A timid, insecure popular author with an overly-attentive professor husband decide to write an erotic novel. With encouragement from her sister and a bi-sexual friend, she goes to France ...
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Paul Leslie Disley
A timid, insecure popular author with an overly-attentive professor husband decide to write an erotic novel. With encouragement from her sister and a bi-sexual friend, she goes to France with the intent of doing research at an inn where a diary she had been using documented erotic encounters. Instead she finds the inn is now a cloister for singing nuns. However, a young, divorced sound engineer is also there taping the nuns. While attracted, she mostly succumbs only to new fantasies until he follows her home to New York. Written by
John Sacksteder <firstname.lastname@example.org>
At last, I can stand to watch a movie my mom likes, too!
My mom and I were going through the channels, and were about to resort to our well-worn video collection when we stumbled upon a nameless film with a young woman yelling at a man. My first impression was "Hey, that's Parker Posey!", and so began our little adventure viewing (most of) The Misadventures of Margaret. I've seen a few "chick flicks" in my time, although most leave me cold. When I use the too common term, I'm talking about anything that involves two of the three: 1) a love-centered plot line, 2) a woman striving for harmony with her inner self, 3) accurate, almost overly-done period piece costumes. A slight warning to those who aren't inclined to give this film a fair shot: it has all three in abundance.
However, the film also has some of the best acting I've seen out of Ms. Posey, great characters along with the title one (especially Elisabeth McGovern as Margaret's sister, and a disturbing pseudo-cameo by Alexis Denisof, who I'd only ever seen as Wesley on Buffy the Vampire Slayer and Angel. It's almost disturbing to see him play a sex symbol--not that I minded!), and some of the most entertaining women-centered writing I've heard in *any* flick (chick or otherwise) in a very long time. Women-centered in that it manages to make the characters sound like modern women without turning them into cynical harpies or caricatures of the feminist movement (or, worse, icons of a "better" set of values, when a woman's heart is only as full as her husband's stomach.) I'm starting to think that Mystic Pizza is going to have to share my title for Best Girlie Film. ;)
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