Ted, a stuffy white guy from Illinois working in sales for the Barcelona office of a US corporation, is paid an unexpected visit by his somewhat less stuffy cousin Fred, who is an officer ... See full summary »
The pathetically shy LV lives the life of a recluse listening to her late father's old records in her room and in the process driving her abusive, loud-mouthed mother, Mari Hoff, to ... See full summary »
Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
Last Days of Disco loosely depicts the "last days" at a disco palace, where drugs, sex and weirdness ran rampant. The story centers around a group of friends who frequent the disco and each other. All the characters are searching for something to make their lives more fulfilling. Some are searching for everlasting love and some are just wanting something different. As the disco is closed, they all wonder can disco ever really be dead? Written by
Kathy Clark <email@example.com>
The opening titles state that this film is set during the very early 1980s. They state only the specific month without mentioning the actual year of the month itself. See more »
In scenes where the main characters are seen riding the subway, the subway cars are immaculately clean and graffiti free. During the early 1980s (the time this film takes place), subway cars were notoriously gritty looking with graffiti covering the inside and outside of the cars. Police officers were also a common sight as crime on the subway was at an all time high. During the late 1980s, the Metropolitan Transportation Authority (MTA) which oversaw the city's subway services purchased a newer model from Canadian manufacturer Bombardier that was made of graffiti-proof alloys and had a different seat layout from previous trains. This model is the one seen in the film. See more »
1) There is no action in this movie. If you need *something*, then avoid this movie like the plague. And while one may think to themself, "dayam, those actresses look fine", there are no gratuitous skin shots. Its not a movie like "Honey", where you turn off the volume and just stare at Jessica Alba.
2) Its not really about the End of Disco (despite the title). The soon to be dead Disco era is a BACKDROP for the theme of the movie. Casablanca was not about WW II. It was a romance movie, and the War was a backdrop. No one bitches about the authenticity of the airplanes, uniforms, historical details of the politics or legal procedures, or portrayal of the Moroccan culture. Yes, I wish the filmmaker was a bit more zealous about period dress and music. Oh well. And while there are reminiscent touches, its not a movie who's focus is dedicated to capturing the Disco period. If what you want is an homage to Disco, then you won't like this movie.
3) It IS a "Coming of Age" movie. It is about vapid, just-out-of-college Americans starting out in the real world. The movie mostly skewers them, but I can't help but feel a bit of nostalgia and loss for a period of life that will never come back to me (early twentysomething). I strongly suggest you avoid the movie if you're under 35. You do not need to have lived through the disco period to appreciate the movie, but you do need to be an old fogey. Definitely a movie for adults, in the non-NC17 way.
4) The actors put on superlative performances. They were portraying vapid, witless, bland, soon to be full-blown yuppies. The time period is perfect for reflecting on the contrast of soon-to-be-over perceptions of life and the world from youth to early adulthood. You can almost see their worldview evolve within the one(?) year time period of the movie. There's nothing sucky about the acting. The characters are mostly sucky people; that's why they seem wooden, vapid, and lame. (And Kate Beckinsale does an AWESOME American accent; because she's British, and there isn't a hint of her native tongue.) Yes, their dancing seems lame, because the general public are generally lame dancers. People did not break out like John Travolta on the dance floor every night. Its not a movie about dancing.
5) One should be appreciating the dialogue from a detached distance, and be struck by its wit and humor. Not living through these people in a first person perspective. This is for people who can appreciate reading James Joyce, Harold Pinter, or Evelyn Waugh, or any great novelist/playwright who doesn't beat you over the head (usually with a voice-over) with the meaning of every aspect of a scene. (Apologies if these writers aren't good examples; I'm having a problem recalling an ideal choice.) If the movie seems to drift and be aimless, its because life is not a continuous series of epiphanies, and this is not a typical Hollywood feature. If you need something more obvious, you WON'T like this movie.
Its actually a bit hard to like this movie, but I do. I have met people who have lived through the Disco era and waxed poetic like Josh towards the end of the movie. They're actually yearning for the illusions of their youth; which is kind of what the movie is about.
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