A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Four Jack-the-lads find themselves heavily - seriously heavily - in debt to an East End hard man and his enforcers after a crooked card game. Overhearing their neighbours in the next flat plotting to hold up a group of out-of-their-depth drug growers, our heros decide to stitch up the robbers in turn. In a way the confusion really starts when a pair of antique double-barrelled shotguns go missing in a completely different scam. Written by
In the van when Bacon finds the traffic warden, there is an extra arm seemingly coming out of the floor of the van. See more »
Right. Let's sort the buyers from the spyers, the needy from the greedy, and those who trust me from the ones who don't, because if you can't see value here today, you're not up here shopping. You're up here shoplifting. You see these goods? Never seen daylight, moonlight, Israelite. Fanny by the gaslight. Take a bag, c'mon take a bag. I took a bag home last night. Cost me a lot more than ten pound, I can tell you. Anyone like jewelry? Look at that one there. Handmade in Italy, ...
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Plot twists and turns amongst the seedy London Underground
LOCK STOCK AND TWO SMOKING BARRELS ( rating, * * * * out of 5 )
Four lesser thieves from the East End of London find themselves dangerously in debt to a local smut peddler - the result of a fixed poker game. The consequence being that until they repay the money owed, each one will lose a finger for each day the payment is late.
While trying to figure their desperate predicament, they overhear their gangster neighbors setting up a score from some slumberous marijuana dealers and decide that knocking over the neighbours is their only way out.
After the triumphant thievery, they discover that the pot belongs to the same menacing individual they want to fence it through - a black psychopath whose history reads like the Anti-Christ's resume. Enter a miscellany of desperadoes and hoodlums who target our four lads.
For the first time since 'Pulp Fiction', a movie comes along that breaks the shackles of tedious cloning. This film is entertaining and moves along at a cracking pace. Guy Ritchie's script is a tapestry of well-written characters, sharp dialogue that says what needs to be said and leaves the unsaid as food for thought, and a mesh of sub-plots that interlace together with imagination and expertise.
His direction is crisp and inventive allowing the cast of eccentric characters to move about freely while maintaining that erratic edge. In this slick piece of film making, Guy Ritchie denies hackneyed Hollywood trends by scripting no true good-guys just varying degrees of bad ones.
This is a terrific movie. It is violent but not extreme considering the subject matter and cast of cut-throat characters. The language is strong and the humor is black where you'll find yourself belly laughing at the brutal misfortune of others. If this makes you uncomfortable, then this film is not for you. It is also not for those who have been trained by television sit-coms to laugh on cue.
Broadminds are required to enjoy this fine British film where it will definitely add some zing to your day. So stick your tongues firmly in your cheeks and hop on the thrill a minute ride that is 'Lock, Stock and Two Smoking Barrels'.
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