At a time of international incident, the body of a young female staffer is found in a White House wash room. Homicide detective Harlan Regis is called in to investigate the murder only to ... See full summary »
At the offices of a Japanese corporation, during a party, a woman, who's evidently a professional mistress, is found dead, apparently after some rough sex. A police detective, Web Smith is ... See full summary »
Coming together to solve a series of murders in New York City are a police detective whose family was slain as part of a conspiracy and an assassin out to avenge her sister's death. The duo will be hunted by the police, the mob, and a ruthless corporation.
In the midst of an elaborate conspiracy, an expert negotiator is driven to the edge when he's framed for the murder of his partner, as well as embezzling money from his department's pension fund. His only chance to prove his innocence is to take hostages himself, acquire the services of another expert negotiator, and find out who's running the conspiracy before it's too late. Written by
Filming of Roman and the hostages in the Internal Affairs' offices took place at a studio Los Angeles. In order to simulate the Chicago skyline that can be seen looking out the window, a 160x40 feet poster was created using 6 cameras placed on the 20th floor of 77 West Wacker Drive in Chicago, looking outside the window. The poster was placed outside the office movie set in Los Angeles. See more »
During one of the early negotiating scenes, the clock in the negotiating room shows early afternoon when it is clearly night time. See more »
Lieutenant Danny Roman:
[while trying to talk down a Hostage Taker through a closed door]
Yeah, I like animals better than people sometimes... Especially dogs. Dogs are the best. Every time you come home, they act like they haven't seen you in a year. And the good thing about dogs... is they got different dogs for different people. Like pit bulls. The dog of dogs. Pit bull can be the right man's best friend... or the wrong man's worst enemy. You going to give me a dog for a pet, give me a pit bull. Give me... Raoul. ...
[...] See more »
Just when you think he's cornered, he thinks of a new strategy. Samuel L. Jackson portrays Lieutenant Danny Roman, police hostage negotiator. When he's framed for a crime he didn't commit, against his fellow police officers no less, he knows that the only way out is to bring in an equally tough negotiator, Lieutenant Chris Sabian played by Kevin Spacey, who's from another precinct and who therefore could not have been contaminated by the bad elements within his own force, which buys him the necessary time to bluff and blindside while he finds the clues he needs to prove he's innocent. Chicago is taken hostage along with the few people he retains as bargaining chips, and we are taken along for the ride. This was a masterful job of film-making from beginning to end. The characters and story were flawlessly developed. We don't precisely know who's guilty or who's innocent. Roman conducts his interrogation and trial while he negotiates with the police outside, some of whom are working overtime to eliminate Roman before he figures it all out. This all occurs right under the noses of the FBI who are in way over their heads and don't have a clue who's guilty or innocent, just like the rest of us watching. Along the way, we get to witness Roman lecture his underlings about the finer points of negotiations while he himself has just become a hostage taker. "Never say no!" he barks with effective zeal. And he tests his bewildered pupils continuously, who fail continuously. Only Sabian is smart enough to understand what's going on in Roman's mind. The strategy is shared by two men who think alike, who are under stress, and have an innate instinct for lie detection. The screenplay was terrific. The cinematography was effective. The acting of Jackson and Spacey exceptional. And the supporting cast, particularly bad-guy-turned-good-guy Paul Giamatti who provides great comic relief, was outstanding. If you're in the mood for an intelligent, taut thriller, The Negotiator delivers... 9/10.
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