The Legend of 1900
(1998)
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The Legend of 1900
(1998)
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| Cast overview, first billed only: | |||
| Tim Roth | ... | ||
| Pruitt Taylor Vince | ... | ||
| Bill Nunn | ... |
Danny Boodmann
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| Clarence Williams III | ... |
Jelly Roll Morton
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| Mélanie Thierry | ... |
The Girl
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Gabriele Lavia | ... |
Farmer
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| Peter Vaughan | ... |
'Pops', the Shopkeeper
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Niall O'Brien | ... |
Harbor Master
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| Alberto Vazquez | ... |
Mexican Stoker
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Luigi De Luca | ... |
Neapolitan Stoker
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Femi Elufowoju Jr. | ... |
Black Stoker
(as Femi Elufowoja Jr.)
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Nigel Fan | ... |
Chinese Stoker
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Roger Monk | ... |
Irish Stoker
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Leonid Zaslavski | ... |
Polish Stoker
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Bernard Padden | ... |
Boatswain
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Shortly after the Second World War, Max, a transplanted American, visits an English pawn shop to sell his trumpet. The shopkeeper recognizes the tune Max plays as one on a wax master of an unreleased recording, discovered and restored from shards found in a piano salvaged from a cruise ship turned hospital ship, now slated for demolition. This chance discovery prompts a story from Max, which he relates both to the shopkeeper and later to the official responsible for the doomed vessel, for Max is a born storyteller. Though now down on his luck and disillusioned by his wartime experiences, the New Orleans-born Max was once an enthusiastic and gifted young jazz musician, whose longest gig was several years with the house band aboard the Virginian, a posh cruise ship. While gaining his sea legs, he was befriended by another young man, the pianist in the same band, whose long unlikely name was Danny Boodman T.D. Lemons 1900, though everyone just called him 1900, the year of his birth. ... Written by GMBaxter
As its pianist, this film could be bound for success, but the fact is, it remained relatively obscure. I can't understand why did a movie with this deepness and feeling end up in oblivion. Because, if there are some beautiful movies, this is one of them, from the moment that fantastic Ennio Morricone score begins until we witness the tear-jerking finale. An epic story from tip to toe, we journey through the original story of a man who becomes a pianist on board the boat where he was born. And as he grows, so does the fascination by the others in his art and the questions whether he should take that leap overboard and become a "normal" person. A brilliant movie, from the man who brought us "Cinema Paradiso" and made us all cry, this won't disappoint you, and it's worth by Morricone's score alone. The sequence where the piano floats freely through the dance hall is anthological. A legend of its own.