A legendary fifteen-foot tall mountain gorilla named Joe is taken to an animal sanctuary in California by a zoologist and a young woman whom he grew up with. A poacher from the past returns to seek vengeance on him.
In his homeland of Alagaesia, a farm boy happens upon a dragon's egg -- a discovery that leads him on a predestined journey where he realized he's the one person who can defend his home against an evil king.
Teenager, Darren Shan, meets a mysterious man at a freak show who turns out to be a Vampire. After a series of events Darren must leave his normal life and go on the road with the Cirque Du Freak and become a Vampire.
John C. Reilly,
The baby gorilla left in her care grows up to become a hugely tall and broad specimen by the name of Joe, living in the mountains as a mostly unseen legend among people who live there. Along comes an eco-minded emissary from a California sanctuary, who talks the jungle girl into providing safe haven for Joe at the L.A. facility. The transition is not without discomfort, but everything is aggravated via a conspiracy of poachers to get Joe into their own greedy hands! Written by
Anthony Pereyra <email@example.com>
Like most films during the 1990's that features creature effects, Joe was created through the mixture of practical and digital effects. For the majority of the film, Joe was portrayed by creature suit performer ('John Alexander') who wore a radio-controlled animatronic gorilla suit created by special makeup effects artist (Rick Baker) and his crew at Cinovation Studios. In order to achieve those scenes, Alexander would often act on miniature sets that were surrounded by blue screen in which visual effects house DreamQuest Images would composite him into footage that was shot before. While in the beginning of the film when Joe was an infant he was performed by (Verne Troyer). For certain scenes, the filmmakers used three full-sized animatronics (one in quadraped, one sitting down, and one in a dead position) also created by Baker's crew. For the scenes where the digital Joe was used, visual effects houses DreamQuest Images and Industrial, Light, & Magic would work on different scenes using the same model provided by Baker. Many of these performances were achieved by key-frame animation, but when the digital Joe was running and jumping was motion capture data that they captured from an infant chimpanzee. See more »
In Gregg's first appearance he refers briefly to a map, then orients himself with a magnetic compass, while resting the same arm on the steel hood of his Humvee. See more »
[At Strasser's estate in Africa, watching a news report on Joe, recently moved to a conservatory in California]
My God... Pindi was right.
[Garth enters the room]
He's beautiful. The most beautiful animal I ever seen.
And the most valuable, that's for sure.
[sits down, watches as Jill appears on screen]
Isn't that the...?
Wait! Be quiet!
[Both men's expressions are of recognition as Jill is identified as the daughter of the primatologist they had killed twelve years earlier]
Bloody hell! That's him...
[...] See more »
I was anxious to see this movie as I had seen the original in 1949 and I was not disappointed. This is one of those rare instances that a remake was okay. This originally was an RKO Radio Picture and the new updated RKO Pictures logo at the beginning was a great tribute. Also it was very fitting to have Terry Moore, the original star, and Ray Harryhausen, the man who made the special effects in the first one, to have a cameo. A lot of critics did not like this movie but my 3 grandchildren did. Why not have movie critics the same age as the targeted audience, such as having kid critics and women critics and senior citizen critics to give a real reaction of what they like and don't like.
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