Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
Nick is a struggling dentist in Canada. A new neighbor moves in, and he discovers that it is Jimmy "The Tulip" Teduski. His wife convinces him to go to Chicago and inform the mob boss who wants Jimmy dead.
The plot bears a striking resemblance to a real event in history as reported by Bruce Watson on DailyFinance's Website on 24 December 2009: '...In December 1955, Sears Roebuck ran a newspaper ad with what they claimed was Santa's direct number. Unfortunately, the phone number they offered was one digit off; instead of Sears, it linked to a top secret line at CONAD, the Continental Air Defense Command. When Colonel Harry Shoup, the command's director of operations, answered the phone, he expected to hear about a missile strike against the US. Instead, he got a little kid who wanted to talk to Santa. Although the conversation ended with the child crying and Shoup fuming, the Colonel eventually came around and began giving the children updates on Santa's travels through the night sky. The following year, CONAD offered a new, non-secret, phone number that children could call. In 1958, when CONAD became NORAD, the new command continued the tradition...' See more »
When Art and Simon are caught between the trains, Art's hand moves from Simon's ear in different angles. See more »
I just watcehd this on DVD, loved it and was literally stunned to find that most people, in particular those that write movie reviews for a living slated this.
Maybe its because in 2004, some six years after its original release we are seeing a revival of the action/thriller (Bourne Supremacy etc).
So, what didn't I like, not much. I would like to have seen more made of the kids codebreaking, they could really have milked that and didn't, the opening scene was just to cliché in setting up Willis's character as were the characters of his big black boss and hard nosed chief. The very last scene was typical US syrup but was thankfully very short.
What was good? everything else, I loved the idea behind the story, Miko Hughes is totally amazing to the point I had to check the next day to find out how the hell they managed to get a autistic kid to act (is isn't autistic but is a damn fine actor), Willis really does add vulnerability to a role that he has played many times before, with the movie underpinned fantastically with a John Barry soundscore and Harold Becker carefully crafts what for me was a very enjoyable movie watching experience and stands head and shoulders above many I have seen recently. 3/5 for me
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