After the rebels have been brutally overpowered by the Empire on their newly established base, Luke Skywalker takes advanced Jedi training with Master Yoda, while his friends are pursued by Darth Vader as part of his plan to capture Luke.
Eight years after the Joker's reign of anarchy, the Dark Knight, with the help of the enigmatic Selina, is forced from his imposed exile to save Gotham City, now on the edge of total annihilation, from the brutal guerrilla terrorist Bane.
Luke Skywalker joins forces with a Jedi Knight, a cocky pilot, a wookiee and two droids to save the galaxy from the Empire's world-destroying battle-station, while also attempting to rescue Princess Leia from the evil Darth Vader.
An ancient Ring thought lost for centuries has been found, and through a strange twist in fate has been given to a small Hobbit named Frodo. When Gandalf discovers the Ring is in fact the One Ring of the Dark Lord Sauron, Frodo must make an epic quest to the Cracks of Doom in order to destroy it! However he does not go alone. He is joined by Gandalf, Legolas the elf, Gimli the Dwarf, Aragorn, Boromir and his three Hobbit friends Merry, Pippin and Samwise. Through mountains, snow, darkness, forests, rivers and plains, facing evil and danger at every corner the Fellowship of the Ring must go. Their quest to destroy the One Ring is the only hope for the end of the Dark Lords reign! Written by
Paul Twomey <firstname.lastname@example.org>
A rubber puppet with a horrific face was superimposed over Ian Holm's face when Bilbo Baggins covets the ring in Rivendell. Holm was so delighted with the puppet that the design team had a cast iron version of it made for his mantelpiece and gave it to him as a parting gift when Holm wrapped all his scenes on the film. See more »
Gimli pledges his axe to Frodo at the Council of Elrond several minutes after pulverizing an axe in attempt to smash the ring. In fact, he snatched the axe of the dwarf next to him for that purpose. See more »
The world is changed. I feel it in the water. I feel it in the earth. I smell it in the air. Much that once was is lost, for none now live who remember it. It began with the forging of the Great Rings. Three were given to the Elves, immortal, wisest and fairest of all beings. Seven to the Dwarf lords, great miners and craftsmen of the mountain halls. And nine, nine rings were gifted to the race of Men, who, above all else, desire power. But they were, all of them, deceived, for ...
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There are no opening credits after the title has been shown. See more »
The reason why this first part of Jackson's 'Lord of the Rings' is superior to his latter two parts is because of restraint. Jackson was restrained from over doing it with the CGI and "epic" battle sequences, which in my opinion does not make a story epic. Part of the reason was simply because Tolkien did not have very many battles in the first part of his book, which thankfully forced Jackson to focus on creating a believable world rather than a believable hack-n-slash action movie.
I don't find much entertainment in watching people mutilate each other, but I love it when a movie engages me in a world, and 'The Fellowship of the Ring' does just that. Certainly the most breathtaking scenes in the movie are the moments of patient observation, when the camera pans around and captures the beautiful settings of Middle Earth. I must give Jackson credit. He did hire some very extraordinary artists that have envisioned one of the grandest interpretations of Tolkien's world.
There are about five particular moments that stick out in my mind and gave me that tingle of goosebumps down my spine when I saw them for the first time. The first is the introduction to Hobbiton. After the somewhat awkward prologue, I was beginning to have my doubts to whether the movie would live up to the book. But the movie surprised me. Hobbiton is perfect. The houses have flower patches and old fences, the roads look worn and made through decades of travel, and the Old Mill spins with the laziness of a quiet town. Every color is vibrant and every moment looks as through it was taken out of a picture book. Although I still don't agree with the particular look of the Hobbits, I believe everything else in Hobbiton is worthy of Tolkien's words.
The second moment comes after Frodo's awakening in Rivendell, and the third, during the exploration of the Halls of Moria. In both moments, the camera pans away from the characters and outward into a static shot of their surroundings. The moments make us feel like we're turning our heads and gazing at the world around us just as the characters do. The golden waterfalls of the elven city mark an interesting contrast with the dark halls of the dwarfish mines, but each are inspiring in their own ways and add to feeling of being engaged in a living world.
My other favorite moments come during the exploration of Lothlorien and the passage down the Anduin. And while I won't go into detail about the scenes, since they really should be experienced without any prior expectations, they are monuments in imaginative cinema. 'The Fellowship of the Ring' is one of those rare movies that I always wish I could reexperience for the first time. Unfortunately, Jackson turned away from exploring Middle Earth in his next two movies, and instead, turned to fighting and warfare. He seems to take a lot of pride in the love story and battle sequences he created in 'The Two Towers' and 'The Return of the King,' but it is was in his first movie when he really got it right. In 'The Fellowship of the Ring,' it's okay if the characters are uninteresting and have silly dialogue. Middle Earth is the star, and the characters are the ones seeing it for the first time.
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