The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the IRA, ... See full summary »
Langston Whitfield is a Washington Post journalist. His editor provocatively sends him to South Africa to cover the Truth and Reconciliation Commission hearings, in which the perpetrators ... See full summary »
Samuel L. Jackson,
Laura is trying to pick up the pieces of her life after the murder of her husband and son, and goes on vacation with her sister to Burma. After losing her passport at a political rally, she... See full summary »
U Aung Ko,
Stewart McBain (Coleman) is a real-estate mogul who spends his living blowing up old buildings to make room to erect new buildings. All goes as planned for a new subdivision, until a group ... See full summary »
Prince Leo, last in the line of rulers of a long-deposed monarchy on continental Europe and jaded with the frenetic search for kicks with the European jet-set, returns to his father's ... See full summary »
A semiautobiographical project by John Boorman about a nine year old boy called Bill as he grows up in London during the blitz of World War 2. For a young boy, this time in history was more... See full summary »
Fresh out of prison, Git rescues a former best friend (now living with Git's girlfriend) from a beating at the hands of loan sharks. He's now in trouble with the mob boss, Tom French, who ... See full summary »
During World War II, an American pilot and a marooned Japanese navy captain are deserted on a small uninhabited island in the Pacific Ocean. There, they must cease their hostility and cooperate if they want to survive, but will they?
In this sequel to Hope and Glory (1987), Bill Rohan has grown up and is drafted into the army, where he and his eccentric best mate, Percy, battle their snooty superiors on the base and look for love in town.
Caleb Landry Jones,
The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the IRA, the UVF and members of his own team. Written by
Andrew Wong <firstname.lastname@example.org>
The home of director John Boorman was robbed by the real life Martin Cahill. Among other things, he stole a gold record that Boorman had on the wall, which inspired Boorman to include that scene in the movie. See more »
Set in 1984, the background of the anti-drug march features a car with a license plate beginning with "96," indicating 1996. See more »
[to Gary, who just admitted to having sex with his own daughter]
You're a prick. Criminals don't molest kids. Leave that to the priests will ya?
See more »
There are few modern directors whom I respect as well as John Boorman. His biopics are always keenly observed, and he has a great eye for the comic moment. Cahill, history tells us, was a vicious thug - his only redeeming qualities, Boorman tells us, were his love for his family and comrades. Even if a few of Cahill's blemishes were airbrushed out to present him as a modern day Robin Hood, what the hell, it makes great cinema. Cahill is the perfect anti-hero, and with Boorman's decision to show us the ending at the beginning - we know that he ultimately pays the ultimate price for his crimes.
No point in harping on about the use of monochrome photography. I don't particularly think it matters - it just makes me wish I was watching Casablanca. But the principal actors are perfect. Brendan Gleeson and Adrian Dunbar make a fine pairing, and Jon Voight as Cahill's nemesis, Inspector Ned Kenny, is surprisingly good at the Irish accent, and back to his best form as an actor.
Boorman, although not as prolific, deserves to be regarded alongside Scorsese, Coppola and Kubrik for his insight into humanity and the sometimes strange bonds that result. No other modern directors do this as well as the above mentioned.
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