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The Lord of the Rings: The Fellowship of the Ring (2001)

8.8
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Ratings: 8.8/10 from 982,505 users   Metascore: 92/100
Reviews: 4,964 user | 291 critic | 34 from Metacritic.com

A meek hobbit of the Shire and eight companions set out on a journey to Mount Doom to destroy the One Ring and the dark lord Sauron.

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Top 250 #11 | Won 4 Oscars. Another 100 wins & 99 nominations. See more awards »

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Cast

Cast overview, first billed only:
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The Ring (voice)
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Noel Appleby ...
...
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...
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...
...
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Megan Edwards ...
Mrs. Proudfoot
Michael Elsworth ...
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Storyline

An ancient Ring thought lost for centuries has been found, and through a strange twist in fate has been given to a small Hobbit named Frodo. When Gandalf discovers the Ring is in fact the One Ring of the Dark Lord Sauron, Frodo must make an epic quest to the Cracks of Doom in order to destroy it! However he does not go alone. He is joined by Gandalf, Legolas the elf, Gimli the Dwarf, Aragorn, Boromir and his three Hobbit friends Merry, Pippin and Samwise. Through mountains, snow, darkness, forests, rivers and plains, facing evil and danger at every corner the Fellowship of the Ring must go. Their quest to destroy the One Ring is the only hope for the end of the Dark Lords reign! Written by Paul Twomey <toomsp@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Power can be held in the smallest of things... See more »

Genres:

Adventure | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for epic battle sequences and some scary images | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

|

Language:

|

Release Date:

19 December 2001 (USA)  »

Also Known As:

The Fellowship of the Ring  »

Box Office

Budget:

$93,000,000 (estimated)

Opening Weekend:

$5,163,034 (Italy) (18 January 2002)

Gross:

$36,116,967 (Europe) (19 December 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (special extended edition) | (including extended credits)

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

John Howe designed Bag End to resemble a perfectly English home even though he's never actually been to England. See more »

Goofs

When Frodo falls down in the snow and Boromir hands him the ring, Aragorn's right hand has clearly been removed from the sword hilt. However they immediately show a close up where his hand releases the hilt. See more »

Quotes

[first lines]
Galadriel: The world is changed. I feel it in the water. I feel it in the earth. I smell it in the air. Much that once was is lost, for none now live who remember it. It began with the forging of the Great Rings. Three were given to the Elves, immortal, wisest and fairest of all beings. Seven to the Dwarf lords, great miners and craftsmen of the mountain halls. And nine, nine rings were gifted to the race of men, who, above all else, desire power. But they were, all of them, deceived, for ...
See more »

Crazy Credits

Toward the end of the credits, there are some lines in Maori, thanking the people of New Zealand, where the movie was filmed.: He mihi nui hoki ki nga tangata whenua o Aotearoa. Ma rangi raua ko papa tatou e manaaki, e tiaki hei nga tau e tu mai nei. See more »

Connections

Spoofed in Robot Chicken: The Departy Monster (2011) See more »

Soundtracks

AnĂ­ron
Composed and Performed by Enya
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Greatest `Fantasy' Book become greatest `Fantasy' film
22 December 2001 | by (New Zealand) – See all my reviews

I think it is important to remember that Peter Jackson took up this film not in order just to make a film of `The Lord of the Rings' but because he wanted to make a 'fantasy just like the `The Lord of the Rings'" as he himself put it. After repeating that phrase on a number of occasions the question popped into his mind: "Well, why not the `The Lord of the Rings' itself?". In doing this he, of course, set himself an enormous challenge: he had to make a really good `fantasy' film, one which would stand on its own and be true to what he had originally wanted to do but he would also, and here the task he had set himself was enormous, be true to the original book and to make a film which the legions of people who have loved this book would feel happy with. In the latter task he was certainly not helped by the author or the book: Tolkein, it would seem, hated cinema. The book itself is `HUGE': this was not going to be the kind of task that the James Ivory team set themselves, or Scorsese nor the kind of task facing Branagh with Hamlet; nor was it going to be like the puny task that faced Columbus with `Harry Potter' who had the bigger budget ($130 million for one film as compared with Peter Jackson with $300m for three).

I have just seen the first `volume' and can say without hesitation that he has succeeded in both his goals. It is not the book but a reading of the book which is inventive and fascinating. It is the kind of experience that makes you want to go back and reread the whole thing in the light of the emphases that Jackson has brought to the story. He focuses on the corrupting influence of the ring and, through this focus, the character of the chief protagonists of the story are revealed. Clearly those most tempted by it are mortal men (Boromir and even, in one moment, Aragorn), those who already have power (Elrond - `The ring cannot stay here'; Galadriel; Gandalf and Saruman), and, of course, those who would not normally desire it but who by accident become ring bearers - Gollum, Bilbo, Frodo. I can see why, in this reading, Jackson decided to leave out the Bombadil episode. Bombadil, like the Balrog, is beyond the ring but the latter is important to the unfolding of the story of the fates of all the characters, Bombadil isn't.

It is a miracle of this reading of the first volume of the book that one can see where Jackson is going and one can get a feel of how the reading is going to unfold. In a sense, Jackson's real trial - as far as those who know the books are concerned - will come with the second film in the series. He has lived up to our expectation by creating even bigger ones: how can he handle the story of the chase andrescue of Merry and Pippin, the storming of Isengard etc - stories which don't really add much to the core theme that is emerging. Or is he now going to add the theme of the great contest of good versus evil to the unfolding reading?

All of this points to the fact that the film, even though it is a feast of special effects, focuses on character. And this also explains why Jackson chose the actors he did for their roles: they are not `big' names - no `Sean Connery', no `Alan Rickman', no `Brad Pitt', no `Sam Neill'etc. He didn't want them getting in the way of the story of character. Ian McKellan's talents, in particular, are used to tell a large proportion of the story: an enormous amount is conveyed simply through his facial expressions and even by the language of his body. The other miracle in all of this is Elijah Wood. Like many others, when I first heard of Jackson's choice, I groaned: but Wood has been extraordinary. He brings, as one friend said, a strange kind of androgyny to the role and this is just perfect. McKellan has already been knighted: give Wood the Oscar.

And then there is Middle Earth: this is, as someone put it, another character in the story and the New Zealand landscape, digitally enhanced on occasion, lives up to its role too.

Enough. See this film! Greatest film ever made? How can one make a claim like that! Silly really; as silly as claiming that `The Lord of the Rings' is the greatest book ever written. Can't one simply love a story, enjoy reading it a number of times amd lose oneself in it. One CAN claim that it is the greatest work in its genre as is the film.

10/10


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