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The Last Days of Disco (1998)

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Story of two female Manhattan book editors fresh out of college, both finding love and themselves while frequenting the local disco.

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1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
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Des
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Jimmy
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Josh
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Tom
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Nina
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Dan (as Matthew Ross)
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Holly
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Van
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Bernie
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Tiger Lady
Sonsee Neu ...
Diana (as Sonsee Ahray)
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Victor
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Adam
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Storyline

Last Days of Disco loosely depicts the "last days" at a disco palace, where drugs, sex and weirdness ran rampant. The story centers around a group of friends who frequent the disco and each other. All the characters are searching for something to make their lives more fulfilling. Some are searching for everlasting love and some are just wanting something different. As the disco is closed, they all wonder can disco ever really be dead? Written by Kathy Clark <kemoore@cyberramp.net>

Plot Summary | Add Synopsis

Plot Keywords:

disco | friend | lawyer | money | gay | See All (159) »

Taglines:

History is made at night.

Genres:

Comedy | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for some elements involving sexuality and drugs | See all certifications »
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Details

Country:

Language:

Release Date:

12 June 1998 (USA)  »

Also Known As:

A diszkó végnapjai  »

Filming Locations:

 »

Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend:

$277,601 (USA) (29 May 1998)

Gross:

$2,987,297 (USA) (7 August 1998)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Chloë Sevigny was cast in the role of Alice Kinnon on recommendation of film editor Christopher Tellefsen who had edited her performance in the movie Kids (1995). Tellefsen edited both Whit Stillman's Metropolitan (1990) and Barcelona (1994). See more »

Goofs

Early in the movie, boxes of glassware in the back of the club have large modern barcodes. An hour into the movie the boxes are shown again, with the barcodes taped over. See more »

Quotes

[first lines]
Alice Kinnon: I hear you have a much better chance of getting in if you come by cab.
Charlotte Pingress: You're really worried about getting in?
Alice Kinnon: Yes.
Charlotte Pingress: I thought you've been here several times before.
Alice Kinnon: Not the front way. They were private parties. We came in through the back.
Charlotte Pingress: We look real good tonight. I'm sure we're gonna get in.
[Alice and Charlotte round the corner and see a large crowd waiting outside the Disco Club]
Alice Kinnon: [beat] Let's get a cab.
Charlotte Pingress: Yeah.
See more »

Connections

References DuckTales (1987) See more »

Soundtracks

He's the Greatest Dancer
Written by Bernard Edwards, Nile Rodgers
Performed by Sister Sledge
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
See more »

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User Reviews

 
Wonderful and sardonic view of yuppie/disco life
23 June 2001 | by (Montreal, Canada) – See all my reviews

Another winner from Whit Stillman! This is a very clever, well-written film in the Eric Bogosian or Hal Hartley style of a play for the screen. This film really does feel like theater in many ways, especially the funny and clever, tightly written dialogue.

Superb performance by almost the entire cast (the one exception being McKenzie Astin, who was fairly awful, but was barely onscreen so it was shrugable), raised the film to a level above its potential. Kate Beckinsale was the perfect bitch, so annoying that I wanted to pull her out of the screen and shake her repeatedly;) Christopher Eigeman nearly stole the show as Des, he played the character perfectly, his voice and tone always on edge, the defensiveness and womanizing, the stories he told, all a brilliant package. But Chloë Sevigny more than held her own, with her best performance that I've ever seen...everything from her line release to her body language stuck out; she became Alice.

This film is a definite must see...a great soundtrack, great sets, brilliant writing and better acting. It's a bit long, some scenes feel unnecessary, and at times he seems to be over-hammering his point, but Stillman has still provided us with a near-masterpiece, 8/1.


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