5 years after Pitch Black, the wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
A decidedly odd couple with ulterior motives convince Dr. Alan Grant to go to Isla Sorna (the second InGen dinosaur lab.), resulting in an unexpected landing...and unexpected new inhabitants on the island.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
In the year 2058, the Earth will soon be uninhabitable after the irreversible effects of pollution and global warming! Professor John Robinson, lead scientist of the Jupiter 2 Mission, will lead his family to the habitable planet Alpha Prime to prep it for colonization. The Jupiter 2 is equipped with a hyperdrive that allows faster-than-light travel, which will eventually be employed to evacuate the citizens of Earth. However hypergates must be constructed on Earth and Alpha Prime to provide stable points of departure and arrival. Dr. Zachary Smith is bribed by a terrorist organization to sabotage the mission, and ends up an unwilling stowaway as the ship blasts off. Written by
Anthony Pereyra <email@example.com>
When Penny is talking to Will about jettisoning his body into space, the package in her hand suddenly disappears when she claps her hands together. Immediately afterwards, she retrieves it from her left. See more »
I just saw the 1998 LOST IN SPACE and I still haven't recovered. How could they possibly have made a movie this bad? Two actual good actors, Gary Oldman and William Hurt, are trapped in this atrociously written, badly directed waste of $80 million. Whether or not you liked the cheesy 60s TV series, you're going to hate this.
Alright, this is how it goes: it's the future and there's pollution, world peace (ugh!), and terrorists. The Robinson family is going to fly through a "hyper-space-portal" (or whatever the hell they call it) to a planet on the other side of the galaxy to colonize it and save humanity. Hurt, playing a respected scientist with no time for his kids, says at a press conference "there's a lot of space out there to get lost in" (ugh!). Matt LeBanc from "Friends" is horribly miscast as the flying ace who will pilot the Robinson's earth-saving space ship. Then we come to the children... but we wish we hadn't. The little boy is a science-fair genius who wishes his dad had more time for him and the girl is a teenage stereotype who argues with her mother and keeps a video diary. They both have very high, annoying voices, and the lines they deliver are terrible on top of that. Then comes the mother. I don't know who played her, and I don't want to know. They all live in a futuristic house in a futuristic CGI geodesic dome (ugh!). Except for family tensions "I don't want to give up the next ten years of my life", the mission appears to be a shoe-in.
Then we meet Gary Oldman, the 1998 version of Dr. Smith. He would have been a terrific character if his lines weren't so terrible (I think Akiva Goldsman was trying for Shakespearian). Anyway, he's evil and loves it, and works for the terrorists. He sabotages to mission, getting himself trapped on the ship in the process, and getting the Robinsons lost you know where.
Along the way we see thoroughly unconvincing CGI used for just about everything, including an annoying monkey-creature that's supposed to be cute. The costumes (which director Hopkins had a hand in designing) are really terrible glossy-body-mold stuff (think BATMAN AND ROBIN for comparison) which basically gives everybody (even the kids) well defined ahem!- features. Even the music is bad, and horribly arranged. And the end titles go above and beyond tacky, being half music-video, including a rapped-over version of the original theme and sound-bites from the film. And then there's the robot, which the son makes friends with and teaches that it has a "heart" (ugh!).
The script and direction are still probably the worst atrocities in LOSTIN SPACE. One of the more embarrassing bits has LeBlanc explaining to Heather Graham (to whom he is pathetically attracted) the concept of constellations and draws Porky Pig on a window. Even during intimate dialogue scenes, none of our actors seem sincere, or even to be speaking to one another. These characters don't even talk like human beings.
It's hard to believe the studio didn't just put this one on the shelf and leave it there. In the end LOST IN SPACE didn't even make enough money to justify its release. The world really would be a better place without this movie.
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