A legendary fifteen-foot tall mountain gorilla named Joe is taken to an animal sanctuary in California by a zoologist and a young woman whom he grew up with. A poacher from the past returns to seek vengeance on him.
On his ninth birthday a boy receives many presents. Two of them first seem to be less important: an old cupboard from his brother and a little Indian figure made of plastic from his best ... See full summary »
The baby gorilla left in her care grows up to become a hugely tall and broad specimen by the name of Joe, living in the mountains as a mostly unseen legend among people who live there. Along comes an eco-minded emissary from a California sanctuary, who talks the jungle girl into providing safe haven for Joe at the L.A. facility. The transition is not without discomfort, but everything is aggravated via a conspiracy of poachers to get Joe into their own greedy hands! Written by
Anthony Pereyra <firstname.lastname@example.org>
Like most films during the 1990's that features creature effects, Joe was created through the mixture of practical and digital effects. For the majority of the film, Joe was portrayed by creature suit performer ('John Alexander') who wore a radio-controlled animatronic gorilla suit created by special makeup effects artist (Rick Baker) and his crew at Cinovation Studios. In order to achieve those scenes, Alexander would often act on miniature sets that were surrounded by blue screen in which visual effects house DreamQuest Images would composite him into footage that was shot before. While in the beginning of the film when Joe was an infant he was performed by (Verne Troyer). For certain scenes, the filmmakers used three full-sized animatronics (one in quadraped, one sitting down, and one in a dead position) also created by Baker's crew. For the scenes where the digital Joe was used, visual effects houses DreamQuest Images and Industrial, Light, & Magic would work on different scenes using the same model provided by Baker. Many of these performances were achieved by key-frame animation, but when the digital Joe was running and jumping was motion capture data that they captured from an infant chimpanzee. See more »
When Jill is talking to the doctor at the market, watching Gregg, she picks up a piece of fruit to eat. As she puts it to her mouth it appears untouched. In the immediate cutaway scene, the fruit is half eaten. See more »
So, this is L.A., huh? Everything looks the same. How do you know where you are?
It's easy. The ocean's that way, the mountains are that way, Mexico's that way, and Canada's thataway. You don't have to worry about the rest; you'll never see it through the smog.
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This is a wonderful family movie. Joe is so realistic looking you would think he really exists. Its funny, its adventurous, has some action, and also a tear-jerker. What more could you ask for in a movie? All this and still great to watch with your kids. Charlize Theron plays the role of Jill superbly. The jungle scenes are terrific. Joe is so much fun to watch. The bad guys get whats owed to them. Oh, did I mention some romance in there too? The song Jill sings to Joe (that Jill's mom sang to her when she was little) is a great song. Its such a relaxing song, which I prefer her rendition over the one played at the end of the movie during the credits!! I wish I knew what she was singing, its not in English, which is probably why its sounds so beautiful. If you haven't yet seen this movie, I highly suggest you get yourself a copy.
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