6.6/10
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128 user 86 critic

The Last Days of Disco (1998)

Story of two female Manhattan book editors fresh out of college, both finding love and themselves while frequenting the local disco.

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Writer:

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1 win & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Des
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Tom
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Dan (as Matthew Ross)
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Van
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Tiger Lady
Sonsee Neu ...
Diana (as Sonsee Ahray)
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Victor
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Adam
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Storyline

Last Days of Disco loosely depicts the "last days" at a disco palace, where drugs, sex and weirdness ran rampant. The story centers around a group of friends who frequent the disco and each other. All the characters are searching for something to make their lives more fulfilling. Some are searching for everlasting love and some are just wanting something different. As the disco is closed, they all wonder can disco ever really be dead? Written by Kathy Clark <kemoore@cyberramp.net>

Plot Summary | Add Synopsis

Plot Keywords:

disco | friend | lawyer | money | gay | See All (159) »

Taglines:

History is made at night.

Genres:

Comedy | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated R for some elements involving sexuality and drugs | See all certifications »
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Details

Country:

Language:

Release Date:

12 June 1998 (USA)  »

Also Known As:

A diszkó végnapjai  »

Filming Locations:

 »

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$277,601, 31 May 1998, Limited Release

Gross USA:

$2,987,297, 9 August 1998
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Castle Rock, the studio that produced the film, wanted a big name to star in the "Alice" role. They put in a call to Winona Ryder's agent with a firm offer. In the meantime, Chloe Sevigny read for the part and was perfect for the role, according to Whit Stillman. They were able to get out of the offer to Ryder because her agent took four days to return the call. See more »

Goofs

Several of the main characters call themselves "yuppies," and one reports seeing graffiti reading "Die, Yuppie Scum!" even though the film was probably set in 1980-81. While the first known use of the word "yuppie" was in 1980, it did not gain common use, let alone negative connotations, until 1983. See more »

Quotes

[first lines]
Alice Kinnon: I hear you have a much better chance of getting in if you come by cab.
Charlotte Pingress: You're really worried about getting in?
Alice Kinnon: Yes.
Charlotte Pingress: I thought you've been here several times before.
Alice Kinnon: Not the front way. They were private parties. We came in through the back.
Charlotte Pingress: We look real good tonight. I'm sure we're gonna get in.
[Alice and Charlotte round the corner and see a large crowd waiting outside the Disco Club]
Alice Kinnon: [beat] Let's get a cab.
Charlotte Pingress: Yeah.
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Connections

References Metropolitan (1990) See more »

Soundtracks

I Don't Know If It's Right
Written by Theodore Life, John Fitch
Performed by Evelyn King (as Evelyn "Champagne" King)
Courtesy of The RCA Records Label of BMG Entertainment
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User Reviews

 
Wonderful and sardonic view of yuppie/disco life
23 June 2001 | by See all my reviews

Another winner from Whit Stillman! This is a very clever, well-written film in the Eric Bogosian or Hal Hartley style of a play for the screen. This film really does feel like theater in many ways, especially the funny and clever, tightly written dialogue.

Superb performance by almost the entire cast (the one exception being McKenzie Astin, who was fairly awful, but was barely onscreen so it was shrugable), raised the film to a level above its potential. Kate Beckinsale was the perfect bitch, so annoying that I wanted to pull her out of the screen and shake her repeatedly;) Christopher Eigeman nearly stole the show as Des, he played the character perfectly, his voice and tone always on edge, the defensiveness and womanizing, the stories he told, all a brilliant package. But Chloë Sevigny more than held her own, with her best performance that I've ever seen...everything from her line release to her body language stuck out; she became Alice.

This film is a definite must see...a great soundtrack, great sets, brilliant writing and better acting. It's a bit long, some scenes feel unnecessary, and at times he seems to be over-hammering his point, but Stillman has still provided us with a near-masterpiece, 8/1.


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