Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
Bruce Willis is an outcast FBI agent who is assigned to protect a 9 year old autistic boy who is the target for assassins after cracking a top secret government code. Written by
The plot bears a striking resemblance to a real event in history as reported by Bruce Watson on DailyFinance's Website on 24 December 2009: '...In December 1955, Sears Roebuck ran a newspaper ad with what they claimed was Santa's direct number. Unfortunately, the phone number they offered was one digit off; instead of Sears, it linked to a top secret line at CONAD, the Continental Air Defense Command. When Colonel Harry Shoup, the command's director of operations, answered the phone, he expected to hear about a missile strike against the US. Instead, he got a little kid who wanted to talk to Santa. Although the conversation ended with the child crying and Shoup fuming, the Colonel eventually came around and began giving the children updates on Santa's travels through the night sky. The following year, CONAD offered a new, non-secret, phone number that children could call. In 1958, when CONAD became NORAD, the new command continued the tradition...' See more »
When Art is driving the ambulance, we see it from the front, with the word "Ambulance" clearly readable. However, the word is always printed in reverse on the front of an ambulance, so that it can be read by drivers looking in their rear-view mirror. The film has not been flipped, because it's clear that Art is sitting in the ordinary driver's seat. See more »
Flawed, but it definitely surpassed my expectations
Nearly six years ago, in the summer, I was camping and visiting some relatives at their vacation trailer, and happened to walk in one day while "Mercury Rising" was being watched. By that time, they were well into the film, perhaps more than half way through, but I watched the rest. I'm not exactly sure how much I liked it at the time, but didn't see anything severely wrong with it. Last night, I watched the whole movie for the first time. Knowing it wasn't the most widely praised film, and that I have higher standards than I did six years ago, I had fairly low expectations, but after that, I can't say I dislike it.
A very complex code called "Mercury" has been created by the NSA, one which is believed to be impossible to break. However, the code has been put in a puzzle magazine as a test to see if this is true, and a nine year old autistic boy in Chicago named Simon Lynch, who likes to solve puzzles, manages to break it. The NSA receives a call from this boy, and the two agents who have received the call inform their boss, Nicholas Kudrow. Kudrow is afraid of the code being spread around, so he sends an assassin to kill the boy! The assassin comes to Simon's house and kills his parents, but cannot find the boy himself, and flees when he hears the police coming! An FBI agent named Art Jeffries is sent to investigate, and he finds Simon hiding in a closet. After taking the boy away, Art must protect him and try to keep him from the assassins, which will be difficult, as he doesn't have too many people on his side, and keeping Simon in one place in sometimes a challenge!
I'm not sure exactly how to explain my feelings about this movie. Around the beginning, it seemed pretty much average, but it gradually got better. I was pretty shocked at the scene where Simon's parents are killed, and not in a good way. Some (probably many) people have criticised "Mercury Rising" for being so unrealistic and clichéd, and I'm not going to argue with that, but I can't say I think it's a bad movie. As usual, Bruce Willis puts on a memorable performance, this time as FBI agent Art Jeffries, a likable character, and then-child actor Miko Hughes is also impressive as Simon. Playing the role of an autistic character probably wasn't easy, but it seems Hughes managed to pull it off. For me, it was reasonably suspenseful seeing the two characters on the run together. The film has very memorable and touching ending as well, one which I remembered from the first time.
No, this certainly isn't the most popular action thriller ever made, nor does it deserve to be, but worse has been done. I honestly thought I would have more critical things to say about "Mercury Rising", but I don't, and it seems many of those who don't like it have given good reasons why they don't, probably better reasons than I can give for praising it. Since this 1998 action thriller is so polarizing, I guess there's no guarantee whether you'll like it or not, unless you don't like action thrillers in general, then you obviously wouldn't like it. However, if you're a fan of this genre, (you like good, though maybe mindless action), there's a chance "Mercury Rising" will do, as long as you're not expecting a masterpiece.
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