The Legend of 1900
(1998)
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The Legend of 1900
(1998)
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| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Tim Roth | ... | ||
| Pruitt Taylor Vince | ... | ||
| Bill Nunn | ... |
Danny Boodmann
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| Clarence Williams III | ... |
Jelly Roll Morton
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| Mélanie Thierry | ... |
The Girl
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Gabriele Lavia | ... |
Farmer
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| Peter Vaughan | ... |
'Pops', the Shopkeeper
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Niall O'Brien | ... |
Harbor Master
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| Alberto Vazquez | ... |
Mexican Stoker
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Luigi De Luca | ... |
Neapolitan Stoker
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Femi Elufowoju Jr. | ... |
Black Stoker
(as Femi Elufowoja Jr.)
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Nigel Fan | ... |
Chinese Stoker
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Roger Monk | ... |
Irish Stoker
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Leonid Zaslavski | ... |
Polish Stoker
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Bernard Padden | ... |
Boatswain
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Shortly after the Second World War, Max, a transplanted American, visits an English pawn shop to sell his trumpet. The shopkeeper recognizes the tune Max plays as one on a wax master of an unreleased recording, discovered and restored from shards found in a piano salvaged from a cruise ship turned hospital ship, now slated for demolition. This chance discovery prompts a story from Max, which he relates both to the shopkeeper and later to the official responsible for the doomed vessel, for Max is a born storyteller. Though now down on his luck and disillusioned by his wartime experiences, the New Orleans-born Max was once an enthusiastic and gifted young jazz musician, whose longest gig was several years with the house band aboard the Virginian, a posh cruise ship. While gaining his sea legs, he was befriended by another young man, the pianist in the same band, whose long unlikely name was Danny Boodman T.D. Lemons 1900, though everyone just called him 1900, the year of his birth. ... Written by GMBaxter
Not a classic, but whoa, some of that piano playing just sweeps you right off your feet. Tim Roth is good as the handsome pianist Nineteenhundred and so is all the the rest of the cast. This cast also includes Clarence Williams III, presumably the grandson of Clarence Williams (the man who wrote the song "Basin Street Blues" one hell of a classic), as Jelly Roll Morton. This leads me on to one of the most impressive parts of the film where Nineteenhundred and Morton have a match to see who is the best pianist. There is some piano playing in this scene which will leave pianists with there mouths hanging open. Probably the best thing about this film is it's music. There are many rousing themes played throughout the film, especially the love theme played while Nineteenhundred kisses a girl he has fallen in love with, a simple yet very effective theme. Another thing that makes this film very good is the fantastic camera-shots, especially one of Nineteenhundred as he stands halfway across the plank which leads him from the boat to New York, undecided whether or not he should leave the boat and head for world-wide celebrity on land, or stay on the boat and remain unknown to anyone but the passengers. I have got to get myself the soundtrack to this film and you have got to see it somehow. Enjoy!