Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
After college graduation, Grover's girlfriend Jane tells him she's moving to Prague to study writing. Grover declines to accompany her, deciding instead to move in with several friends, all... See full summary »
Lester is an occasional substitute teacher and he's very jealous. He is jealous about the last boyfriend of Lester's slightly wacky current partner Ramona - arrogant best-selling author ... See full summary »
Last Days of Disco loosely depicts the "last days" at a disco palace, where drugs, sex and weirdness ran rampant. The story centers around a group of friends who frequent the disco and each other. All the characters are searching for something to make their lives more fulfilling. Some are searching for everlasting love and some are just wanting something different. As the disco is closed, they all wonder can disco ever really be dead? Written by
Kathy Clark <firstname.lastname@example.org>
Third feature film of director Whit Stillman. Metropolitan (1990) and Barcelona (1994) were the earlier works. This movie is the third film in director Whit Stillman's "Doomed-Bourgeois-in-Love series", these other two pictures being the other films in the series. This film includes a number of cameo appearances from characters that appeared in the two earlier movies. See more »
When the nightclub manager is in the DJ box and says, "Michael, "Good Times"", meaning play the song "Good Times" by Chic, the record cover that the DJ picks up shows an image of a white, blonde female artist, clearly not Chic. Also the visible label on the actual record is blue, not the red/black or red /green Atlantic Records logo, Chic's record company label. See more »
This very witty film hasn't received nearly enough praise for its effortless humor, great ensemble acting, and brilliant script. The film is a portrait of loosely-connected friends at the end of the disco era, with Alice and Charlotte at the center. You'll get more of a boogy rave rush from this talky indie than Ryan Phillippe's hot body in 54. Damn, do I love Chloe Sevigny, who makes Alice so real and vulnerable while Kate Beckinsale turns Charlotte into a hilarious bitch. They go clubbing, become involved with guys, there's some scams going at the club they frequent. It's sweetly hilarious and without a doubt worth seeing.
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