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| Index | 81 reviews in total |
1 out of 3 people found the following review useful:
A very funny movie..., 11 October 1998
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Author:
Joe Monterosso (montero7@pilot.msu.edu) from East Lansing MI
Maybe it's because I'm partial to Jeff Goldblum, but I absolutely loved the Holy Man. Goldblum was very funny, as was Eddie Murphy. I read bad reviews, but everyone I've talked to who saw it (who aren't critics) liked the movie. What's with the critics?
2 out of 5 people found the following review useful:
If you missed "Holy Man" is missed wholly nothing!, 13 June 2008
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Author:
zardoz-13 from United States
*** This review may contain spoilers ***
Cast as 'G,' an enigmatic messiah who saves a TV shopping network from
disaster, "Trading Places" comedian Eddie Murphy looks like a Buddhist
monk in his white robe with a clean-shaven head. A serene smile on his
face, Murphy spouts platitudes such as "You need to find ultimate and
complete happiness." Not only does "Holy Man" register as a lukewarm
New Age romantic comedy, but it also neglects to exploit Murphy for
maximum mirth. Although billed as the title character, Murphy spends
more time off screen. Sadly, "Holy Man" waits far too long to integrate
the Eddie Murphy character into the action. Worst, "Mr. Holland's Opus"
director Stephen Herek's film crackles with pretense more often than
humor.
"Holy Man" focuses on self-absorbed TV executive Ricky Hayman (Jeff
Goldblum of "Jurassic Park") whose career at the Miami-based Good Buy
Shopping Network is in the crapper. When his new boss, Mr. Bainbridge
(a deeply tanned Robert Loggia), delivers an ultimatum, Ricky finds his
work cut out for him. If network profits don't pick up in 14 days,
Ricky is history. Adding insult to injury, Bainbridge hires sassy media
analyst Kate Newell (Kelly Preston of "Twins") to help Ricky devise a
distinctive network image. At first, Ricky and Kate hate each other.
Eventually, they wind up in each other's arms. Breezing down the
freeway one day, Ricky's Jaguar blows a tire. Accident and coincidence
serve to bring Ricky, Kate, and G together. On a footloose pilgrimage
through Miami, G takes the time to kneel and smell the grass. Crossing
the rush hour freeway with no thought for his own safety, G offers to
help Ricky and Kate. G captivates Kate with his cordiality. As Ricky is
about to drive off, he puts his Jaguar in reverse and nearly backs over
the pilgrim. G faints, and Ricky and Kate rush him to the hospital.
Kate invites G to her home to recover. Ricky insists that G bunk with
him. G turns Ricky onto herbal teas and meditation. Ricky's low opinion
of G does a 180 when G crashes one of Ricky's parties. G uses hypnosis
to cure a wealthy party guest who fears flying. Ricky makes a deal with
G that sends him before the cameras. G pokes fund at the crass
hucksterism of Ricky's cheapskate products. GBSN's ratings soar, and G
becomes an overnight sensation. Eventually, a guilt-ridden Kate
convinces Ricky that they have no right to ruin G's life with fame and
fortune. Driving back to where they met him on the freeway, Ricky and
Kate bid G adieu. Nothing miraculous or hilarious enlivens Oscar
winning "Dead Poets Society" scenarist Tom Schulman's sluggish,
pseudo-inspirational screenplay. The premise is that (1) shopping and
(2) watching TV are the two key experiences that Americans pursue with
religious fanaticism. Herek and Schulman obsess over plot logistics
instead of forging funny situations.
As a comedy, "Holy Man" springs jokes and gags that garnish rather than
galvanize the plot. Murphy doesn't appear until nearly twenty minutes
or more have elapsed. When G should be front and center for laughs, the
filmmakers cut back to Ricky and Kate's banal love story and leaves
little time for Murphy. Basically, "Holy Man" doesn't have a prayer,
but Eddie Murphy deserves credit for trying something new. The
magnetism that G displays comes primarily from Murphy's smirking but
subdued performance as a neutered but nice guy. Aside from his
on-camera antics during a 'live' taping session in the GBSN studio,
Murphy never breaks character to share in the laughter. Lanky Jeff
Goldblum milks soulless Ricky Hayman for everything that he can.
Goldblum is one of those rare thespians who can make gabby stretches of
expository dialogue sound fascinating when it is clear that all he is
doing is juggling literary baloney. Kelly Preston furnishes the
obligatory sex appeal. Several real-life star, such as Soupy Sales,
Betty White, Florence Henderson, and James Brown, show up in celebrity
cameos as sponsors for phony products. None of these fake wares elicits
more than half-of-a-grin. The best scene in "Holy Man" has G zapping
Morgan Fairchild while she is hooked up to a portable electronic,
instant face-lifting contraption. Although Eddie Murphy saves a TV
shopping network, he loses "Holy Man." Imitating the Home Shopping
Network, "Holy Man" sets its satirical sights high in lambasting the
bogus lords of television and consumerism. Boasting few insights and
even fewer jokes, "Holy Man" lacks the conviction to entertain much
less eviscerate. Nowhere as side-splitting as "The Nutty Professor,"
"Holy Man" makes watching QVC a real option. If you missed "Holy Man"
is missed wholly nothing!
2 out of 5 people found the following review useful:
Just not funny, 28 July 2005
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Author:
msatlas
So yeah, this movie is supposedly a comedy. It takes a completely unrealistic premise to start with, goes for a couple laughs early on--hey let's hook Morgan Fairchild up to a car battery and make her face bug out with really bad CGI!--then turns into a stupid sappy romance movie where two people are brought together by some random common element (in this case, Eddie Murphy's character). It's like the movie forgot it was supposed to be a comedy and then we have these two people who are supposed to like each other, because the script said so. Eddie Murphy's character is brought into the picture to provide comic relief, but after that first montage of him messing up the sets, all he does is put on the faux guru act. He smiles, and forgives assorted other characters assorted other faults, and generally behaves benevolently. Kelly Preston and Jeff Goldblum fall for each other because they work in the same office. Predictably, one of them does something to lose the other one, and I wonder what happens after then? The jokes stopped coming long ago, so why should we care about these two characters that have no reason to like each other? What's the point?
2 out of 5 people found the following review useful:
Tries to be too much, 17 December 2001
Author:
bob the moo
TV shopping executives Ricky and Kate stumble upon a homeless spiritual man,
G, and discover that his charisma and his honesty are great sales tool. They
put him on the air and he soon is a phenomenon. However his message seems to
go against the very values of materialism of the shopping channel. While
Kate realises what's she's doing, Ricky can only see the chances of
promotion via G's success. As ratings rise so do conflicts.
This film is a strange mix. Is it a romantic comedy between Ricky and Kate?
Is it a comedy with G? Is it a condemnation of our shopping, materialistic
society? Is it a spiritual message film? Who knows - it tries to be all
thing and none of them work because it doesn't know which one it wants to
be. The comedy is funny in patches, the romance only comes in towards the
end, G's spirituality is pure what-people-want-to-hear-ism and the satire on
materialism is too diluted and muddled to be fully effective. That said it's
really the only bit that works halfway well.
Murphy is quite good here but is a little hampered - not being able to let
loose and get straight laughs (Nutty Professor). Goldblum, looks, sounds and
acts the same as he does in everything else. Kelly Preston is good and has
to carry the moral weight of the film. Solid support is put in by Robert
Loggia, John Cryer and Eric McCormack.
Overall a film that tries to be too much and fails on most of
them
2 out of 5 people found the following review useful:
1.5 stars, 11 January 2001
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Author:
matt caccamo (caccamo.1@nd.edu) from Chicago, Illnois
Pointless story of a home shopping network general manager (Goldblum) and his encounter with title character "G," (Murphy). Goldblum uses "G" to help raise sales at the station, and "G" miraculously changes Goldblum from a self-centered man to a softie ready to fall in love with his co-worker (Preston). We are meant to assume Murphy's character is somehow divine, but his true identity is never revealed. Film focuses entirely too much on Goldblum and ignores the more likable, and funny, Murphy character.
2 out of 5 people found the following review useful:
Pass on this one, 19 August 1999
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Author:
Hemmy from Shawnee, Kansas
You must really like Jeff Goldblum to sit through this film. I don't. Eddie Murphy underplays his role and is excellent as usual. Overall there was too much Jeff Goldblum and too little Eddie Murphy and Kelly Preston.
2 out of 5 people found the following review useful:
Poor, 30 July 1999
Author:
hammy-7 from Calgary
This movie is a complete waste of time. This flick must have been thrown together because somebody was broke and needed some fast jake. Eddie Murphy looks pathetic and almost seems to be laughing internally at how low he has stooped in this role. He looks about as comfortable in the role of "G" as a three pound sausage in a one pound sausage skin. Even more "irritating" is Jeff Goldblum. His character may be the all time worse role for anybody anywhere. (He is worse than that clown in Weekend at Bernie's Part 2). The only saving grace in this movie is the beautiful Kelly Preston. Scientology aside, this lady is the bomb. Unfortunately, she took a role in this dud. I might have to go rent Jerry MaGuire to reinstate my faith in her. Do yourself a big favor and save your $$$ on this one. 2 out of 10 on a charitable day.
2 out of 5 people found the following review useful:
Unholy waste of time..., 20 May 1999
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Author:
Robert Ewer (pavilionsf@aol.com) from Las Vegas, Nevada
Edie Murphy decides to go nice and it is mildly amusing for the first three or four minutes. Homeless, friendless "G" hooks up with a tv shopping network producer played by Jeff Goldbaum and suddenly sales skyrocket. Predictable script but no middle; only a beginning and an end. SO WHAT?? Goldbaum has all the good lines and plays them to the hilt. In fact, Murphy's "G" is truly only a supporting role. However, it is still a waste of time.
2 out of 5 people found the following review useful:
Overly long movie with small amounts of humour., 28 February 1999
Author:
stuart lambeth from Wolverhampton, UK
This film was billed as a tv evangelist goes onto a tv home shopping network & takes america by storm. This is not a true statement of this movie. Eddie Murphy's character is a wandering do-gooder who's identity is not explained at all. The subplot of Jeff Goldblum meeting his new producer ( a female played by Kelly Preston )& going to fall in love with is just another example of the typical american feel-good film. This film is billed as a comedy. It is only funny in very small doses with long gaps in between. It has more funny moments that I think would work well in America & not at all in Britain. The most glaring example is the combined toilet & bidet product on the shopping channel. A fanny is not an ass or bottom in the UK. This got more nervous laughs than actual I-thought-that-was-funny laughs. If you like Eddie Murphy or Jeff Goldblum & are feeling a bit down, go see it, or even better, rent it out. If you are looking for something a little more funny, I suggest looking elsewhere.
2 out of 5 people found the following review useful:
Walk-out, 1 December 1998
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Author:
Western from United States
If I was the walk-out type - this film I would have walked out after 15 minutes. I kept thinking it has to get better but it didn't. So I sat there and suffered. Funny it wasn't. A waste of Eddie Murphy, Jeff Goldblum, and Robert Loggia and admission costs.
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