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Jakob the Liar (1999)

 -  Comedy | Drama | War  -  24 September 1999 (USA)
6.4
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Ratings: 6.4/10 from 11,153 users   Metascore: 40/100
Reviews: 85 user | 70 critic | 25 from Metacritic.com

In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »

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Title: Jakob the Liar (1999)

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Cast

Cast overview, first billed only:
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Éva Igó ...
Lina's Mother (as Eva Igo)
István Bálint ...
Lina's Father (as Istvan Balint)
Justus von Dohnányi ...
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János Gosztonyi ...
Samuel (as Janos Gosztonyi)
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Ádám Rajhona ...
The Whistler (as Adam Rajhona)
Antal Leisen ...
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Storyline

In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German radio broadcast about Russian troop movements. Returned to the ghetto, the shopkeeper shares his information with a friend and then rumors fly that there is a secret radio within the ghetto. Jakob uses the chance to spread hope throughout the ghetto by continuing to tell favorable tales of information from "his secret radio." Jakob, however, has a real secret in that he is hiding a young Jewish girl who escaped from a camp transport train. A rather uplifting and slightly humorous film about World War II Jewish Ghetto life. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

ghetto | radio | german | nazi | hope | See All (39) »

Taglines:

When all hope was lost, he invented it. See more »

Genres:

Comedy | Drama | War

Motion Picture Rating (MPAA)

Rated PG-13 for violence and disturbing images | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

24 September 1999 (USA)  »

Also Known As:

Una señal de esperanza  »

Filming Locations:

 »

Box Office

Budget:

$15,000,000 (estimated)

Opening Weekend:

$2,056,647 (USA) (24 September 1999)

Gross:

$4,956,401 (USA) (29 October 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

(Rankcolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In order to be consistent with Nordic/Germanic pronunciations, Jakob's name would actually be pronounced "YAH-kopp". However, with Jakob being a Polish Jew, it's far more likely his name would have the Polish/polonized form, 'Jakub' (pronounced "YAH-kupp"). See more »

Goofs

When Jakob is chasing after the newspaper, a wire pulling the newspaper is briefly visible. See more »

Quotes

[first lines]
Jakob Heym: Hitler goes to a fortune-teller and asks, "When will I die?" And the fortune-teller replies, "On a Jewish holiday." Hitler then asks, "How do you know that?" And she replies, "Any day you die will be a Jewish holiday."
See more »

Crazy Credits

Special thanks to the city and peoples of Piotrków, Poland, the city and peoples of Lódz, Poland and the city and peoples of Budapest, Hungary. See more »

Connections

Version of Jacob the Liar (1975) See more »

Soundtracks

Beer Barrel Polka (Roll Out The Barrel)
Written by Lew Brown, Wladimir A. Timm (as Wladimir Timm), Jaromir Vejvoda & Vasek Zeman
Performed by Will Glahé (as Will Glahe)
Courtesy of MCA Records
By Arrangement with Universal Music Special Markets
See more »

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User Reviews

 
Dark comedy, with an appropriately surreal ending
14 October 1999 | by (PA, USA) – See all my reviews

What I like about Jakob's tale is that Jakob is no natural hero who sets out to keep hope alive. Far from it. He is an ordinary man, and as terrified of the Nazis as any of his neighbors in the ghetto. He blunders his way into his unlikely role as a keeper of hope, and once there, cannot see from moment to moment how he can maintain it, wishes at times he could be rid of the burden, and yet somehow, manages to continue to inspire others who are so desperate for hope, they don't even try to disbelieve. In short, don't be fooled by the title: Jakob is just this guy; plotwise, he is only a hub around which a large wheel turns.

There were parts that didn't work for me, especially pieces where narration would have worked better than a character monologue (Jakob is a narrator as well as a character, so why does he talk to himself instead of us so much?) But on the whole, it was a good story, well performed by those involved.

The ending, which I shall refrain from describing for the benefit of any who have not seen it, is absolutely fitting. It is surreal, which may bother some, but leaves the door open to so many interpretations that you will wonder whether to take it as the true end, or whether it was Jakob's final lie. And fittingly, the decision is left in the mind of the viewer.


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