Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
While restoring an old painting showing a woman and two men playing chess, Julia discovers the text "Who killed the knight" underneath the paint. The owner of the painting tells her that ... See full summary »
When Marie-Louise goes to meet her lover Jean-Paul, who is arriving in Paris on his military leave, she goes to the wrong train station. Marie-Louise and Jean-Paul spend the next 24 hours running around the city looking for each other.
Last Days of Disco loosely depicts the "last days" at a disco palace, where drugs, sex and weirdness ran rampant. The story centers around a group of friends who frequent the disco and each other. All the characters are searching for something to make their lives more fulfilling. Some are searching for everlasting love and some are just wanting something different. As the disco is closed, they all wonder can disco ever really be dead? Written by
Kathy Clark <firstname.lastname@example.org>
The opening titles state that this film is set during the very early 1980s. They state only the specific month without mentioning the actual year of the month itself. See more »
Several of the main characters call themselves "yuppies," and one reports seeing graffiti reading "Die, Yuppie Scum!" even though the film was probably set in 1980-81. While the first known use of the word "yuppie" was in 1980, it did not gain common use, let alone negative connotations, until 1983. See more »
Chloe Sevigny, the independent film princess, lands in the great emerald city by the sea. The final moments of the disco period are about to expire and she must dispose of her wickedly evil roommate, Kate Beckinsale. The disco is the epicenter of the film, the "Oz" if you will, where the wizard appears to control the music and lights of the city. Whit Stillman produces movies as often as the Olympics come around, but I like the tone he achieves here. Check-out the eighties publishing world depicted in the film. What's missing? No computers. The office seems less cluttered and more soothing to the creative spirit. There's an off-the-cuff reference to J.D. Salinger and his different works. There are many such random references scattered through the frames of the film. The director keeps you on your toes. The highlight of the film arrives on an iron horse by means of an impromptu dance sequence. The extemporaneous dance number spills out onto the subway platform and beyond the station. Nice touch.
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