Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
The plot bears a striking resemblance to a real event in history as reported by Bruce Watson on DailyFinance's Website on 24 December 2009: '...In December 1955, Sears Roebuck ran a newspaper ad with what they claimed was Santa's direct number. Unfortunately, the phone number they offered was one digit off; instead of Sears, it linked to a top secret line at CONAD, the Continental Air Defense Command. When Colonel Harry Shoup, the command's director of operations, answered the phone, he expected to hear about a missile strike against the US. Instead, he got a little kid who wanted to talk to Santa. Although the conversation ended with the child crying and Shoup fuming, the Colonel eventually came around and began giving the children updates on Santa's travels through the night sky. The following year, CONAD offered a new, non-secret, phone number that children could call. In 1958, when CONAD became NORAD, the new command continued the tradition...' See more »
When Emily walks into her boyfriend's apartment, her lips stop moving for a brief moment but she doesn't stop talking. See more »
This movie has one huge problem: *its basic premise makes no sense at all*. Killing the kid is in absolutely nobody's interest. His codebreaking skill would be of immeasurable value to the very people who are trying to kill him, while safeguarding the code without killing him would be fairly straightforward. This is so obvious that it essentially ruins the whole movie.
The rest of the movie is OK if you ignore that problem. The performances are generally good, and Miko Hughes is excellent as Simon. There is nothing here you haven't seen a dozen times before, but it's generally well done. It's not worth making any real effort to see this movie, but you probably won't have a bad time if you do.
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