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The Earth military encounters an alien race called the Minbari. Through a series of accidents and misunderstandings, a war breaks out that nearly results in the death of every human on Earth. The war and its aftermath provide the background for the TV series "Babylon 5," especially its first season. Written by
Darin Adler <firstname.lastname@example.org>
Both the children and the Centauri woman are members of Emperor Mollari's household, and all got there through murder. Luc and Lyssa are the niece and nephew of Urza Jaddo, whom Mollari killed in a duel in the Babylon 5 installment, Knives. Senna, the Centauri woman, is the daughter of Lord Refa, whom Mollari had assassinated in the installment, And the Rock Cried Out, No Hiding Place. In both cases, Mollari took the children of his victims into his family. See more »
When Sheridan, Franklin and G'Kar are captured by the Minbari, Sheridan is punched by a guard and his rank pin is crooked. In the next shot, his pin is suddenly straight. See more »
[about to fire on a Minbari ship, thus starting the Earth/Minbari War]
All batteries, all forward guns... fire at will! I repeat, FIRE!
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Essential viewing for fans of the TV series, but still enjoyable for those who haven't seen Babylon 5 before.
All stories have a beginning. The five year TV tale of Babylon 5 did not however begin with the first episode. This story told in semi-autobiographical form by one of the TV series' main characters sets the scene for what would become the TV series storyline. Babylon 5 has consistently shown what can be done in the science-fiction area with intelligent writing, a good cast, and a decent budget for special effects. This is no exception, the acting is its usual standard - with particular mention to Peter Jurasik, always excellent entertainment in the form of Londo Mollari. The effects are of the same standard as the TV series, still the benchmark of computer animation for the small screen.
Most of the principals of the TV series are there - although some are reduced to almost cameos. The plot line is somewhat disjointed, but that's offset by the way it is told by Jurasik's Londo Mollari. The individual scenes are just long enough in most cases to carry the plot and allow the actors scope, while still making sure that those who watched the series find out the pasts of all the characters, although Garibaldi is conspicous by his absense.
For those who want a rollicking good tale of heroism, triumph, tragedy, humour and big explosions, then this is a movie for you.
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