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|Index||64 reviews in total|
I laughed a lot at this film! I have always loved Richard Dreyfus, and Jenna Elfman plays her role in this movie with a Lucille Ball-like zaniness. Like Dreyfus she has the ability to play drama as well as comedy. I can't understand how some of the other reviews are so harsh. Maybe you need to know what to expect when you sit down to watch this movie. Don't try to take the story too seriously. For example, if you're an anthropologist in real life, don't try to compare it to reality. Separate yourself from your day job, and don't take the jokes personally. It is a wild and crazy movie that is no more about the real life field of anthropology than "Scrubs" is about medicine. Lighten up, have a beer, relax, and you will enjoy this movie. Slapstick comedy has its place in the entertainment field. Don't spoil it for the rest of us who still enjoy this genre.
Dreyfuss has always been a master of high humor and KT is another enjoyable vehicle for it. Elfman is funny and vivacious, as well as lovely to look at. Both stars work well together. I laughed throughout; appreciating the movie for what it was meant to be: good comedy. I recommend this film for anyone wanting a lot of good laughs.
Krippendorf's Tribe has achieved something special, an incredible
balance of fun and smarts accessible to all.
There's a bit of exaggeration that will hold the interest of those who want primal fun, but little enough as not to displease those who do not want to be submerged by unrealistic situations.
The intelligent humor of the dialogs and scenario will easily enthused those who need smarts to appreciate a comedy, but not so much as to rebuff those who do not want to work their brains to laugh.
The acting is without reproach, even if a few of the secondary characters are a bit caricatured. The photography, soundtrack, and editing are as perfect as they are invisible, yet remarkable. The story is without logical flaw.
A must see, easily enjoyable by anyone.
*** This review may contain spoilers ***
I cannot disagree with the previous summary more. Whoever they are, they have no pulse! Just watched the movie last night with my family, and everyone had a great time - and laughed themselves silly. After a bit of a slow start, we find ourselves faced with one of the most inventive families ever - and one begins to lose track of how many lies have been told. The movie also lampoons fads in general. It is truly bizarre what can capture the public mindset, but when fashions are created upon a fictitious tribe, you know they've lost the plot. Jenna Elfman practically Xeroxed her Dharma character from Dharma & Greg, but she was more than welcome. Her charm and energy are infectious. Richard Dreyfuss was at his sarcastic best as well. And the Shelmickedmu? Hamamas! (If you want to know what that means watch the movie). It was a crying shame it was hard to find on DVD, but if you can pick up this gem, you won't regret it. And you'll find yourselves coming back for more.
I think this is a great film for anthropology students. It demonstrates
many of the hypocricies that exist within academia as well as the types
of pressures that many professionals feel within the field. I also
think it's a great introductory example for anthropology students
regarding ethics, structures of cultures, and the nature of our own
culture (how we justify normally taboo items).
I show it to my Introduction to Anthropology students every year. They laugh, they ask questions, and they appreciate the film. I recommend it. I've used it for years in Anthropology classes - I have students analyze the Shelmikedmud and come up with more cultural traits. I then follow by having them simulate the type of cultural creations that scifi writers do - creating their own alien cultures.
If this movie can be accepted as is (a comedy), it is funny. If totally unbelievable plot and situations are ignored it can still be a laugher. A few of the better instances were Lilly Tomlin (?) in the jungle, the television interview, and the banquet scene.
Dreyfuss at his manic best. This is literally one of a very few comedy films I've watched where I absolutely fell off of the sofa laughing. The funniest part of the movie is the filming of the fake tribe by Dreyfuss' character using a love interest who, being rendered involuntarily drunk, has no idea what is going on. Lily Tomlin adds greatly to the mix playing an uptight, administrative bore. The rest of the supporting cast, who are currently not especially well known actors, blends beautifully with Dreyfuss and Tomlin. The movie has great timing. The plot and characters are plausible enough to create an additional humorous dimension. I would rank this as one of the best movies Richard Dreyfuss has made to date. I would marry, on the spot, any woman who finds this movie as entertaining and funny as I do. As long as she is rich and beautiful, of course.
*** This review may contain spoilers ***
This movie is supposed to be a comedy, but it comes across as being
funny for the wrong reasons. The professor (Richard Dreyfuss) is
supposed to be the "good guy", but what is he doing? He (a)
misappropriates college funds, (b) tells a bold faced lie to cover up
his misdeeds, (c) involves his children in the scam, (d) gets a woman
drunk to have sex with her (that's rape as in sexual assault, in case
you have forgotten) and winds up televising it to the public, (d) tries
to get more money from the college via the same scam, and (e), once the
truth is out in the open, is saved via a lie from his daughter. Those
that are after the truth are portrayed as arrogant, unfair, and
snobbish who "deserve" to be fooled. The fact that the professor is in
the wrong seems to get lost in the shuffle, and if there's a moral to
the movie it's "don't get caught".
I do not recommend this movie, for the above reasons, for children.
Richard Dreyfus. An anthropologist creates a fake New Guinea tribe to
further his career.
This sounded like it would be painful to watch, and in some places, it is just that. but overall, this bears an endearing tone, and a genuine humor, which consistently colors the work, throughout.
Dreyfus's character, Krippendorf, is a frantic/manic anthropologist who tries to seem as though he is calm and collected, on the surface of the deception he has laid. Dreyfus is a phenomenal actor, who needs another Jaws/Close Encounters to revitalize his career. I wonder if Spielberg is listening? His performances come off as direct projections from the heart, no matter how low the budget they allow him, or what horrendous costars they saddle him with.
This work features a quirky story line with quirky subplots, and quirky characters, but none as enigmatic as Krippendorf himself.
This is a great way to spend a couple of hours, but as a Disney movie? Disney rewrites known history to suit its ends, and usually does so with great panache, but the return to ethnocentrism is potentially damaging to the field of anthropology. However, if you can suspend belief, which you must do to enjoy any Disney movie, then you may find the enjoyment from it that I did, but as usual, I'm in the minority.
It rates a 7.1/10 from...
the Fiend :.
Richard Dreyfuss and Jenna Elfman made a very stupid mistake when they
decided to add their names to "Krippendorf's Tribe," a disastrous
"Krippendorf's Tribe" is the type of film that falls under the category of mistake. The script, costumes and performances of the leads, Richard Dreyfuss and Jenna Elfman were all factors that drew me to this conclusion. Even the supposed romance between Dreyfuss and Elfman was a mistake as they had no chemistry.
I gave this film my full attention for 90 minutes but it didn't live up to what I was expecting. One thing I noticed lacking from this film was comedy, true comedy. The jokes were poor, futile attempts at laughs. Furthermore, I don't remember laughing at all and if I did it was at them instead of with them.
I am really sorry I wasted my time on this mistake of a film. The Razzies were correct in making this dullest comedy of 1998. They should have given worst actor awards to Dreyfuss and Elfman as well.
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