A legendary fifteen-foot tall mountain gorilla named Joe is taken to an animal sanctuary in California by a zoologist and a young woman whom he grew up with. A poacher from the past returns to seek vengeance on him.
The baby gorilla left in her care grows up to become a hugely tall and broad specimen by the name of Joe, living in the mountains as a mostly unseen legend among people who live there. Along comes an eco-minded emissary from a California sanctuary, who talks the jungle girl into providing safe haven for Joe at the L.A. facility. The transition is not without discomfort, but everything is aggravated via a conspiracy of poachers to get Joe into their own greedy hands! Written by
Anthony Pereyra <firstname.lastname@example.org>
On July 2, 1997, during filming in the San Fernando Valley, director of photography Donald Peterman and camera operator Ray De La Motte were injured after the Panther Pegasus camera crane they were riding on snapped, causing them to fall 25 feet to the ground. Peterman suffered a broken leg, broken ribs and minor head injuries, and De La Motte received minor chest and back injuries. Production was halted for two days, and Peterman was replaced by Oliver Wood. In 2000, Peterman sued Panther, as well as Shotmaker Company, the crane's supplier, and won a $5 million settlement. See more »
In Gregg's first appearance he refers briefly to a map, then orients himself with a magnetic compass, while resting the same arm on the steel hood of his Humvee. See more »
[points a gun at Jill's face with intent to kill her]
Goodbye, Jill. Meet your mother... in Hell.
[stares back at him very calmly, even a slight hint of a smile on her face]
[Strasser turns around and sees Joe towering over him]
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I was anxious to see this movie as I had seen the original in 1949 and I was not disappointed. This is one of those rare instances that a remake was okay. This originally was an RKO Radio Picture and the new updated RKO Pictures logo at the beginning was a great tribute. Also it was very fitting to have Terry Moore, the original star, and Ray Harryhausen, the man who made the special effects in the first one, to have a cameo. A lot of critics did not like this movie but my 3 grandchildren did. Why not have movie critics the same age as the targeted audience, such as having kid critics and women critics and senior citizen critics to give a real reaction of what they like and don't like.
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