A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged-out rock 'n' roller presumed to be dead but very much alive -- has a multi-million-dollar prize fall into... See full summary »
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
Four Jack-the-lads find themselves heavily - seriously heavily - in debt to an East End hard man and his enforcers after a crooked card game. Overhearing their neighbours in the next flat plotting to hold up a group of out-of-their-depth drug growers, our heros decide to stitch up the robbers in turn. In a way the confusion really starts when a pair of antique double-barrelled shotguns go missing in a completely different scam. Written by
When Dog describes Golf as a "way to spoil a good walk" he attributes the quote to Winston Churchill. The quote "Golf is a good walk spoiled." is generally attributed to mark Twain although it first appeared in 1903 in a book by H S Scrivener. See more »
Right. Let's sort the buyers from the spyers, the needy from the greedy, and those who trust me from the ones who don't, because if you can't see value here today, you're not up here shopping. You're up here shoplifting. You see these goods? Never seen daylight, moonlight, Israelite. Fanny by the gaslight. Take a bag, c'mon take a bag. I took a bag home last night. Cost me a lot more than ten pound, I can tell you. Anyone like jewelry? Look at that one there. Handmade in Italy, ...
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In the closing credits, the character names in the cast list are shown entirely in lower-case letters with no initial capital letters. See more »
If I were to write and direct a movie about gangsters or crime, this would be it. I wouldn't change one damn thing. Not a thing. Everything in this film was, to my eye, perfect - casting, the camerawork, the excellent dialogue ("It's been emotional.")
Now I don't have much to compare this to, and I've heard some criticism that it basically draws quite heavily from older British crime dramas. I've got a bunch of these on my queue to rent, but I doubt you could make a crime film better than this.
This film oozes with style, class, dark humor, plot twists and turns, and doesn't drag one bit. The casting and characterization is perfect, and Ritchie isn't afraid to move the cameras around; no pretense is really made here at "realism" - Ritchie doesn't mask the fact that it's a film and he runs with it.
I really don't think of myself as easily impressed, and I have seen a hell of a lot of films in my time, but this one instantly made my Top 10 after only a single viewing. Yes, I'm raving about it, and while it may not be "spiritually enriching" or contain any deep sociological content (which I actually do look for in films), somehow it still scores as one hell of a film; memorable and entertaining, and stands up well to multiple viewings.
I am a bit dismayed to see some of the marketing of this film comparing it to other things like Quentin Tarantino films or Trainspotting. It really does it a disservice because this film really is its own phenomenon and stands on its own two feet; if anything it is similar to Trainspotting and Tarantino films only because it actually has its own bold style.
Can't recommend it enough.
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