The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the IRA, ... See full summary »
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Samuel L. Jackson,
Laura is trying to pick up the pieces of her life after the murder of her husband and son, and goes on vacation with her sister to Burma. After losing her passport at a political rally, she... See full summary »
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The Dave Clark Five,
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The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the IRA, the UVF and members of his own team. Written by
Andrew Wong <email@example.com>
The home of director John Boorman was robbed by the real life Martin Cahill. Among other things, he stole a gold record that Boorman had on the wall, which inspired Boorman to include that scene in the movie. See more »
The movie shows the raid on the jewelry manufacturers Thomas O'Connor and Sons in Harold's Cross, Dublin, which took place July 27th, 1983. The raiders use a Volkswagen T4 Transporter in the movie that wasn't in production in 1983 - this model was introduced onto the market in 1991. See more »
[to Gary, who just admitted to having sex with his own daughter]
You're a prick. Criminals don't molest kids. Leave that to the priests will ya?
See more »
There are few modern directors whom I respect as well as John Boorman. His biopics are always keenly observed, and he has a great eye for the comic moment. Cahill, history tells us, was a vicious thug - his only redeeming qualities, Boorman tells us, were his love for his family and comrades. Even if a few of Cahill's blemishes were airbrushed out to present him as a modern day Robin Hood, what the hell, it makes great cinema. Cahill is the perfect anti-hero, and with Boorman's decision to show us the ending at the beginning - we know that he ultimately pays the ultimate price for his crimes.
No point in harping on about the use of monochrome photography. I don't particularly think it matters - it just makes me wish I was watching Casablanca. But the principal actors are perfect. Brendan Gleeson and Adrian Dunbar make a fine pairing, and Jon Voight as Cahill's nemesis, Inspector Ned Kenny, is surprisingly good at the Irish accent, and back to his best form as an actor.
Boorman, although not as prolific, deserves to be regarded alongside Scorsese, Coppola and Kubrik for his insight into humanity and the sometimes strange bonds that result. No other modern directors do this as well as the above mentioned.
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