used that line forever to make terrible decisions about romance. This movie explores the idea that while you might not be able to help loving someone, you can still choose how you respond to that feeling. Choosing wisely is the difficult part! :) The characters (and not just the main characters
there are some great sub-plots and well-rounded side characters here)
learn a lot about being realistic (and how & why that can be difficult) when it comes to romance. Many aspects of this theme are played out, and in more ways that you'd think just from reading the back of the DVD cover.
I highly recommend this if you like that class of chick flick that goes beyond the obvious to ponder some of the deeper questions about love and the things we do to find it, keep it, and occasionally break our hearts over it. Like other beautiful movies of this kind (eg, While You Were Sleeping, French Kiss) the comedy is fairly subtle and character-based.
All the elements are there: casting, direction, script (story and dialogue) and acting are all good. I hope you enjoy this movie as much as I did!
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