Three minor delinquints (Danes, Ribisi, and Epps) are recruited by a cop (Farina) working undercover to bust a cop/drug ring. When the officer who recruited them is killed, they go above ... See full summary »
New York City police detective John Shaft (nephew of the original 1970s detective) goes on a personal mission to make sure the son of a real estate tycoon is brought to justice after a racially-motivated murder.
Samuel L. Jackson,
Three minor delinquints (Danes, Ribisi, and Epps) are recruited by a cop (Farina) working undercover to bust a cop/drug ring. When the officer who recruited them is killed, they go above and beyond the call of duty to solve the murder; and bust the drug ring. Suffering the jibes, and ridicule of fellow officers; they struggle to save their names, and that of their deceased benefactor. Written by
J. D. Keith <email@example.com>
Written by Gôta Yashiki (as Gota Yashiki)
Produced by Gôta Yashiki (as Gota Yashiki) for Respect Productions
Performed by Gôta Yashiki (as Gota)
Gota appears courtesy of Respect Productions Limited London See more »
A confusing screenplay, disappointingly directed, with performances only as good as the writing allowed.
I was extremely disappointed with Mod Squad as a movie. There were a number of points which were never explored fully in respect to the character development. The script jumped from point to point without ever clearly explaining the real direction of the plot or the characters. Neither I nor the three people with me ranging from 18 to 85, could work out why the three young 'Mod Squad' members were recruited. We had no idea what they'd done to land themselves in hot water to begin with so they could have been murderers (no sympathy there). The action was minimal the highlight being an old car crashing through a metal door. "When was that film set?" my eighteen year old daughter asked me. The clever young actor from the "Other Sister" relied on the most basic of performance tricks such as shouting, to even be noticed. Long lingering shots of the female lead became dull. The young black actor had little to work on in his scripted characterisation. I found myself confused between the good and the bad cops and why a call to the police precinct, which had set up the criminal "bust" finale , was so obligingly received and acted on so promptly. The police were called to the scene as backup for our hero who was then an escaped felon (or was he????). The direction in my opinion was experimental to the point of distraction. One scene had our three protagonists in the front seat of a car plotting their next move. This was the bench mark. We saw the camera pan left, right, right, left, right, left then left again so continuously I became dizzy. The recording quality of the hand held reporters cassette recorder, the contents of which wrapped up the entire Mod Squad case was "studio quality" amazing!!! I see a minimum of sixty films a year. This was one of the least effective in a decade. my vote is 2 out of 10.
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