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40 user 36 critic

Illuminata (1998)

R | | Drama, Romance | 1 May 1999 (Japan)
It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, "Illuminata". They reject it, saying it's ... See full summary »

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Writers:

(play), (screenplay) | 1 more credit »

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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Leo Bassi ...
Beppo
Henri Behar ...
Pitou
Maurizio Benazzo ...
Passerby
Fernando Bolles ...
Boy #2
...
Rachel
Jeff Braun ...
Duke
...
Journalist
...
Simone
Kenny Cranna ...
Scruffy man
...
Astergourd
...
Jailor
Timothy Doyle ...
Aristocrat #1 (as Timothy Doyle)
...
Old Flavio
Alexander Goodwin ...
Crying boy
Amo Gulinello ...
Pupo
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Storyline

It's the start of the 20th century, and Tuccio, resident playwright of a theatre repertory company offers the owners of the company his new play, "Illuminata". They reject it, saying it's not finished, and intrigue starts that involves influential critic Bevalaqua, theatre star Celimene, young lead actors and other theatre residents. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, nudity and language | See all certifications »
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Details

Country:

| |

Language:

Release Date:

1 May 1999 (Japan)  »

Also Known As:

Häivähdys paratiisista  »

Filming Locations:

 »

Box Office

Opening Weekend:

$53,264 (USA) (6 August 1999)

Gross:

$836,641 (USA) (12 November 1999)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Cinematographer Harris Savides (1957-2012) has an uncredited part as a theatre patron who walks up to John Turturro's character Tuccio, the resident playwright of the theatre, and says to him: "Did you see the play? I hated it.". See more »

Quotes

Bevalaqua: He was so young and so untalented.
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User Reviews

 
Exquisite (but not for everyone)
17 August 1999 | by (New York City) – See all my reviews

This is the best film I've seen this year. I'll go further than that: it's better than all but a few films I've seen in the last two years, including "Shakespeare in Love." Does this mean that I am giving "Illuminata" a universal recommendation? Well, no.

If you love the theatre, go see this film immediately. Travel hundreds of miles to see it, if you have to. It will be a transcendent experience, and your faith in motion pictures will be strengthened (or restored).

If you don't feel one way or another about the theatre but enjoyed "The Golden Coach" or "Les enfants du paradis," you'll enjoy "Illuminata" just as much.

On the other hand, if you don't like the theatre, or if you want your movies to have something to do with Real Life...well, let's just say that "Illuminata" will be wasted on you.

On that note, it's worth pointing out that "Illuminata" takes place at an important moment in the history of western theatre. The screenplay doesn't dwell on it, but the film is in some ways a chronicle of the struggle between symbolism and naturalism that took place during the last quarter of the 19th century and the first years of the 20th. Our hero, Tuccio, has written a symbolist drama reminiscent of Maurice Maeterlinck's "Pelleas et Melisande," while the owners of the theatre want to produce "Hedda Gabler," by the naturalist Henryk Ibsen.

On film, a compromise is reached. In life, naturalism won out. Our stages are dominated by the likes of Ibsen, Chekhov, and Miller; contemporary plays look oddly like sitcoms.

Support the fight against naturalism -- see "Illuminata."


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