Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
While restoring an old painting showing a woman and two men playing chess, Julia discovers the text "Who killed the knight" underneath the paint. The owner of the painting tells her that ... See full summary »
When Marie-Louise goes to meet her lover Jean-Paul, who is arriving in Paris on his military leave, she goes to the wrong train station. Marie-Louise and Jean-Paul spend the next 24 hours running around the city looking for each other.
Last Days of Disco loosely depicts the "last days" at a disco palace, where drugs, sex and weirdness ran rampant. The story centers around a group of friends who frequent the disco and each other. All the characters are searching for something to make their lives more fulfilling. Some are searching for everlasting love and some are just wanting something different. As the disco is closed, they all wonder can disco ever really be dead? Written by
Kathy Clark <email@example.com>
Third feature film of director Whit Stillman. Metropolitan (1990) and Barcelona (1994) were the earlier works. This movie is the third film in director Whit Stillman's "Doomed-Bourgeois-in-Love series", these other two pictures being the other films in the series. This film includes a number of cameo appearances from characters that appeared in the two earlier movies. See more »
When the nightclub manager is in the DJ box and says, "Michael, "Good Times"", meaning play the song "Good Times" by Chic, the record cover that the DJ picks up shows an image of a white, blonde female artist, clearly not Chic. Also the visible label on the actual record is blue, not the red/black or red /green Atlantic Records logo, Chic's record company label. See more »
1) There is no action in this movie. If you need *something*, then avoid this movie like the plague. And while one may think to themself, "dayam, those actresses look fine", there are no gratuitous skin shots. Its not a movie like "Honey", where you turn off the volume and just stare at Jessica Alba.
2) Its not really about the End of Disco (despite the title). The soon to be dead Disco era is a BACKDROP for the theme of the movie. Casablanca was not about WW II. It was a romance movie, and the War was a backdrop. No one bitches about the authenticity of the airplanes, uniforms, historical details of the politics or legal procedures, or portrayal of the Moroccan culture. Yes, I wish the filmmaker was a bit more zealous about period dress and music. Oh well. And while there are reminiscent touches, its not a movie who's focus is dedicated to capturing the Disco period. If what you want is an homage to Disco, then you won't like this movie.
3) It IS a "Coming of Age" movie. It is about vapid, just-out-of-college Americans starting out in the real world. The movie mostly skewers them, but I can't help but feel a bit of nostalgia and loss for a period of life that will never come back to me (early twentysomething). I strongly suggest you avoid the movie if you're under 35. You do not need to have lived through the disco period to appreciate the movie, but you do need to be an old fogey. Definitely a movie for adults, in the non-NC17 way.
4) The actors put on superlative performances. They were portraying vapid, witless, bland, soon to be full-blown yuppies. The time period is perfect for reflecting on the contrast of soon-to-be-over perceptions of life and the world from youth to early adulthood. You can almost see their worldview evolve within the one(?) year time period of the movie. There's nothing sucky about the acting. The characters are mostly sucky people; that's why they seem wooden, vapid, and lame. (And Kate Beckinsale does an AWESOME American accent; because she's British, and there isn't a hint of her native tongue.) Yes, their dancing seems lame, because the general public are generally lame dancers. People did not break out like John Travolta on the dance floor every night. Its not a movie about dancing.
5) One should be appreciating the dialogue from a detached distance, and be struck by its wit and humor. Not living through these people in a first person perspective. This is for people who can appreciate reading James Joyce, Harold Pinter, or Evelyn Waugh, or any great novelist/playwright who doesn't beat you over the head (usually with a voice-over) with the meaning of every aspect of a scene. (Apologies if these writers aren't good examples; I'm having a problem recalling an ideal choice.) If the movie seems to drift and be aimless, its because life is not a continuous series of epiphanies, and this is not a typical Hollywood feature. If you need something more obvious, you WON'T like this movie.
Its actually a bit hard to like this movie, but I do. I have met people who have lived through the Disco era and waxed poetic like Josh towards the end of the movie. They're actually yearning for the illusions of their youth; which is kind of what the movie is about.
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