New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Samuel L. Jackson,
A covert counter-terrorist unit called Black Cell led by Gabriel Shear wants the money to help finance their war against international terrorism, but it's all locked away. Gabriel brings in convicted hacker Stanley Jobson to help him.
In the midst of an elaborate conspiracy, an expert negotiator is driven to the edge when he's framed for the murder of his partner, as well as embezzling money from his department's pension fund. His only chance to prove his innocence is to take hostages himself, acquire the services of another expert negotiator, and find out who's running the conspiracy before it's too late. Written by
I know very little about the movie industry, directing, producing and the like but I know when I really enjoy a movie, and I enjoyed this one so much I am making my first ever comment on a movie on this site. Having just watched this movie for the first time, I have been riveted to my seat. The twists and turns were so good even I didn't know who to trust! I was wrong about some of the cops I thought were dirty, right about others and the end took me by surprise. Although a long film, the pace of events and quality acting kept me interested from the first minute to the last one. This is probably the best thriller I have seen this year and I recommend it to anyone who is looking for a good thriller with a few action moments thrown in intelligently for good measure. All credit must go to Samuel L Jackson for a great performance in playing a specialist police officer who finds himself an innocent fall guy, supported very well by the late J. T. Walsh, who seemed to always play dislikable characters. Jackson makes his character an actor himself, as a psychopath to the cops he holds at bay and a careful family man to his new wife whilst slowly but surely convincing his hostages of his innocence. Similar credit for great performances go to Kevin Spacey as the neutral respected negotiator dropped into a tense situation completely blind to events, and I have yet to see a poor performance by David Morse, who followed up this film with another good performance in "The Green Mile". My work as a real police officer in England seems so ordinary and boring by comparison!
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